Beyond Patching

Asserts that the current half-hearted attempts to patch up the excruciating tensions due to the sometimes morally unacceptable way women are treated in the Catholic Church must be replaced with a whole-hearted renewal or the Church stands in danger of losing touch with many of its women. Reissue.

Cam needs to know why the man who killed his father is now stalking his family. As much as life has changed forever since the death of his father, much has stayed the same for Cam. He's always had a great deal of responsibility around the house, but the burden is heavier now with the load of grief he's been carrying. After the man who was driving the truck that killed his father begins to turn up everywhere: at his work, in stores, at his sister's school. Cam feels pressure to keep his family safe and starts following his father's killer in search of answers.

Winner of the 2021 Raphael Lemkin Book Award from the Institute for the Study of Genocide​ Honorable Mention, 2020 CALACS Book Prize​ Beyond Repair? explores Mayan women’s agency in the search for redress for harm suffered during the genocidal violence perpetrated by the Guatemalan state in the early 1980s at the height of the thirty-six-year armed conflict. The book draws on eight years of feminist participatory action research conducted with fifty-four Q’eqchi’, Kaqchikel, Chuj, and Mam women who are seeking truth, justice, and reparation for the violence they experienced during the war, and the women’s rights activists, lawyers, psychologists, Mayan rights activists, and researchers who have accompanied them as intermediaries for over a decade. Alison Crosby and M. Brinton Lykes use the concept of “protagonism” to deconstruct dominant psychological discursive constructions of women as “victims,” “survivors,” “selves,” “individuals,” and/or “subjects.” They argue that at different moments Mayan women have been actively engaged as protagonists in constructivist and discursive performances through which they have narrated new, mobile meanings of “Mayan woman,” repositioning themselves at the interstices of multiple communities and in their pursuit of redress for harm suffered.

Winner of the 2021 Raphael Lemkin Book Award from the Institute for the Study of Genocide​ Honorable Mention, 2020 CALACS Book Prize​ Beyond Repair? explores Mayan women’s agency in the search for redress for harm suffered during the genocidal violence perpetrated by the Guatemalan state in the early 1980s at the height of the thirty-six-year armed conflict. The book draws on eight years of feminist participatory action research conducted with fifty-four Q’eqchi’, Kaqchikel, Chuj, and Mam women who are seeking truth, justice, and reparation for the violence they experienced during the war, and the women’s rights activists, lawyers, psychologists, Mayan rights activists, and researchers who have accompanied them as intermediaries for over a decade. Alison Crosby and M. Brinton Lykes use the concept of “protagonism” to deconstruct dominant psychological discursive constructions of women as “victims,” “survivors,” “selves,” “individuals,” and/or “subjects.” They argue that at different moments Mayan women have been actively engaged as protagonists in constructivist and discursive performances through which they have narrated new, mobile meanings of “Mayan woman,” repositioning themselves at the interstices of multiple communities and in their pursuit of redress for harm suffered.

From the author's Introduction: Let me start by saying what this book is not. It is not an attack on the men and women of the Clandestine Service of the Central Intelligence Agency, the overwhelming majority of whom are dedicated, patriotic Americans working hard everyday on behalf of their fellow citizens. God knows that they do not do it for the money nor do they do it for the recognition. They do it because they believe in the work, and because they know, as I do, that there really are monsters in the world, and someone has to protect us from them. It is also not an argument against the existence of a central human intelligence collection organization within the United States Government. We desperately needed a central intelligence agency in 1947 when the CIA was created. We even more desperately need such an entity today. The threats facing us are multiplying and becoming more complex. The time horizons in which threats are emerging are shortening. Technology is evolving at an astonishing rate, and we really are fast approaching the day when there will be dozens of groups and nations on this planet capable of threatening us with biological, chemical, radiological and nuclear weapons. This is not pulp fiction. This is reality. This book is an argument that the existing Central Intelligence Agency is no longer capable of performing the task for which it was designed and must, rapidly, be replaced.

A Southern poet and author shares a “beautifully written and timely” memoir that “weaves together personal and national traumas” (David Graham, The Atlantic). In 2011, Sebastian Matthews and his family were in a major car accident. It took them years to recover from their injuries and the aftereffects of trauma. When Sebastian finally returned to the world, he found society in its own a traumatized state—one brought on by police shootings of unarmed African Americans and the continuing occurrence of mass shootings. Sebastian saw the signs of PTSD in the people around him, and found his own daily interactions becoming more dysfunctional. Living in a progressive town inside a conservative county in the Mountain South only made things more volatile. So he decided to pursue an experiment in re-engagement. Sebastian sought out encounters with people in full awareness of the potential divides and misunderstandings between them. Starting with his own neighborhood, he moved out into the counties around him, then traveled further out into the country. In Beyond Repair, Sebastian recounts his journey through a series of recoveries—physical, personal, and communal.

Can the death penalty be administered in a just way - without executing the innocent, without regard to race, and without arbitrariness? All new, the essays in this collection focus on the period since 1976.

Still grieving over the death of his father, Cam is worried that he is being stalked.