Beyond Authenticity Alternative Approaches To Hadith Narrations And Collections

The studies in this volume go beyond the question of the authenticity of Prophetic narrations. By approaching hadith narrations and literature from various perspectives, the authors seek to push the field of Hadith Studies in a new and promising direction.

The studies in this volume go beyond the question of the authenticity of Prophetic narrations. By approaching hadith narrations and literature from various perspectives, the authors seek to push the field of Hadith Studies in a new and promising direction.

On the basis of a newly discovered manuscript this book offers the most comprehensive bibliography of the enormous output of the fifteenth-century scholar Ibn ʿAbd al-Hādī – enlarging our view of his scholarly contribution and correcting numerous mistakes in this regard. This book is thus essential reading for all those interested in the writerly world of Damascus and the scholarly world of the late fifteenth century, especially with regard to the Ḥanbalī tradition and ḥadīth scholarship. In particular, linking the titles of his books with the extant manuscripts in libraries around the world opens new perspectives to these scholarly worlds. At the same time this book offers a new framework to studying social history with reference to documents and the material culture of the book. في اكتشاف جديد لمخطوطة تسمية كتب يوسف بن حسن بن عبد الهادي، يُقدِّم سعيد الجوماني وكونراد هيرشلر أضبط قائمة ببليوغرافية بمؤلفاته الشخصيَّة وبخط يده؛ فنبَّهت هذه القائمة إلى جزءٍ من إنتاجه الفكري كان مجهولاً تماماً، وصححت الكثير من أخطاء القراءة في القوائم السابقة. ونشرها سيدعم الأبحاث العاملة بحقل حركة التأليف بدمشق والحياة الفكريّة فيها نهاية القرن التاسع الهجريّ، خاصّةً ما يتعلق بالتراث الحنبليّ وعلم الحديث. وسيفتح الربط بين المؤلفات المذكورة في تسمية الكتب من جهة ووقف كتب ابن عبد الهادي من جهة ثانية والمخطوطات الموجودة في مكتبات العالم من جهة ثالثة باباً جديداً إلى دراسة التراث الفكري في مدينة دمشق أواخر العهد المملوكي. وتقترح هذه الدراسة إطاراً جديداً لدراسة التاريخ الاجتماعي اعتماداً على الوثائق الشخصيَّة والهيئات الماديّة للمخطوطات الشخصيّة.

The universal practice of selecting and excerpting, summarizing and canonizing, arranging and organizing texts and visual signs, either in carefully dedicated types of manuscripts or not, is common to all manuscript cultures. Determined by intellectual or practical needs, this process is never neutral in itself. The resulting proximity and juxtaposition of previously distant contents, challenge previous knowledge and trigger further developments. With a vast selection of highly representative case studies – from India, Islamic Asia and Spain to Ethiopian cultures, from Ancient Christian to Coptic, and Medieval European domains – this volume deals with manuscripts planned or growing and resulting in time to comprise ‘more than one’. Whatever their contents – the natural world and related recipes, astronomical tables or personal notes, documentary, religious and even highly revered holy texts – codicological and textual features of these manuscripts reveal how similar needs received different answers in varying contexts and times.

What is a Mutawatir Hadith and why this is distinct?A Mutawatir (مُتَواتِر meaning "successive") Hadith is a report of such a large number of narrators (at different times) that their agreement upon an untruth is inconceivable thus being accepted as unquestionable in its veracity. A hadith is said to be mutawatir if it was reported by a significant, though unspecified, number of narrators at each level in the chain of narration, thus reaching the succeeding generation through multiple chains of narration leading back to its source.This provides confirmation that the hadith is authentically attributed to its source at a level above reasonable doubt. This is due to its being beyond historical possibility that narrators could have conspired to forge a narration. In contrast, an ahaad hadith is a narration the chain of which has not reached a number sufficient to qualify as mutawatir.There are only two types of texts in Islamic sharīʿah which are immutable (Qaati') a) verses of Qura'n and b) Mutawatir Hadith. If someone denies a Mutawatir hadith he does Kufr.Why this collection?We have searched through the internet over and over again and unfortunately could not find a single collection of Mutawatir hadith in English. So we have compiled this from a website of Ministry of Islamic Affairs, Endowments, Da'wah and Guidance, Kingdom of Saudi Arabia. This compilation is originally selected and compiled by the Ulaama council of this ministry and NOT by us. Our contribution is just copying from the website and accumulates into an unbroken book. We hope this will come handy in many research and necessary studies inshaAllah. May Allah (SWT) accept all of our efforts, Ameen.

Since the Prophetic traditions were an important source for the development of Islamic law, Jurisprudence and Qur'anic interpretation, the community had to know which traditions were reliable, and which were clearly fraudulent. But the problems of hadĭth have led to much disunity over authenticity and have led to the development of the complex science of hadĭth because it serves as an additional link between Prophet Muhammad (pbup) and the Qur'an. One can question the authenticity of the hadĭth, which contradict the Qur'an; if one were to dismiss the whole corpus of hadĭth, the very foundations of practiced Islam would be threatened. As some orientalists have wisely remarked that, whilst they are prepared to believe that no real books were produced before A.H.120, they cannot believe that traditions before this trusted wholly to memory and had not at least written notes. In 1848 Gustav Weil, remarked that after noting that, 'al-Bukhari' deemed only 4,000 of his original 600,000 hadĭth are authentic. He also suggests that a European critic would reject at least half of these 4,000. Aloys Sprenger, who also suggests that many of the hadĭth, material cannot be considered authentic?

Contrary to popular opinion, the bulk of Islamic law does not come from the Quran but from hadith, first-hand reports of the Prophet Muhammad’s words and deeds, passed from generation to generation. However, with varying accounts often only committed to paper a century after the death of Muhammad, Islamic scholars, past and present, have been faced with complex questions of historical authenticity. In this wide-ranging introduction, Jonathan A. C. Brown explores the collection and criticism of hadith, and the controversy surrounding its role in modern Islam. This edition, revised and updated with additional case studies and attention to the very latest scholarship, also features a new chapter on how hadiths have been used politically, both historically and in the Arab Spring and its aftermath. Informative and accessible, it is perfectly suited to students, scholars and general readers interested in this critical element of Islam.

How did Iran remain distinctively Iranian in the centuries which followed the Arab Conquest? How did it retain its cultural distinctiveness after the displacement of Zoroastrianism - state religion of the Persian empire - by Islam? This latest volume in "The Idea of Iran" series traces that critical moment in Iranian history which followed the transformation of ancient traditions during the country's conversion and initial Islamic period. Distinguished contributors (who include the late Oleg Grabar, Roy Mottahedeh, Alan Williams and Said Amir Arjomand) discuss, from a variety of literary, artistic, religious and cultural perspectives, the years around the end of the first millennium CE, when the political strength of the 'Abbasid Caliphate was on the wane, and when the eastern lands of the Islamic empire began to be take on a fresh 'Persianate' or 'Perso-Islamic' character. One of the paradoxes of this era is that the establishment throughout the eastern Islamic territories of new Turkish dynasties coincided with the genesis and spread, into Central and South Asia, of vibrant new Persian language and literatures. Exploring the nature of this paradox, separate chapters engage with ideas of kingship, authority and identity and their fascinating expression through the written word, architecture and the visual arts.