Between Tongues

Between Tongues takes the subject of performance translation in a completely new direction. While the topic is often discussed in relation to the translation of dramatic texts, such as Shakespeare in Malay, the authors in this collection examine presentations of traditional and contemporary works in Asia in their original languages before audiences who do not share that language. They also discuss translation as a phenomenon inherent to much performance in Asia, particularly in multilingual settings.

The phenomenon of "Speaking in Tongues"is examined in its religio-historical context. Part 1 considers recent scholarly studies of "inspired speech" in the ancient world where parallels have been alleged with the early Christian experience as recorded in the New testament. In Part 2 both the Lucan and Pauline references to "tongues" are considered in detail with a view to discerning the significance of the phenomenon for the church its its mission and worship. In the light of this, practical implications are drawn for the church in the 21st century.

(M)Other Tongues: Literary Reflexions on a Difficult Distinction examines a key problem of literary criticism: the differentiation between languages is at the same time necessary and impossible. It is indispensable in order to read a text, yet literary texts are precisely those that question this distinction, articulating the link between languages and cultures, as well as the inherent strangeness of even one’s own mother tongue. (M)Other Tongues explores texts from the 16th century to the 21st century, focusing on different aspects of one main feature of literary texts: formally, as well as semantically, they transcend the rules and conventions of the language they speak. Crossing cultural borders is commonly discussed in historical, social, linguistic, and psychoanalytical terms – whether it be as (post-)colonialism, exilic or diasporic identities, creoles, or the displaced other within the own. (M)Other Tongues argues that, rather than being mere evidence in the theoretical analysis of cultural transitions, literary texts are a unique medium to reflect such processes as they challenge and modify the notion of language itself. The book discusses texts written mainly in English, French, and German, but also in Spanish and the complex formerly known as Yugoslavian. (M)Other Tongues shows that such distinctions between languages are precise since they can be exemplified with an indefinite number of words and rules, and still remain uncertain because they cannot be abstracted from these examples. What separates the mother tongue from other tongues is indeed precise uncertainty.

Speaking in tongues (glossolalia) is a common spiritual phenomenon in the Pentecostal and Charismatic streams of the Christian church. Such Christians believe that when they speak in tongues they are communicating with God in a language that they have never learned--spiritual prayer language given to them by the Holy Spirit. This innovative volume seeks to enhance our understanding and appreciation of glossolalia by examining it from a range of different angles. Christian scholars from diverse academic disciplines bring to bear the insights of their own specialist areas to shed new light on the practice of speaking in tongues. The disciplines include: New Testament Studies--Max Turner Theology--Frank D. Macchia History--Neil Hudson Philosophy--James K. A. Smith Linguistics--David Hilborn Sociology--Margaret M. Poloma Psychology--William K. Kay A final chapter by Mark J. Cartledge seeks to show how all of these perspectives can work together and enrich a Christian appreciation of the gift of tongues.

Bringing “spiritual experience” into the domain of biblical hermeneutics, this book will certainly stimulate current debates within this field, among both Pentecostals and Christians of other traditions. The author also applies a Pentecostal hermeneutical methodology to Paul’s teaching on tongues and prophecy in 1 Corinthians 12–14, opening possibilities to a Pentecostal pneumatology that tends instead to focus on the Lukan narrative. Paul’s texts are reconsidered not as doctrinal or situational documents but as dynamic communication within a living community.

Borrowed Tongues is the first consistent attempt to apply the theoretical framework of translation studies in the analysis of self-representation in life writing by women in transnational, diasporic, and immigrant communities. It focuses on linguistic and philosophical dimensions of translation, showing how the dominant language serves to articulate and reinforce social, cultural, political, and gender hierarchies. Drawing on feminist, poststructuralist, and postcolonial scholarship, this study examines Canadian and American examples of traditional autobiography, autoethnography, and experimental narrative. As a prolific and contradictory site of linguistic performance and cultural production, such texts challenge dominant assumptions about identity, difference, and agency. Using the writing of authors such as Marlene NourbeSe Philip, Jamaica Kincaid, Laura Goodman Salverson, and Akemi Kikumura, and focusing on discourses through which subject positions and identities are produced, the study argues that different concepts of language and translation correspond with particular constructions of subjectivity and attitudes to otherness. A nuanced analysis of intersectional differences reveals gender, race, ethnicity, nationality, culture, and diaspora as unstable categories of representation.

Description of new stratigraphic units related to the vast oil-shale deposits of northwestern Colorado.