Big Girl A Novel

Shortlisted for the Center for Fiction First Novel Prize Shortlisted for the VCU Cabell First Novelist Award A Phenomenal Book Club Pick TIME • Best Books of the Month New York Times • Editors’ Choice Named one of the Most Anticipated Books of the Year by Vulture, Goodreads, Essence, Ms. Magazine, and SheReads.com An extraordinary debut novel shot through with remarkable nuance and tenderness, Big Girl traces the intergenerational hungers of the profoundly lovable Malaya Clondon. “Alive with delicious prose and the cacophony of ’90s Harlem, Big Girl gifts us a heroine carrying the weight of worn-out ideas, who dares to defy the compulsion to shrink, and in turn teaches us to pursue our fullest, most desirous selves without shame.” —Janet Mock Malaya Clondon hates when her mother drags her to Weight Watchers meetings in the church’s stuffy basement community center. A quietly inquisitive eight-year-old struggling to suppress her insatiable longing, she would much rather paint alone in her bedroom, or sneak out with her father for a sampling of Harlem’s forbidden street foods. For Malaya, the pressures of going to a predominantly white Upper East Side prep school are compounded by the high expectations passed down over generations from her sharp-tongued grandmother and her mother, Nyela, a painfully proper professor struggling to earn tenure at a prestigious university. But their relentless prescriptions—fad diets of cottage-cheese and sugar-free Jell-O, high-cardio African dance classes, endless doctors’ appointments—don’t work on Malaya. As Malaya comes of age in a rapidly gentrifying 1990s Harlem, she strains to understand “ladyness” and fit neatly within the suffocating confines of a so-called “femininity” that holds no room for her body. She finds solace in the lyrical riffs of Biggie Smalls and Aaliyah, and in the support of her sensitive father, Percy; still, tensions at home mount as rapidly as Malaya’s weight. Nothing seems to help—until a family tragedy forces her to finally face the source of her hunger on her own terms. Exquisitely compassionate and clever, Big Girl is “filled with everyday people who, in Mecca Jamilah Sullivan’s gifted hands, show us the love and struggle of what it means to be inside bodies that don’t always fit with the outside world” (Jacqueline Woodson). In tracing the perils and pleasures of the inheritance that comes with being born, Sullivan pushes boundaries and creates an unforgettable portrait of Black womanhood in America.

In this heartfelt, incisive novel, Danielle Steel celebrates the virtues of unconventional beauty while exploring deeply resonant issues of weight, self-image, sisterhood, and family. BIG GIRL A chubby little girl with ordinary looks, Victoria Dawson has always felt out of place in her family, especially in body-conscious L.A. While her parents and sister can eat anything and not gain an ounce, Victoria must watch everything she eats, as well as endure her father’s belittling comments about her body and see her academic achievements go unacknowledged. Ice cream and oversized helpings of all the wrong foods give her comfort, but only briefly. The one thing she knows is that she has to get away from home, and after college in Chicago, she moves to New York City. Landing her dream job as a high school teacher, Victoria loves working with her students and wages war on her weight at the gym. Despite tension with her parents, Victoria remains close to her younger sister, Grace. Though they couldn’t be more different in looks, they love each other unconditionally. So when Grace announces her engagement to a man who is an exact replica of their narcissistic father, Victoria worries about her sister’s future happiness, and with no man of her own, she feels like a failure once again. As the wedding draws near, a chance encounter, a deeply upsetting betrayal, and a family confrontation lead to a turning point. Behind Victoria is a lifetime of hurt and neglect she has tried to forget. Ahead is a challenge and a risk: to accept herself as she is, celebrate it, and claim the victories she has fought so hard for and deserves. Big girl or not, she is terrific and discovers that herself.

A rollicking and poignant romantic comedy about a young widow who decides to get in shape...and winds up getting her groove back—and a whole lot more! Holly Brennan used food to comfort herself through her husband’s illness and death. Now she’s alone at age thirty-two. And she weighs more than she ever has. When fate throws her in the path of Logan Montgomery, personal trainer to pro athletes, and he offers to train her, Holly concludes it must be a sign. Much as she dreads the thought of working out, Holly knows she needs to put on her big girl panties and see if she can sweat out some of her grief. Soon, the easy intimacy and playful banter of their training sessions lead Logan and Holly to most intense and steamy workouts. But can Holly and Logan go the distance as a couple now that she’s met her goals—and other men are noticing?

Judy Lohden is your above-average sixteen-year-old—sarcastic and vulnerable, talented and uncertain, full of big dreams for a big future. With a singing voice that can shake an auditorium, she should be the star of Darcy Academy, the local performing arts high school. So why is a girl with such potential hiding out in a seedy motel room on the edge of town? It could have something to do with the fact that the national media is on her trail after a controversy that might bring down the whole school. And that scandal has something—but not everything—to do with the fact that Judy is three feet, nine inches tall. Rachel DeWoskin remembers everything about high school: the auditions (painful), the parents (hovering), the dissection projects (compelling), the friends (outcasts), the boys (crushable) and the girls (complicated), and she lays it all out with a wit and wistfulness that is half Holden Caulfield, half Lee Fiora, Prep’s ironic heroine. Big Girl Small is a scathingly funny and moving book about dreams and reality, at once light on its feet and unwaveringly serious.

