Bill Frisell Beautiful Dreamer

The definitive biography of guitar icon and Grammy Award-winning artist Bill Frisell. FEATURING EXCLUSIVE LISTENING SESSIONS WITH: Paul Simon; Justin Vernon of Bon Iver; Gus Van Sant; Rhiannon Giddens; The Bad Plus; Gavin Bryars; Van Dyke Parks; Sam Amidon; Hal Willner; Jim Woodring; Martin Hayes & Dennis Cahill 'A beautiful and long overdue portrait of one of America's true living cultural treasures.' JOHN ZORN 'The perfect companion-piece to the music of its subject.' MOJO 'Outlines the subject's life in a series of scrupulous strokes and intimate interviews that are rare in such undertakings . . . a cool, casual victory.' IRISH TIMES Over a period of forty-five years, Bill Frisell has established himself as one of the most innovative and influential musicians at work today. A quietly revolutionary guitar hero for our genre-blurring times, he connects to a diverse range of artists and admirers, including Paul Simon, Elvis Costello, Rhiannon Giddens, Gus Van Sant and Justin Vernon of Bon Iver, all of whom feature in this book. A vital addition to any music lover's book collection, Bill Frisell, Beautiful Dreamer tells the legendary guitarist's story for the first time. 'Stuffed with musical encounters, so many that every couple of pages there's an unheard Frisell recording for the reader to chase down.' NEW YORKER ' Bill Frisell, Beautiful Dreamer is the definitive biography.' BILL MILKOWSKI, DOWNBEAT 'Superb . . . the book races along like Sonny Rollins in full sail. Like subject, like writer: this is super-articulate, adventurous prose.' PERSPECTIVE '[Watson's] writing balances unbridled passion and dispassionate research nearly as deftly as Mr. Frisell's playing does sound and silence . . . compelling.' WALL STREET JOURNAL

Don’t fret! The music historian and guitar sleuth brings you more astounding stories of rare guitar finds and the legends who owned them. Do you dream of finding a 1954 Stratocaster or 1952 Gibson Les Paul online, at a garage sale, or in the local penny saver? How about virtually rubbing elbows with one of your favorite rock legends? Following up his first-of-its-kind The Strat in the Attic, musician, journalist, and “guitarchaeologist” Deke Dickerson shares the stories behind dozens of more astounding finds including: A rarer-than-hens-teeth 1966 Hallmark Swept-Wing that originally belonged to Robbie Krieger of the Doors, stashed away in an attic in Alaska for forty years! A crazy-valuable 1958 Gibson Flying V belonging to a Chicago bluesman—who, it turns out, also happens to have an equally rare 1958 Gibson Explorer! An out-of-the-blue, a “to whom it may concern” email leads the author to a trailer park in Salem, Oregon, where one of Bob Wills and the Texas Playboys’ original 1940s Epiphone Emperor archtops is waiting to be purchased for a song! Luthier R.C. Allen relates the tales of buying Nat “King” Cole Trio guitarist Oscar Moore’s Stromberg Master 400 archtop and of being gifted a 1953 Standel amp from Merle Travis! Buddy Merrill, the amazingly talented guitarist from the Lawrence Welk show, gives his 1970 Micro-Frets Huntington to the author, but only if he “promises to PRACTICE.” Photos of the guitars and other exciting memorabilia round out a package that no vintage-guitar aficionado will want to be without! “The man knows how to tell a great story.” —Jonathan Kellerman, #1 New York Times–bestselling author

One of Buzzfeed's 25 New And Upcoming Books You Won’t Be Able To Put Down and one of LitHub's Best New Nonfiction to Read This November "The Uninnocent is so elegantly crafted that the pleasure of reading it nearly overrides its devastating subject matter . . . a story of radical empathy, a triumph of care and forgiveness." --Stephanie Danler, author of Stray and Sweetbitter A harrowing intellectual reckoning with crime, mercy, justice and heartbreak through the lens of a murder On a Thursday morning in June 2010, Katharine Blake's sixteen-year-old cousin walked to a nearby bike path with a boxcutter, and killed a young boy he didn’t know. It was a psychological break that tore through his brain, and into the hearts of those who loved both boys—one brutally killed, the other sentenced to die at Angola, one of the country’s most notorious prisons. In The Uninnocent, Blake, a law student at Stanford at the time of the crime, wrestles with the implications of her cousin’s break, as well as the broken machinations of America’s justice system. As her cousin languished in a cell on death row, where he was assigned for his own protection, Blake struggled to keep her faith in the system she was training to join. Consumed with understanding her family’s new reality, Blake became obsessed with heartbreak, seeing it everywhere: in her cousin’s isolation, in the loss at the center of the crime, in the students she taught at various prisons, in the way our justice system breaks rather than mends, in the history of her parents and their violent childhoods. As she delves into a history of heartbreak—through science, medicine, and literature—and chronicles the uneasy yet ultimately tender bond she forms with her cousin, Blake asks probing questions about justice, faith, inheritance, family, and, most of all, mercy. Sensitive, singular, and powerful, effortlessly bridging memoir, essay, and legalese, The Uninnocent is a reckoning with the unimaginable, unforgettable, and seemly irredeemable. With curiosity and vulnerability, Blake unravels a distressed tapestry, finding solace in both its tearing and its mending.

