Beyond Mortal Bounds

Heather Radcliffe, a successful author, is approached by Fiona, a ghost, to write Fiona’s memoir. What follows is a tale of love, betrayal, madness and the quest for atonement. It is the story of two women—one living, one dead—and the man they both love . . . and the issue of love’s ability to endure beyond death itself. “. . . strong characters and the fact that one of them is a ghost who dictates her memoir to a woman who becomes her rival in love is fulfilling and genius!”

Dublin has set a rule for the Breed to live by, which they must obey to survive. For what man fears, he will try to destroy and so the Breed must live within mortal bounds. Alex is a man with a past. In the sixth century court of King Arthur, he is Allexus, a prince and a knight whose unorthodox style of fighting- relying on the strength of the mind as much as of the body-draws scorn from some and curiosity from Arthur. As a boy, Allexus is told by a wizard that one day he will be a force to be reckoned with. The test of that prophecy leaps to modern-day Houston, where Alex confronts a very different world and a new band of adversaries. Join Alex and Linda Kay in a love story that will tear at the heart, a tale of warriors and soldiers and of the effort to create the ultimate fighter. Go back in time to see what demolished an allegiance between two men. Learn what to live as the Breed and then ask yourself, "Could I take the blood of another to survive?" Take a close look at the everyday people you see-they could be the Breed.

Letters have long been read as primary sources for biography and history, but their performative, fictive, and textual dimensions have only recently attracted serious notice. In this book, William Merrill Decker examines the place of the personal letter in American popular and literary culture from the colonial to the postmodern period. After offering an overview of the genre, Decker explores epistolary practices that coincide with American experiences of space, settlement, separation, and reunion. He discusses letters written by such well-known and well-educated persons as John Winthrop, Benjamin Franklin, Thomas Jefferson, Abigail and John Adams, Nathaniel Hawthorne, Margaret Fuller, Henry David Thoreau, Samuel Clemens, Henry James, and Alice James, but also letters by persons who, except in their correspondence, were not writers at all: indentured servants, New England factory workers, slaves, soldiers, and Western pioneers. Individual chapters explore the letter writing of Ralph Waldo Emerson, Emily Dickinson, and Henry Adams_three of America's most ambitious, accomplished, and theoretically astute letter writers. Finally, Decker considers the ongoing transformation of letter writing in the electronic age.

A resource to be used over and over again, this extraordinary collection of readings, prayers and insights enables the modern worshiper to enter into the spirit of the Day of Atonement in a personal and powerful way and permits the meaning of Yom Kippur to enter the heart.

The history of European drama began at the festivals of Dionysus in ancient Athens, where tragedy, satyr-drama and comedy were performed. Understanding this background is vital for students of classical, literary and theatrical subjects, and Alan H. Sommerstein's accessible study is the ideal introduction. The book begins by looking at the social and theatrical contexts and different characteristics of the three genres of ancient Greek drama. It then examines the five main dramatists whose works survive - Aeschylus, Sophocles, Euripides, Aristophanes and Menander - discussing their styles, techniques and ideas, and giving short synopses of all their extant plays. Additional helpful features include succinct coverage of almost sixty other authors, a chronology of significant people and events, and an anthology of translated texts, all of which have been previously inaccessible to students. An up-to-date study bibliography of further reading concludes the volume. Clear, concise and comprehensive, and written by an acknowledged expert in the field, Greek Drama and Dramatists will be a valuable orientation text at both sixth form and undergraduate level.

In Poetry and Apocalypse, Franke seeks to find the premises for dialogue between cultures, especially religious fundamentalisms—including Islamic fundamentalism—and modern Western secularism. He argues that in order to be genuinely open, dialogue needs to accept possibilities such as religious apocalypse in ways that can be best understood through the experience of poetry. Franke reads Christian epic and prophetic tradition as a secularization of religious revelation that preserves an understanding of the essentially apocalyptic character of truth and its disclosure in history. The usually neglected negative theology that undergirds this apocalyptic tradition provides the key to a radically new view of apocalypse as at once religious and poetic.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.