Bio Design

Bioluminescent algae, symbiotic aquariums, self-healing concrete, clavicle wind instruments and structures made from living trees - biology applied outside the lab has never been so intriguing, or so beautiful. Bio Design examines the thrilling advances in the field, showcasing some seventy projects (concepts, prototypes and completed designs) that cover a range of fields - from architecture and industrial design to fashion and medicine. The revised and expanded edition features twelve new projects (replacing ten existing projects): Hy-Fi (by David Benjamin); One Central Park, Sydney (Jean Nouvel); Guard from Above (Sjoerd Hoogendoorn); Cell-laden Hydrogels for Biocatalysis (Alshakim Nelson); Zoa (Modern Meadow); Amino Labs (Julie Legault); Algae and Mycelium Projects (Eric Klarenbeek); Interwoven and Harvest (Diane Scherer); Concrete Honey (John Becker); Bistro In Vitro (Koert van Mensvoort); Circumventive Organs (Agi Haines); Quantworm Mine (Liv Bargman and Nina Cutler). It also includes a new 'how-to' section at the end (Tips for Collaboration/FAQs/Further Resources), as well as a fully revised introduction.

Recognize market opportunities, master the design process, and develop business acumen with this 'how-to' guide to medical technology innovation. Outlining a systematic, proven approach for innovation - identify, invent, implement - and integrating medical, engineering, and business challenges with real-world case studies, this book provides a practical guide for students and professionals.

Modern biotechnologies give us unprecedented control of the fundamental building blocks of life. For designers, across a range of disciplines, emerging fields such as synthetic biology offer the promise of new sustainable materials and structures which may be grown, are self-assembling, self-healing and adaptable to change. While there is a thriving speculative discourse on the future of design in the age of biotechnology, there are few realized design applications. This book, the first in the Bio Design series, acts as a bridge between design speculation and scientific reality and between contemporary design thinking, in areas such as architecture, product design and fashion design, and the traditional engineering approaches which currently dominate biotechnologies. Filled with real examples, Living Construction reveals how living cells construct and transform materials through methods of fabrication and assembly at multiple scales and how designers can utilize these processes.

Our minds are organized into a certain mind-set based on our perception of the reality we develop in our socialization into society. I believe that because we are living and operating a new creative paradigm filled with new ideas, concepts, and laws, we must begin to challenge our existing mind-set and seek creative concepts and methods that will allow us to see this new alternative reality that many refuse to recognize and accept. We can look at nature as a composite of isolated snapshots showing its beauty, or we can view the incredible and intelligent design and function behind every plant, tree, and living creature. The intended goal of the book is to provoke your mind to see this incredible bio design from which we can begin to develop a higher level of understanding and meaning. We will soon realize that we will discover and recognize new patterns as we process new information. We will begin to connect ideas and concepts previously not connected. We will raise the quality of our perceptions and thinking using the intelligent design found in nature.

A visually striking, authoritative survey of the crossover between art and biotechnology by an expert in the field In an era of fast-paced technological progress and with the impact of humans on the environment increasing, the concept of “nature” itself seems called into question. Bio Art explores the work of “bio artists,” those who work with living organisms and life processes to address the possibilities and dangers posed by biotechnological advancement. A contextual introduction traces the roots of bio artistic practice, followed by four thematic chapters: Altering Nature, Experimental Identity and Mediums, Visualizing Scale and Scope, and Redefining Life. The chapters cover the key areas in which biotechnology has had an impact on today’s world, including ecology, biomedicine, designer genomes, and changing approaches to evolutionary theory, and include profiles of the work of sixty artists, collectives, and organizations from around the world. Interviews with eight leading bio artists and technologists provide deeper insight into the ideas and methods of this new breed of creative practitioners.

Biodesign in the Age of Artificial Intelligence: Deep Green investigates the potential of nature-based technology for shaping the evolution of contemporary architecture and design. It takes on the now pervasive topic of design intelligence, extending its definition to encompass both biological and digital realms. As in their first title, Systemic Architecture: Operating Manual for the Self-Organizing City, the authors engage the topic through the specific lens of their innovative design practice, ecoLogicStudio, and their research at the University of Innsbruck and at the Bartlett, UCL. Part One of the book, entitled PhotoSyntheticaTM, illustrates design solutions that engage the urban microbiome and seek to achieve an immediate impact, while Part Two, entitled Deep Green, includes synthetic landscapes and operates within a much larger spatio-temporal frame, going beyond human perception and life span to envision design as a geographical and geological force. In the age of catastrophic climate change, such perceptual expansion helps to clarify that change cannot simply be stopped or rolled back. We must instead establish more positive dynamics of change within the living world. To this end, this book proposes to engage with design and architecture as an extended cognitive interface, a sentient being that is co-evolutionary and symbiotic with the living planet, contributing to its beauty and to our continued enjoyment of it.

-To provide insight to the process which engages nature and design, this collection of work shines light on the educational methods currently being explored in China's top institutions Bio-inspired design is both simple and complex. Simple because it provides an easy reference to discuss ideas through a means we all can relate to and become inspired by - the natural world. The topic engages a spectrum of professionals, from environmental enthusiasts to design professionals and scientists. The complexity arises when we need to understand beyond what we see and understand how nature works. At many levels, we are still exploring how systems are inter-related and to decipher these relationships we have to look beyond the idealized inspiration. Throughout the world, research and development that focuses on bio-inspiration has been steadily increasing and is expected to continue to do so for the next two decades. Currently, China is one of the leaders in scholarly articles focusing on bio-inspiration. Although this topic is developing at an impressive rate, much of the public awareness of bio-inspiration and similar areas of research such as biomimetics and biomimicry is relatively unknown. Therefore, to provide insight into this process, this collection of work shines light on the methods currently being explored in China's top institutions.