With a foreword by Joe Lovano, an oral biography of the preeminent alto saxophonist of cool jazz

What does jazz mean 20 years into the 21st century? Has streaming culture rendered music literally meaningless, thanks to the removal of all context beyond the playlist? Are there any traditions left to explore? Has the destruction of the apprenticeship model (young musicians learning from their elders) changed the music irrevocably? Are any sounds off limits? How far out can you go and still call it jazz? Or should the term be retired? These questions, and many more, are answered in Ugly Beauty, as Phil Freeman digs through his own experiences and conversations with present-day players. Jazz has never seemed as vital as it does right now, and has a genuine role to play in 21st-century culture, particularly in the US and the UK.

The quintessential depiction of 1980s New York and the downtown scene from the artist, actor, musician, and composer John Lurie “A picaresque roller coaster of a story, with staggering amounts of sex and drugs and the perpetual quest to retain some kind of artistic integrity.”—The New York Times In the tornado that was downtown New York in the 1980s, John Lurie stood at the vortex. After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to life the whole wash of 1980s New York as he developed his artistic soul over the course of the decade and came into orbit with all the prominent artists of that time and place, including Andy Warhol, Debbie Harry, Boris Policeband, and, especially, Jean-Michel Basquiat, the enigmatic prodigy who spent a year sleeping on the floor of Lurie’s East Third Street apartment. It may feel like Disney World now, but in The History of Bones, the East Village, through Lurie’s clear-eyed reminiscence, comes to teeming, gritty life. The book is full of grime and frank humor—Lurie holds nothing back in this journey to one of the most significant moments in our cultural history, one whose reverberations are still strongly felt today. History may repeat itself, but the way downtown New York happened in the 1980s will never happen again. Luckily, through this beautiful memoir, we all have a front-row seat.

The New Yorker recently referred to Pat Metheny as “possibly the most influential jazz guitarist of the past five decades.” A native of Lee’s Summit, Missouri, just southeast of Kansas City, Metheny started playing in pizza parlors at age fourteen. By the time he graduated from high school he was the first-call guitarist for Kansas City jazz clubs, private clubs, and jazz festivals. Now 66, he attributes his early success to the local musical environment he was brought up in and the players and teachers who nurtured his talent and welcomed him into the jazz community. Metheny's twenty Grammys in ten categories speak to his versatility and popularity. Despite five decades of interviews, none have conveyed in detail his stories about his teenage years. Beneath Missouri Skies also reveals important details about jazz in Kansas City during the sixties and early seventies, often overlooked in histories of Kansas City jazz. Yet this time of cultural change was characterized by an outstanding level of musicianship. Author Carolyn Glenn Brewer shows how his keen sense of ensemble had its genesis in his school band under the guidance of a beloved band director. Drawn from news accounts, archival material, interviews, and remembrances, to which the author had unique access, Beneath Missouri Skies portrays a place and time from which Metheny still draws inspiration and strength.

(Berklee Guide). Play jazz with tremendous facility and authentic vocabulary. Learn to develop your own sound, perform a wide variety of essential jazz time feels, and improvise dynamic fills and solos, taught in the tradition of Alan Dawson and other Berklee luminaries of drum education. This approach to jazz drumming presents a unique blend of four-way coordination, comping vocabulary, and soloing/improvisation concepts, infused with world rhythms. It will help you to develop a deep, practical understanding of how to play jazz drums, and to develop your own personal sound and style. You will learn to: * Deepen your sense of swing and overall timing * Understand the ride cymbal's critical role in jazz time-keeping * Apply the rudimental language of jazz * Develop your independence, via some of the great Alan Dawson's signature exercises and "The Rudimental Ritual" * Play brushes and brush patterns * Improvise captivating drum set solos * Incorporate world rhythms into jazz * Read and interpret drum charts