Beyond The Visual

Vision is crucial for the survival of all animals. However, as this book shows, its importance does not simply lie in visual perception, but is, rather, deeply rooted in human physiology, psychology and culture. For instance, conceptual metaphors often involve vision, such as “Seeing is Touching” and “Eyes are Limbs”, among others. However, this Anglo-centric linguistic view belies the fact that vision is not a universally-preferred source for metaphor, and less studied languages spoken in the four corners of the world can present cases that are unfamiliar to those who are only acquainted with Indo-European languages and cultures. In fact, other types of perception such as hearing are often preferred as a source of comprehension in a number of languages. This volume studies various issues concerning vision both synchronically and diachronically. Its discussion involves specialists from different disciplines, ranging from cognitive science to literary scholarship. It also covers a wide range of geographical regions, such as Africa and Asia. As such, this volume will serve to shed light on the integration of disciplines concerning vision.

This book brings together a broad and diverse range of new and radical approaches to public relations focussing on the increasingly vital role that visual, sensory and physical elements factors play in shaping communication. Engaging with recent developments in critical and cultural theories, it outlines how non-textual and non-representational forces play a central role in the efficacy and reception of public relations. Challenging the dominant accounts of public relations which center on the purely representational uses of text and imagery, the book critiques the suitability of accepted definitions of the field and highlights future directions for conceptualizing strategic communication within a multi-sensory environment. Drawing on the work of global researchers in public relations, visual culture and communication, design and cultural theory, it brings a welcome inter-disciplinary approach which pushes the boundaries of public relations scholarship in a global cultural context. This exciting analysis will be of great interest to public relations scholars, advanced students of strategic communication, as well as communication researchers from cultural, media and critical studies exploring PR as a socio-cultural phenomenon.

This essays explore how conceptions of art -and resulting historical narrativesdiffer according to culture.

This book is a historical inquiry into the psychological significance of visual perspective. Using a historical background, the authors suggest theories regarding the human use of perspectives in art. The study includes references to Western Europe and Greece, through to the Italian Renaissance, and on to cover the Modern Age and the Contemporary Age. Concepts regarding the psyche and imagery are explored. An alphabetical listing of names and corresponding pages provides readers with an easy and convenient tool for locating discussions of a particular artist or time period. This study will appeal to students and teachers of art, art history, psychology, psychohistory, and psychoanalysis. In addition, artists, art therapists, art historians and historians of other disciplines will be interested in the intriguing analyses found in Beyond Visual Perspective.

The Outer Space Treaty prohibits nuclear, biological, or chemical weapons from being placed in or used from Earth's orbit. What no one could have imagined was that mankind would conceive of the simplest weapon ever deployed - one with extinction power - to launch from space. The military named this weapon "Rods from God." And yet, it's not nuclear, biological, or chemical. Two women drone pilots battle in outer space to defend their country. One is a former fighter pilot who, after a crash, now flies from a wheelchair. This dynamic female drone crew from Nashville, Tennessee, now based in Florida, is drafted to defend the United States from a rogue military element threatening to use force to overthrow the government. Their weapons are twenty-foot tungsten rods. A single rod dropped from orbit would strike Earth at ten times the speed of sound with the impact of a nuclear weapon. As weapons are readied, our heroines find they are Beyond Visual Range.