The award-wining collection Blue Talk and Love tells the stories of girls and women of color navigating the moods and mazes of urban daily life. Set in various enclaves of New York City — including the middle-class Hamilton Heights section of Harlem, the black queer social world of the West Village, the Spanish-speaking borderland between Harlem and Washington Heights, and historic Tin Pan Alley — the collection uses magic realism, historical fiction, satire and more to highlight young black women's inner lives. The storylines range widely: a big-bodied teenage girl from Harlem discovers her sexuality in the midst of racial tensions at her Upper East Side school; four young women from Newark, New Jersey, are charged with assaulting the man who threatens to rape them; a pair of conjoined black female twins born into slavery, make their fame as stage performers in the Big City. In each story, the characters push past what is expected of them, learning to celebrate their voices and their lives. In honor of Mecca Sullivan’s being named the recipient of the 2018 Judith A. Markowitz Lambda Award as an emerging LGBTQ writer, Riverdale Avenue Books has released a second edition of her acclaimed collection for which the Lambda judges called Sullivan, "An essential writer of our present moment.” "We are so proud of Mecca for receiving this prestigious award. She made her fiction debut with Riverdale Avenue Books five years ago, when we were both new to the literary scene, and we are publishing an updated second edition with the wonderful quote from Ntozake Shange on the cover to commemorate this achievement,” said Publisher Lori Perkins.

Winner of the Modern Language Association (MLA)’s William Sanders Scarborough Prize From Audre Lorde, Ntozake Shange, and Bessie Head, to Zanele Muholi, Suzan-Lori Parks, and Missy Elliott, Black women writers and artists across the African Diaspora have developed nuanced and complex creative forms. Mecca Jamilah Sullivan ventures into the unexplored spaces of black women’s queer creative theorizing to learn its languages and read the textures of its forms. Moving beyond fixed notions, Sullivan points to a space of queer imagination where black women invent new languages, spaces, and genres to speak the many names of difference. Black women’s literary cultures have long theorized the complexities surrounding nation and class, the indeterminacy of gender and race, and the multiple meanings of sexuality. Yet their ideas and work remain obscure in the face of indifference from Western scholarship. Innovative and timely, The Poetics of Difference illuminates understudied queer contours of black women’s writing.

“So many strange and wonderful things happen at every twist and turn, you'll be happy to wander with Josie . . . Each book she descends into seems to teach her something, and even if it's not obvious where the story is going, we're in it for the long haul.” —NPR From Shannon Hale, bestselling author of Austenland, comes Kind of a Big Deal: a story that will suck you in—literally. There's nothing worse than peaking in high school. Nobody knows that better than Josie Pie. She was kind of a big deal—she dropped out of high school to be a star! But the bigger you are, the harder you fall. And Josie fell. Hard. Ouch. Broadway dream: dead. Meanwhile, her life keeps imploding. Best friend: distant. Boyfriend: busy. Mom: not playing with a full deck? Desperate to escape, Josie gets into reading. Literally. She reads a book and suddenly she's inside it. And with each book, she’s a different character: a post-apocalyptic heroine, the lead in a YA rom-com, a 17th century wench in a corset. It’s alarming. But also . . . kind of amazing? It’s the perfect way to live out her fantasies. Book after book, Josie the failed star finds a new way to shine. But the longer she stays in a story, the harder it becomes to escape. Will Josie find a story so good that she just stays forever?

A savvy former street child working at a human rights law office in Mumbai fights for redemption and a chance to live life on her own terms in this fresh, propulsive debut novel about fortune and survival. Named a Loan Stars Top Ten Pick and a CBC Canadian Fiction title to watch. Rakhi is a twenty-three-year-old former street child haunted by the grisly aftermath of an incident that led her to lose her best friend eleven years ago. Constantly reminded she doesn’t belong, Rakhi lives alone in a Mumbai slum, working as a lowly office assistant at Justice For All, a struggling human rights law office headed by the renowned lawyer who gave her a fresh start. Fiercely intelligent and in possession of a sharp wit and an even sharper tongue, Rakhi is nobody’s fool, even if she is underestimated by everyone around her. Rakhi's life isn't much, but she's managing. That is until a fading former Bollywood starlet tries to edge her way back into the spotlight by becoming a celebrity ambassador for Justice For All. Steering the organization into uncharted territories, she demands an internship for her young Canadian family friend, Alex, a Harvard-bound graduate student. Ambitious, persistent, and naive, Alex persuades Rakhi to show him "the real" India. In exchange, he’ll do something to further Rakhi’s dreams in a transaction that seems harmless, at first. As old guilt and new aspirations collide, everything Rakhi once knew to be true is set ablaze. And as the stakes mount, she will come face to face with the difficult choices and moral compromises that people are prepared to make in order to survive, no matter the costs. Reema Patel’s transportive debut novel offers a moving, smart, and arrestingly funny look at the cost of ambition and power in reclaiming one’s story.