Beyond The Boomerang

The types of actors involved in transnational advocacy have diversified. Northern NGOs have lost power and influence and been restricted in their access to southern states. Southern NGOs have developed a capacity to undertake advocacy on their own and often built closer relationships with their own governments. International institutions have become more open to southern NGOs and more skeptical of southern NGOs' claims to speak for southern populations. The result is that the boomerang theory, although still useful, no longer provides the broad explanation for advocacy. A wealth of recent articles (many by contributors to this volume) showed a growing scholarly recognition of the need for new theory. "Beyond the Boomerang" offers cutting-edge scholarship and synthesizes a new theoretical framework to develop a coherent, integrated picture of the current dynamics in global advocacy. .

The conventions of the nation-state have shaped our contemporary understanding of the process and politics of social movements. Keck and Sikkink sketch for the first time the dynamics of emergence, strategies, and impact of activists from different nationalities working together on particular issues. This eagerly awaited work will alter the way scholars conceptualize the making of international society and the practice of international politics.

Contributing to current debates on relationships between culture and the social, and the the rapidly changing practices of modern museums as they seek to shed the legacies of both evolutionary conceptions and colonial science, this important new work explores how evolutionary museums developed in the USA, UK, and Australia in the late nineteenth century.

Wetland Archaeology and Beyond offers an appreciative study of the people, and their artefacts, who occupied a large variety of worldwide wetland archaeological sites. The volume also includes a comprehensive explanation of the processes involved in archaeological practice and theory.

This innovative edited collection brings together leading scholars from the USA, the UK and mainland Europe to examine how European identity and institutions have been fashioned though interactions with the southern periphery since 1945. It highlights the role played by North African actors in shaping European conceptions of governance, culture and development, considering the construction of Europe as an ideological and politico-economic entity in the process. Split up into three sections that investigate the influence of colonialism on the shaping of post-WWII Europe, the nature of co-operation, dependence and interdependence in the region, and the impact of the Arab Spring, North Africa and the Making of Europe investigates the Mediterranean space using a transnational, interdisciplinary approach. This, in turn, allows for historical analysis to be fruitfully put into conversation with contemporary politics. The book also discusses such timely issues such as the development of European institutions, the evolution of legal frameworks in the name of antiterrorism, the rise of Islamophobia, immigration, and political co-operation. Students and scholars focusing on the development of postwar Europe or the EU's current relationship with North Africa will benefit immensely from this invaluable new study.

The celebrations marking the 20th anniversary of the fall of the Berlin Wall provoked a debate on the outcomes of the transition process in the post-communist countries, including a debate on the functioning of civil society. This provided a good opportunity for researchers to collect new data and revise the discourse on collective action and the dynamics of civil society in these countries. Jacobsson and Saxonberg's collection of essays looks at social movements, and their forms of mobilization and organization, as well as action repertoires in relation to the social context, and their success or failure. The book meets an important need in the discourse on post-communist social movements by going beyond the usual discourse about the weak and non-participatory civil society in the post-communist context. This book gives a nuanced and updated view of social movements in post-communist Europe, by looking at the cases of relatively successful mobilization, by examining groups that have often been neglected in the discourse on social movements and civil society (including animal-rights groups, racist movements and non-feminist family organizations), and by giving a deeper analysis of the different strategies that civil society organizations and groups can use. Rather than expecting social movements in post-communist Europe to follow the same patterns and operate in the same fashion as in Western Europe, this volume shows that a wider view of contentious action is needed in order to understand the variety of strategies employed by collective actors operating in this context.

In Activists beyond Borders, Margaret E. Keck and Kathryn Sikkink examine a type of pressure group that has been largely ignored by political analysts: networks of activists that coalesce and operate across national frontiers. Their targets may be international organizations or the policies of particular states. Historical examples of such transborder alliances include anti-slavery and woman suffrage campaigns. In the past two decades, transnational activism has had a significant impact in human rights, especially in Latin America, and advocacy networks have strongly influenced environmental politics as well. The authors also examine the emergence of an international campaign around violence against women.

Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications. In essays by eleven of America's foremost writers, critics, and filmmakers, Beyond Document explores the full spectrum of nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema-verité, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who. . ., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and in Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve" ; and poet Susan Howe explores structures of mourning in several filmmakers. All the book's essays provide deeply felt understanding of documentary film, and of how we live with, an d within, images. CONTRIBUTORS: Jay Cantor, Robert Gardener, Patricia Hampl, Maureen Howard, Susan Howe, Helene Keyssar, Phillip Lopatte, Vlada Petric, William Rothman, Charles Warren, Eliot Weinberger.