Beyond Trawlertown

Beyond Trawlertown takes a journey through the British distant-water fishery and its port-city connections in an era of disruption. In 1976, defeat in the Anglo-Icelandic Cod Wars saw the British trawling fleet excluded from their traditional hunting grounds. Combining with wider global factors, the move brought an end to long-established trawling practices, with profound social, economic and cultural repercussions. Through a case study of the port of Hull, oral history and archival research explore the challenges, responses and legacy of rapid change. Although the emphasis is on Hull, this is far from a local history. Hull’s position among the world leading distant-water pioneers gives the story international significance. Focusing on memory, lived experience and place, the book goes beyond established narratives. Personal acts of remembering offer cultural perspectives on how global events and marine policy impact upon the seafaring communities that live with the consequences. The Cod Wars signaled an end, yet amid the disruption there were also new beginnings. And in the wake of an active fishery, the rhythms of the past continue to resonate in the negotiation of fishing heritage within the contemporary city. Through the convergence of time, place and memory, this holistic narrative of interweaving stories reveals the intricacies of our human interaction with the marine environment and the aftermath when its threads are broken.

Despite the port’s prominence in maritime history, its cultural significance has long been neglected in favour of its role within economic and imperial networks. Defined by their intersection of maritime and urban space, port towns were sites of complex cultural exchanges. This book, the product of international scholarship, offers innovative and challenging perspectives on the cultural histories of ports, ranging from eighteenth-century Africa to twentieth-century Australasia and Europe. The essays in this important collection explore two key themes; the nature and character of ‘sailortown’ culture and port-town life, and the representations of port towns that were forged both within and beyond urban-maritime communities. The book’s exploration of port town identities and cultures, and its use of a rich array of methodological approaches and cultural artefacts, will make it of great interest to both urban and maritime historians. It also represents a major contribution to the emerging, interdisciplinary field of coastal studies.

Equal parts steamy interstellar romance and sci-fi adventure, Constance Fay's FIASCO is a perfect wild romp amidst the stars. Cynbelline Khaw is a woman of many names. She’s Generosity, a cultist who never quite fit in. She’s Bella, the daughter who failed to save her cousin’s life. And then there’s Cyn, the notorious bounty hunter who spaced a ship of slavers. She’s exhausted, lonely, and on her very last legs—but then a new client offers her a job she can’t refuse: a bounty on the kidnapper who killed her cousin. All Cyn has to do is partner with the crew of the Calamity, a scouting vessel she encountered when she was living under a previous alias. One tiny little issue, she’s been given an additional bounty: deliver the oh-so-compelling medic, Micah Arora, to the treacherous Pierce Family or all her identities will be revealed, putting her estranged family in danger. Hunting a kidnapper doesn’t usually mean accidentally taking your sexy new target to dinner at your parent’s house, a local mystic predicting you’ll have an increasingly large number of children, or being accompanied by a small flying lizard with a penchant for eating metal, but, as they field investigative hurdles both dangerous and preposterous, Cyn and Micah grow ever closer. When a violent confrontation reveals that everything Cyn thought about her past is wrong, she realizes that she has the power to change her future. The first part of that is making sure that Micah Arora is around to be a part of it. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

An undercover detective is a buyer, and their commodity is intelligence. But what is the real price of justice? 'A compelling and powerful account from the darker side of policing and the terrifying impact it has on those who strive to keep us safe' Nazir Afzal Liam Thomas was an officer in the Met for over a decade, many of those years spent deep at the heart of Britain's most dangerous criminal enterprises in the murky world of undercover surveillance. Before him, his father had also been a police officer, a pillar of their small community. Fighting corruption was Liam's life. But the murky world of undercover work teaches him that justice is far from black and white - and a family secret reveals that corruption is closer to home than he had ever expected. The revelations push him to the edge of his sanity - and then he discovers that his bosses are investigating him... A thrilling memoir of a life lived amongst a world of corruption, justice and loyalties, this book tells the real story of the police's line of duty.

This book makes the case for a unique coastal-urban experience of war on the home front during the First World War, focusing on case studies from the north-east of England. The use of case studies from this region problematises an often assumed national or generalised experience of civilian life during the war, by shifting the frame of analysis away from the metropolis. This book begins with chapters related to wartime resilience, including analysis of pre-war fear of invasion and bombardment, and government policy on public safety. It then moves on to a discussion of power relations and the local implementation of policy related to bombardment, including policing. Finally, the book explores the ‘coastal-urban’ environment, focusing on depictions of war damage in popular culture, and the wartime and post-war commemoration of civilian bombardment. This work provides a multi-faceted perspective on civilian resilience, while responding to a recent call for new histories of the ‘coastal zone’.

"This book is a fascinating novel project researching the effects of bombardment during the First World War on four north-east coastal towns. It makes a much-needed contribution to the history of police work, a developing area of historical research. The book outlines the destruction to the buildings and infrastructure and provides the context of local and national events with the advice and instructions given to the local population. By showing the role of Special Constables, it provides a real insight into the Home Front at this critical time in British history." -Mary Fraser, University of Glasgow, UK "The First World War is both distant and close - our knowledge intimately familiar yet somehow incomplete. Nowhere is this truer than for the unique coastal-urban experience of that conflict explored by Michael Reeve in this book. Focusing on morale, endurance, and public safety, we see and understand new aspects of Britain's coastal zone through German naval and aerial bombardment and destruction in Hull, Hartlepool, West Hartlepool, and Whitby. Local popular culture confronted and framed the tragic aftermaths, with nearby Scarborough's 1915 'Bombardment Museum' housing relics and souvenirs of the attacks, and Hartlepool's 'Bombardment Thank-offering Days' fundraising for hospitalized victims of the December 1914 attack. Shifting between the detail of objects and the grander narratives of context, the author makes a powerful and convincing case for looking afresh at how conflict creates as well as destroys by reconfiguring the people and places of our historic coastline." -Nicholas J. Saunders, University of Bristol, UK This book makes the case for a unique coastal-urban experience of war on the home front during the First World War, focusing on case studies from the north-east of England. The use of case studies from this region problematises an often assumed national or generalised experience of civilian life during the war, by shifting the frame of analysis away from the metropolis. This book begins with chapters related to wartime resilience, including analysis of pre-war fear of invasion and bombardment, and government policy on public safety. It then moves on to a discussion of power relations and the local implementation of policy related to bombardment, including policing. Finally, the book explores the 'coastal-urban' environment, focusing on depictions of war damage in popular culture, and the wartime and post-war commemoration of civilian bombardment. This work provides a multi-faceted perspective on civilian resilience, while responding to a recent call for new histories of the 'coastal zone'. Michael Reeve is a Lecturer in History at Bishop Grosseteste University, Lincoln, UK. He received his PhD in History from the University of Hull, UK, in 2019, funded by the Arts and Humanities Research Council.

One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society