Beyond The Velvet Underground

"Beyond the Velvet Underground follows the careers of the VU stars in the years that followed the band's demise ..."--Cover.

Swingers and swappers, strippers and streetwalkers, sadists, masochists, and sexual mavericks of every persuasion; all are documented in The Velvet Underground, a legendary exposé of the diseased underbelly of ’60s American society. The book that lent its name to the seminal New York rock’n’roll group, whose songs were to mirror its themes of depravity and social malaise. Welcome to the sexual twilight zone...

The Velvet Underground and Nico has influenced the sound of more bands than any other album. And remarkably, it still sounds as fresh and challenging today as it did upon its release in 1967. In this book, Joe Harvard covers everything from Lou Reed's lyrical genius to John Cale's groundbreaking instrumentation, and from the creative input of Andy Warhol to the fine details of the recording process. With input from co-producer Norman Dolph and Velvets fan Jonathan Richman, Harvard documents the creation of a record which - in the eyes of many - has never been matched. EXCERPT In 1966, some studios, like Abbey Road, had technicians in white lab coats, and even the less formal studios usually had actual engineering graduates behind the consoles. Studios were still more about science than art. Clients who dared make technical suggestions were treated with bemusement, derision, or hostility. The Velvets were a young band under constant critical attack, and the pressure to conform in order to gain acceptance must have been tremendous. Most bands of that era compromised with their record companies, through wholesale revamping of their image from wardrobe to musical style, changing or omitting lyrics, creating drastically edited versions for radio airplay, or eliminating songs entirely from their sets and records. With Andy Warhol in the band's corner, such threats were minimized.

With exclusive new interviews from the band, this is a captivating account of one of the most influential groups in rock history. Brian Eno famously said "the first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band." Perhaps no other musicians can claim such limited chart success and so enduring a musical legacy as The Velvet Underground. Artists including David Bowie, The Sex Pistols, Joy Division, Roxy Music, Nirvana, U2, R.E.M., and even dissident Czech playwright and eventual president Václav Havel have cited the Velvets as a major influence. Seeing the Light presents the untold story of the band. Formed by the mercurial Lou Reed and classically trained Welshman John Cale in the mid-1960s, the band first gained notoriety after being adopted by Andy Warhol. Warhol's patronage allowed the group to chart unexplored regions of rock 'n' roll, producing unforgettable and unsettling music that veered from droning, avant-garde experimentalism to folk-infused pop, offering taboo-busting tales of drug addiction, prostitution, and sexual deviance. Creative tensions and frustrated ambition eventually saw both Cale and Reed leave the band, to its ignominious end. In the decades since, The Velvet Underground's music has attained classic status, revered alongside The Beatles and The Beach Boys as one of the sources of modern pop. With exclusive new interviews from members Moe Tucker and Doug Yule, as well as the widow of their bandmate Sterling Morrison, journalist Rob Jovanovic peels back the mystique of one of the most important bands in rock history.

“Not only a rock memoir and recipe book but also a poignant work of personal self-discovery and the challenges yet joys of parenting.” —Huffington Post Part memoir, part cookbook, and all rock and roll, Red Velvet Underground tells the story of how musician Freda Love Smith’s indie-rock past grew into her family—and food-centric present. Smith, born in Nashville and raised in Indiana, is best known as the drummer and co-founder of bands such as the Boston-based Blake Babies, Antenna, and the Mysteries of Life. Red Velvet Underground is loosely framed around cooking lessons Smith gave to her eldest son, Jonah, before he left for college. Smith compares her son’s experiences to her own—meeting Juliana Hatfield and starting the Blake Babies, touring in Evan Dando’s hand-me-down station wagon, and crashing with Henry Rollins, who introduced the band to local California fare—all while plumbing the deeper meanings behind the role of food, cooking, and family. Interspersed throughout these stories are forty-five flexitarian recipes—mostly, but not exclusively, vegetarian—such as red pepper-cashew spread, spinach and brazil nut pesto, and vegan strawberry-cream scones. Throughout the book, Smith reveals how food, in addition to music, has evolved into an important means for creativity and improvisation. Red Velvet Underground is an engaging exploration of the ways food and music have informed identity through every stage of one woman’s life. “These are sweet, unsentimental scenes from the ever-evolving life of a woman of many shifting and balancing roles: mother, wife, drummer, student, teacher, friend, daughter, food enthusiast. It’s all tied together with tantalizing recipes that have been lovingly improvised and tweaked into a life-affirming doneness.” —Juliana Hatfield, musician

Music.

(Book). Lou Reed has been art-rocker, iconoclast, contrary noise merchant, and junkie, yet he's always been fascinating. Only David Bowie, arguably, has re-invented himself as many times as Reed, while ensuring that each image was potent, edgy and dangerous. It's a tribute to Reed's standing that even punk rockers, with their scorched earth policy towards all pre-punk music, had a healthy respect and regard for him. Velvet Underground is one of the all-time greats; but in many people's eyes, Reed has produced his best work solo, after the demise of that band. This groundbreaking book analyzes and celebrates the willful intellect, fierce intelligence, and literary merits of Lou Reed's post-Velvet Underground music. Chris Roberts has written about music for fifteen years for The Guardian , Melody Maker , Sounds , and Uncut . He was also the editor of Idol Worship (Harper Collins), a collection of writings by pop stars (Bono, Thurston Moore, etc.) that has been hailed in some quarters as "The best book about rock 'n' roll ever."

The Beach Boys and the Beatles are filling up the airwaves, but halfway between California and Liverpool, another band is putting together a sound that will change rock ‘n’ roll forever. Andy Warhol discovers the Velvet Underground in a little tourist bar in New York, and he soon becomes the producer for this group whose songs aren’t so much about girls and hot rods but shooting up, alternative lifestyles, and the melancholy after the party. It’s the late sixties, but not quite everything is flower power. The radio wants nothing to do with the Velvets, but the cool kids know who they are, and the enormous influence of this short-lived band has yet to abate.