Beyond Life

In Consciousness Beyond Life, the internationally renowned cardiologist Dr. Pim van Lommel offers ground-breaking research into whether or not our consciousness survives the death of our body. If you enjoy books about near-death experiences, such as those by Raymond Moody, Jeffrey Long, and James Van Praagh; watch televisions shows like Ghosthunters, Touched by an Angel, and Ghost Whisperer; or are interested in works that explore the intersection of faith and science, such as Spiritual Brain, Signature in the Cell, and When Science Meets Religion; you’ll find much to ponder in Consciousness Beyond Life.

A fascinating look at the encounters of love that cross all boundaries, this insightful book explores how life-after-death experiences can help people overcome their grief and develop a deeper understanding of the life that continues after death.

Beyond Life is yet another wholly original work from Virginia writer James Branch Cabell. It's an imagined conversation between John Charteris, a successful author, and a young editor. They sit in a library lined with books categorized as unwritten masterpieces or intended editions--a wry commentary on the business of publishing by one of America's overlooked masters. The two discuss writers and writing, especially those who published in the early 20th century and the demands of the market. Anyone interested in the act of writing and publishing will find an amusing and thought-provoking discussion in Beyond Life. JAMES BRANCH CABELL, a native of Richmond, Virginia, wrote more than fifty books. He is best known for his novel Jurgen, which he wrote in 1919, and his octodecalogy, Biography of the Life of Manuel, which features the mythical world of Poictesme and the castle Storisende. His writing features many anagrams, puns, and wordplay, features that have made him a cult figure to many readers. The Virginia Commonwealth University established the James Branch Cabell Library in 1970.

A powerful account of a mother's loss (the death of her daughter, Starr), and subsequent healing journey.

Written after the death of her son Charlie, Beyond Life is a fantasy/paranormal book by J. A. Diller. The book delves deeply into a number of serious issues that both families and young people must deal with in our society. Beyond Life was written primarily to inspire parents and to give them real hope that there is life after losing a child. Though the death of a child is the most heart-rending issue any parent can face, Diller shows us that we must not give up on life; we must live on. More than that, we live on with our loved ones beside us still. Beyond Life does not stop there however. Many other issues that affect young people are addressed and dealt with in ways that are both non-threatening and highly entertaining. These include: Depression Self-image Bias Bullying

Life-Yet another chapter is my dedication to the most important and special person in my life, whose presence I see in her absence.

""DOCTOR SLATTERY has given us a study that will be of great use to the plain man who is bewildered with the modern scientific and philosophical difficulties about survival beyond death. His spirit is sympathetic and generous, and, while he writes from the standpoint of a Christian believer, he is fully alive to the facts which underlie the doubts of the present day.... The mode of argument is so simple and effective that we know nothing more reasonable and helpful than this little book."" --The Church Standard. ""The difficulties connected with a belief in immortality are not dodged, the style is vital and poetical, and the result is a worthy contribution to the literature of a great subject."" --The Boston Transcript.

Russo Bullaro's collection focuses on Benigni's Oscar winning La vita e bella/Life is Beautiful, a film which has set off continuous and often bitter debate about Holocaust representation and historical consciousness. The topics covered in Russo Bullaro's collection offer insights from critics around the world in a forum for the consideration of the wider issues that Benigni's films provoke.