Between Noon And Three

Picture a college town in the mid- 1970s. An English professor who has become an expert in extramarital dalliances is smitten by one of his graduate students. They meet for lunch around noon, and before three they make declarations of love. Is it possible that their subsequent affair could ultimately teach us something about true forgiveness and the radical meaning of grace? Only Robert Farrar Capon would have the audacity -- and the authorial skill -- to fashion such a tale. It has taken well over a decade for Between Noon and Three to appear in this, its original form. First published under two separate titles with significant parts excised and an entire section recast, the real Between Noon and Three is actually a trilogy of intertwined tales, each of which exhibits Capon's persistent insistence on the outrageous nature of grace. The original manuscript is here printed in full, including a new introduction by Capon on the work's unusual history. Reading sometimes like a provocative novel, sometimes like a theological wrangle between writer and reader, Between Noon and Three defies categorization. Capon sums up the book this way: "Those who read it as a novel are doomed to disappointment: at every turn, the story line entangles itself in theological ropework. On the other hand, those who prefer their theology straight up -- no ice, no olives, no twists -- will recoil at the plethora of oddments I serve with it, not to mention my penchant for mixing purple prose with low comedy. I always work two sides of the street at once, running from store to store, picking up what strikes my fancy. If you can stand the switching back and forth, it makes for a diverting experience." Diverting, disconcerting, engaging, enlightening -- it's pure Capon.

Here in one volume is Robert Farrar Capon's widely praised trilogy on Jesus' parables — The Parables of the Kingdom, The Parables of Grace, and The Parables of Judgment. These studies offer a fresh, adventurous look at all of Jesus' parables, treated according to their major themes. With the same authorial flair and daring insight that have earned him a wide readership, Capon admirably bridges the gap between the biblical world and our own, making clear both the original meaning of the parables and their continuing relevance today.

Discover the emotionally gripping and uplifting page-turner that will put a smile on your face 'Heart-breaking and full of hope' WOMAN & HOME 'Wonderful, compassionate, unpredictable' GRAEME SIMSION, author of THE ROSIE PROJECT 'I genuinely couldn't recommend Saturdays At Noon enough' 5***** READER REVIEW ________ EMILY JUST WANTS TO KEEP THE WORLD AWAY. After getting into trouble yet again, she's agreed to attend anger management classes. But she refuses to share her deepest secrets with a room full of strangers. JAKE JUST WANTS TO KEEP HIS FAMILY TOGETHER. He'll do anything to save his marriage and bond with his six-year-old son, Alfie. But when he's paired with spiky Emily, he wonders whether opening up will do more harm than good. The two of them couldn't be more different. Yet when Alfie, who never likes strangers, meets Emily, something extraordinary happens. COULD ONE SMALL BOY CHANGE EVERYTHING? _________ 'Totally loveable and completely unforgettable' CLAIRE POOLEY 'I loved this book' KATIE FFORDE Readers LOVE Saturdays at Noon . . . 'Such a special book . . . the characters jump off the page and pull you immediately into their world' 5***** Reader Review 'This book was FANTASTIC. When I wasn't reading it I couldn't stop thinking about it' 5***** Reader Review 'Outstanding. I have goosebumps typing this review . . . The story telling is the best I have read in a long time' 5***** Reader Review Longlisted for the Guardian's 'Not The Booker' prize!

The world to which the Gospel of Mark introduces its reader is a world of conflicts and suspense, enigmas and secrets, questions and overturning of evidence, irony and surprise. Its principal actor, Jesus, is perplexing in the extreme. He is evidently so for the religious authorities who oppose him, but also for his disciples, who shift from incomprehension to opposition and flight. Questions of meaning, life and death, good and evil are continually broached. This narrative is a subtle invitation to enter into a new world, that of the coming Reign of God, in which the first are last and whoever wants to save his life must lose it. This commentary on the Gospel of Mark has been enthusiastically reviewed in the French edition as one of the best current commentaries on Mark. As a narrative critical commentary, it favors an interpretation of the Gospel that tries to grasp the dynamic of the text taken as a whole. Even if the technical vocabulary of narrative analysis is not used, and the main results of the historical-critical criticism, particularly those of redaction criticism, are not neglected, as the notes will reveal, it is narrative criticism that guides the proceedings.

Reprint of the ed. published by Doubleday, Garden City, N.Y.

From Homer and Shakespeare to Toni Morrison and Jonathan Safran Foer, major works of literature have a great deal to teach us about two of life’s most significant stages—growing up and growing old. Distinguised scholar Arnold Weinstein’s provocative and engaging new book, Morning, Noon, and Night, explores classic writing’s insights into coming-of-age and surrendering to time, and considers the impact of these revelations upon our lives. With wisdom, humor, and moving personal observations, Weinstein leads us to look deep inside ourselves and these great books, to see how we can use art as both mirror and guide. He offers incisive readings of seminal novels about childhood—Huck Finn’s empathy for the runaway slave Jim illuminates a child’s moral education; Catherine and Heathcliff’s struggle with obsessive passion in Wuthering Heights is hauntingly familiar to many young lovers; Dickens’s Pip, in Great Expectations, must grapple with a world that wishes him harm; and in Marjane Satrapi’s autobiographical Persepolis, little Marjane faces a different kind of struggle—growing into adolescence as her country moves through the pain of the Iranian Revolution. In turn, great writers also ponder the lessons learned in life’s twilight years: both King Lear and Willy Loman suffer as their patriarchal authority collapses and death creeps up; Brecht’s Mother Courage displays the inspiring indomitability of an aging woman who has “borne every possible blow. . . but is still standing, still moving.” And older love can sometimes be funny (Rip Van Winkle conveniently sleeps right through his marriage) and sometimes tragic (as J. M. Coetzee’s David Lurie learns the hard way, in Disgrace). Tapping into the hearts and minds of memorable characters, from Sophocles’ Oedipus to Artie in Art Spiegelman’s Maus, Morning, Noon, and Night makes an eloquent and powerful case for the role of great literature as a knowing window into our lives and times. Its intelligence, passion, and genuine appreciation for the written word remind us just how crucial books are to the business of being human.