Bibliographia Boltoniensis

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Like Engels in south Lancashire, young Cole in North America yearns toward an ideogram of "classic perfection," "Arcadia." It was Cole, not Engels, who made the transition to a more mature view, dividing his energies, after 1844, between a radical new empiricism and an iconic transcendentalism that, together, implied an abandonment of the pseudoclassic Arcadia of adolescence."--Jacket.

More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

A landmark new history of the great English county of Lancashire, exploring its people's impact on Britain and beyond.

Gooch was a storyteller, poet, and perceptive social observer living in Georgian and early Victorian England. His previously unpublished, satirical account of his purported travels in America (focusing on New York City) was discovered by editor Richard Widdicombe. Widdicombe includes in this volume a short biography of Gooch, extensive textual and historical notes and an essay on Anglo-American travel literature. Annotation copyright by Book News, Inc., Portland, OR

No more than there can be time without space can there be history without locality. This book takes a road less traveled into a locality that provides fresh insights into our global dilemmas. Bolton-le-Moors was a global center of cotton, coal, and engineering, whose factory engines were the beating heart of the Victorian world. Commanding the widest range of trades of any town in the Empire, it specialized in papermaking, from pawn tickets to banknotes, via newspapers and syndicated fiction. Responsive to locality, yet world-aware, its many independent writers shared a creative forum with authors like Wordsworth, Tennyson, Ruskin, Gaskell, Charlotte Brontë, Tolstoy, Whitman, Thomas Hardy, T. S. Eliot, Virginia Woolf. Other “locals” include mathematician Thomas Kirkman, “father of design theory,” Thomas Moran, painter of the American “New West,” Charles Holden, the Empire’s leading Modern architect. Bolton’s printed culture was founded on traditions that made it a bulwark of parliamentary puritanism in the days of Reformation and Civil War. These traditions increasingly confronted global dilemmas that the town’s own inventiveness and entrepreneurship had helped create: yet its high moorlands also provided a breathing space to generate imaginative spiritual, political, and practical remedies. Global Dilemmas completes the account of Bolton writing initiated in A Kingdom in Two Parishes and continued in Classic Soil: an arc of discourse from Thomas Lever (1521-77), whose social experiments provided the model for the Protestant colonization of the New World, to his kinsman W. H. Lever (Lord Leverhulme), sincere Christian, world capitalist, progressive social thinker, and (pursuing the logic of profit) exploiter of Conrad’s African “heart of darkness.”