Between Speaking And Silence

Why are students silent? Using written reflections and interviews, Mary M. Reda examines students' perceptions of speaking and being silent in a first-year composition classroom, and explores how their teachers, classroom relationships, and their own sense of identity shape their decisions to speak or be silent. By challenging many firmly held beliefs about those quiet students in the back of the classroom, Between Speaking and Silence offers the new vision that silence is not necessarily problematic.

In Speaking of Silence in Heidegger, Wanda Torres Gregory critically analyzes Heidegger’sthoughts on silence. Arguing that silence about silence is a guiding principle in his sparse and often reticent words, Torres Gregory sets out to decipher their elusive meanings. Charting the trajectory of Heidegger’s reflections, from Being and Time to On the Way to Language, she shows that he develops his ideas of silence in increasingly closer relations to his also evolving ideas of truth as the unconcealedness of being/beyng and language as disclosive sonorous saying. Torres Gregory distinguishes between human, primordial, and primeval forms of silence, and the linguistic, pre-linguistic, and proto-linguistic levels at which silence can occur in relation to sonorous speech. While the book focuses on these inner conceptual dynamics, the author remains mindful of Heidegger’s ties to National Socialism and clarifies how his theoretical assumptions allow for oppressive silencing. The book concludes with critical reflections on the later Heidegger’s thinking of silence and proposes alternatives to his claims concerning the sound beyond sounds, the metaphysics of mystical silence, the uniquely linguistic essence of the mortals, and the loud idle talk in the age of modern technology.

Foreword to the Edition of 1977 Foreword to the 1994 Edition Editorial Note Note by Translator Culture and Value A Poem Notes Appendix:List of Sources List of Sources, Arranged Alphanumerically Index of Beginnings of Remarks Subject Index Index of Names.

Amid the spiritual and intellectual turmoil of seventeenth-century England, the Quakers emerged and grew into a distinct and enduring religious movement. This book offers a fresh and striking insight into early Quaker history through a study of their distinctive ways of speaking, which, together with their use of silence, served as a specific identifying feature of the movement. Using the combined perspectives of the ethnography of speaking, symbolic anthropology, and the historical sociology of religion, Richard Bauman shows that for the very early Quakers speaking and silence were key symbols, providing both a vocabulary for conceptualizing their principles as well as a vehicle for carrying these principles into action. Silence was not merely an abstention from speaking or an empty interval between utterances, but an act as richly textured and multidimensional in its meanings as speaking. Both unified thought and action. Professor Bauman discusses many instances of the operation of speaking and silence, including, among other central elements of early Quaker belief and practice, the contexts and settings of Quaker religious communication, the patterns and functions of Quaker "plain language," and the Quaker testimony against the swearing of oaths. In particular, he examines the role of the minister, both as a dynamic speaker who played out the tension between speaking and silence, and as a link between the outside world and the Quaker inner community. He also uses the role of the minister to trace the changes in speaking, and, correspondingly, the direction of the Quaker movement, during the seventeenth century. This book is unique in that it comprehends both the cultural and social aspects of Quaker history by explicating their construction of meaning through their use of language. Its unified approach will make it of interest to sociolinguists, social historians, symbolic anthropologists, and sociologists of religion.

This book concerns itself with the origin of speech and language, takes the reader through the steps of dialectic (how to reason) and rhetoric (how to persuade), examines the importance of stories and symbols and the role of thinking, and highlights the necessity of silence and the practice of meditation. Though it is written from a philosophical perspective, it is eminently practical, with guidelines, exercises, ancient advice, and concrete suggestions on how to communicate, convince, and commune with one's self. Dr. Costello draws on both Eastern and Western thought to show the power, poetry, and potential of words. It explores the following: how to question (Socrates and Plato); how to argue (Aristotle and Cicero); how to be right (Schopenhauer); how to think (Heidegger); how to spot your speaking style (the enneagram); how to communicate compassionately (Thich Nhat Hanh); how to meditate and stay silent (various contemplative traditions).

Izydora Dąmbska (1904-1982) was a Polish philosopher; a student of Kazimierz Twardowski, and his last assistant. The present volume includes twenty eight translations of her representative papers.

This book discusses the elusive centrality of silence in modern literature and philosophy, focusing on the writing and theory of Jean-Luc Nancy and Roland Barthes, the prose of Samuel Beckett, and the poetry of Wallace Stevens. It suggests that silence is best understood according to two categories: apophasis and reticence. Apophasis is associated with theology, and relates to a silence of ineffability and transcendence; reticence is associated with phenomenology, and relates to a silence of listenership and speechlessness. In a series of diverse though interrelated readings, the study examines figures of broken silence and silent voice in the prose of Samuel Beckett, the notion of shared silence in Jean-Luc Nancy and Roland Barthes, and ways in which the poetry of Wallace Stevens mounts lyrical negotiations with forms of unsayability and speechlessness.

Winner of the American Book Award Based on the author's own experiences, this award-winning novel was the first to tell the story of the evacuation, relocation, and dispersal of Canadian citizens of Japanese ancestry during the Second World War.