Silence In Modern Literature And Philosophy

This book discusses the elusive centrality of silence in modern literature and philosophy, focusing on the writing and theory of Jean-Luc Nancy and Roland Barthes, the prose of Samuel Beckett, and the poetry of Wallace Stevens. It suggests that silence is best understood according to two categories: apophasis and reticence. Apophasis is associated with theology, and relates to a silence of ineffability and transcendence; reticence is associated with phenomenology, and relates to a silence of listenership and speechlessness. In a series of diverse though interrelated readings, the study examines figures of broken silence and silent voice in the prose of Samuel Beckett, the notion of shared silence in Jean-Luc Nancy and Roland Barthes, and ways in which the poetry of Wallace Stevens mounts lyrical negotiations with forms of unsayability and speechlessness.

Silence in Philosophy, Literature, and Art demonstrates how silence as a form of indirect discourse provides us with access to hitherto inaccessible aspects of human experience.

Why does interrogation silence its object and not make it speak? Silence vs speech is a central issue in classical and modern literary works. This book studies literary representations of the power relations in which we are forced to speak using a range of texts ranging from the modern crime novel, via classics, to avant-garde plays.

This is a study of Virginia Woolf's lifelong preoccupation with silence and the barrier between the sayable and the unsayable. Using a wide range of thinkers from Kierkegaard to Kristeva and Derrida, Laurence demonstrates convincingly that Woolf was the first modern woman novelist to practice silence in her writing and that, in so doing, she created a new language of the mind and changed the metaphor of silence from one of absence or oppression to one of presence and strength. It suggests new directions for Woolf criticism.

Presenting an engaging reflection on the work of prominent modern Iranian literary artists in exchange with contemporary Continental literary criticism and philosophy, this book tracks the idea of silence – through the prism of poetics, dreaming, movement, and the body – across the textual imaginations of both Western and Middle Eastern authors. Through this comparative nexus, it explores the overriding relevance of silence in modern thought, relating the single concept of "the radical unspoken" to the multiple registers of critical theory and postcolonial writing. In this book, the theoretical works of Georges Bataille, Maurice Blanchot, Gaston Bachelard, Antonin Artaud, and Gilles Deleuze are placed into a charged global dialogue with the literary-poetic writings of Sadeq Hedayat, Ahmad Shamlu, Nima Yushij, Esmail Kho’i, and Forugh Farrokhzad. It also examines a vast spectrum of thematic dimensions including disaster, exhaustion, eternity, wandering, insurrection, counter-history, abandonment, forgetting, masking, innocence, exile, vulnerability, desire, excess, secrecy, formlessness, ecstasy, delirium, and apocalypse. Providing comparative criticism that traces some of the most compelling intersections and divergences between Western and Middle Eastern thought, this book is of interest to academics of modern Persian literature, postcolonial studies, Continental philosophy, and Middle Eastern studies.

The powerful, beautiful and chilling sequel to the bestselling Straw Dogs John Gray draws on an extraordinary array of memoirs, poems, fiction and philosophy to make us re-imagine our place in the world. Writers as varied as Ballard, Borges, Freud and Conrad are mesmerised by forms of human extremity - experiences on the outer edge of the possible, or which tip into fantasy and myth. What happens to us when we starve, when we fight, when we are imprisoned? And how do our imaginations leap into worlds way beyond our real experience? The Silence of Animals is consistently fascinating, filled with unforgettable images and a delight in the conundrum of our existence - an existence which we decorate with countless myths and ideas, where we twist and turn to avoid acknowledging that we too are animals, separated from the others perhaps only by our self-conceit. In the Babel we have created for ourselves, it is the silence of animals that both reproaches and bewitches us. Reviews: 'The Silence of Animals is a new kind of book from Gray, a sort of poetic reverie on the human state, on the state, that is, of the human animal ... He blends lyricism with wisdom, humour with admonition, nay-saying with affirmation, making in the process a marvellous statement of what it is to be both an animal and a human in the strange, terrifying and exquisite world into which we straw dogs find ourselves thrown' John Banville, Guardian 'Interesting, original and memorable ... The Silence of Animals is a beautifully written book, the product of a strongly questioning mind. It is effectively an anthology with detailed commentary, setting out one rich and suggestive episode after another' Philip Hensher, Spectator About the author: John Gray has been Professor of Politics at Oxford University, Visiting Professor at Harvard and Yale and Professor of European Thought at the London School of Economics. He now writes full time. His books include False Dawn: The Delusions of Global Capitalism, Straw Dogs: Thoughts on Humans and Other Animals and The Immortalization Commission: The Strange Quest to Cheat Death. His selected writings, Gray's Anatomy, was published in 2009.

The modernist poetry of Wallace Stevens is replete with moments of theorizing. Stevens regarded poetry as an abstract medium through which to think about and theorize not only philosophical concepts like metaphor and reality, but also a unifying thesis about the nature of poetry itself. At the same time, literary theorists and philosophers have often turned to Stevens as a canonical reference point and influence. In the centenary year of Wallace Stevens’s first collection Harmonium (1923), this collection asks what it means to theorize with Stevens today. Through a range of critical and theoretical perspectives, this book seeks to describe the myriad kinds of thinking sponsored by Stevens’s poetry and explores how contemporary literary theory might be invigorated through readings of Stevens.

“To hear silence is to find stillness in the midst of the restlessness that makes creative life possible and the inescapability of death acceptable.” So writes Mark C. Taylor in his latest book, a philosophy of silence for our nervous, chattering age. How do we find silence—and more importantly, how do we understand it—amid the incessant buzz of the networks that enmesh us? Have we forgotten how to listen to each other, to recognize the virtues of modesty and reticence, and to appreciate the resonance of silence? Are we less prepared than ever for the ultimate silence that awaits us all? Taylor wants us to pause long enough to hear what is not said and to attend to what remains unsayable. In his account, our way to hearing silence is, paradoxically, to see it. He explores the many variations of silence by considering the work of leading modern and postmodern visual artists, including Barnett Newman, Ad Reinhardt, James Turrell, and Anish Kapoor. Developing the insights of philosophers, theologians, writers, and composers, Taylor weaves a rich narrative modeled on the Stations of the Cross. His chapter titles suggest our positions toward silence: Without. Before. From. Beyond. Against. Within. Between. Toward. Around. With. In. Recasting Hegel’s phenomenology of spirit and Kierkegaard’s stages on life’s way, Taylor translates the traditional Via Dolorosa into a Nietzschean Via Jubilosa that affirms light in the midst of darkness. Seeing Silence is a thoughtful meditation that invites readers to linger long enough to see silence, and, in this way, perhaps to hear once again the wordless Word that once was named “God.”