Birdmen

From acclaimed historian Lawrence Goldstone comes a thrilling narrative of courage, determination, and competition: the story of the intense rivalry that fueled the rise of American aviation. The feud between this nation’s great air pioneers, the Wright brothers and Glenn Curtiss, was a collision of unyielding and profoundly American personalities. On one side, a pair of tenacious siblings who together had solved the centuries-old riddle of powered, heavier-than-air flight. On the other, an audacious motorcycle racer whose innovative aircraft became synonymous in the public mind with death-defying stunts. For more than a decade, they battled each other in court, at air shows, and in the newspapers. The outcome of this contest of wills would shape the course of aviation history—and take a fearsome toll on the men involved. Birdmen sets the engrossing story of the Wrights’ war with Curtiss against the thrilling backdrop of the early years of manned flight, and is rich with period detail and larger-than-life personalities: Thomas Scott Baldwin, or “Cap’t Tom” as he styled himself, who invented the parachute and almost convinced the world that balloons were the future of aviation; John Moisant, the dapper daredevil who took to the skies after three failed attempts to overthrow the government of El Salvador, then quickly emerged as a celebrity flyer; and Harriet Quimby, the statuesque silent-film beauty who became the first woman to fly across the English Channel. And then there is Lincoln Beachey, perhaps the greatest aviator who ever lived, who dazzled crowds with an array of trademark twists and dives—and best embodied the romance with death that fueled so many of aviation’s earliest heroes. A dramatic story of unimaginable bravery in the air and brutal competition on the ground, Birdmen is at once a thrill ride through flight’s wild early years and a surprising look at the personal clash that fueled America’s race to the skies. Praise for Birdmen “A meticulously researched account of the first few hectic, tangled years of aviation and the curious characters who pursued it . . . a worthy companion to Richard Holmes’s marvelous history of ballooning, Falling Upwards.”—Time “The daredevil scientists and engineers who forged the field of aeronautics spring vividly to life in Lawrence Goldstone’s history.”—Nature “The history of the development of an integral part of the modern world and a fascinating portrayal of how a group of men and women achieved a dream that had captivated humanity for centuries.”—The Christian Science Monitor “Captivating and wonderfully presented . . . a fine book about these rival pioneers.”—The Wall Street Journal “[A] vivid story of invention, vendettas, derring-do, media hype and patent fights [with] modern resonance.”—Financial Times “A powerful story that contrasts soaring hopes with the anchors of ego and courtroom.”—Kirkus Reviews “A riveting narrative about the pioneering era of aeronautics in America and beyond . . . Goldstone raises questions of enduring importance regarding innovation and the indefinite exertion of control over ideas that go public.”—Publishers Weekly (starred review)

Birdmen is a story about our wars. More specifically, it is the story of two young men caught in the middle of the conflict in Iraq, and their attempts to carve out meaning and purpose in the midst of a war they do not fully understand. As an old veteran in the book says, Something inside all of us dies in a war. Hope innocence maybe just navet? In a sense, we are all struggling in some form or other for a victory that seems to constantly elude us. Suddenly we find ourselves fighting a battle that may provide no real sense of absolution in the end. War is truly ugly. Truth becomes abstracted. Redemption reveals itself as an often unpleasant and complicated process. Soldiers come home from a war expecting to be free and clear of the thing, only too often to find they are still carrying it around inside them. For those who live through it, the war is never really over, and there may be no such thing as a happy ending.

The Wright Brothers were wimps. Or so you might think after reading this account of their unsung but even more daring rivals—the men and women who strapped wings to their backs and took to the sky. If only for a few seconds. People have been dying to fly, quite literally, since the dawn of history. They’ve made wings of feather and bone, leather and wood, canvas and taffeta, and thrown themselves off the highest places they could find. Theirs is the world’s first and still most dangerous extreme sport, and its full history has never been told. Birdmen, Batmen, and Skyflyers is a thrilling, hilarious, and often touching chronicle of these obsessive inventors and eccentric daredevils. It traces the story of winged flight from its doomed early pioneers to their glorious high-tech descendants, who’ve at last conquered gravity (sometimes, anyway). Michael Abrams gives us a brilliant bird’s-eye view of what it’s like to fly with wings. And then, inevitably, to fall. In the Immortal Words of Great Birdmen... “Someday I think that everyone will have wings and be able to soar from the housetops. But there must be a lot more experimenting before that can happen.” —Clem Sohn, the world’s first batman, who plummeted to his death at the Paris Air Show in 1937 “The trouble was that he went only halfway up the radio tower. If he had gone clear to the top it would have been different.” —Amadeo Catao Lopes in 1946, explaining the broken legs of the man who tried his wings “One day, a jump will be the last. The jump of death. But that idea does not hold me back.” —Rudolf Richard Boehlen, who died of jump-related injuries in 1953 “It turned out that almost everyone from the thirties and forties had died. That just made me want to do it more.” —Garth Taggart, stunt jumper for The Gypsy Moths, filmed in 1968 “You have to be the first one. The second one is the first loser.” —Felix Baumgartner, who in 2003 became the first birdman to cross the English Channel

A serial killer stalks the streets of London in this “top-notch debut thriller”—the first Jack Caffery novel from the acclaimed author of Gone (Kirkus Reviews). In his first case as lead investigator with London’s murder squad, Det. Inspector Jack Caffery is called on to investigate the murder of a young woman whose body has been discovered near the Millennium Dome in Greenwich, southeast London. Mutilated beyond recognition, the victim is soon joined by four others discovered in the same area—all female and all ritualistically murdered. And when the postmortem examination reveals a gruesome signature connecting the victims, Caffery realizes exactly what he’s dealing with—a dangerous serial killer. A finalist for the Edgar Award, Birdman explores the darkest reaches of the human mind and introduces a fascinating detective to the world of British crime fiction. “Treading the grisly path blazed by Thomas Harris in 1981 with Red Dragon, promising newcomer Hayder crafts a blood-curdlingly creepy debut thriller.” —Publishers Weekly, starred review “A deftly plotted assault on the nerves . . . Birdman preys on the reader’s expectations expertly, and Hayder handles her story’s complicated time scheme with enviable assurance. Graphic, disturbing, splendidly readable.” —Kirkus Reviews

Senior Birdman: The Guy Who Just Had to Fly is the autobiography of one man's improbable rise from a humble farming community to the glamour and glitz of southern California, the epicenter of aviation development. Starting with an awe-inspiring moment in a desolate field in western Nebraska, the book will wing you-in Forrest Gump-like fashion-through a series of vignettes that bump into the lives of prominent historical figures like General Omar Bradley, Howard Hughes, even Hugh Heffner. Unedited and as raw as a diary, Senior Birdman jumps like a crop duster from naval pre-flight training to McDonnell Douglas to the launch of the DC-8 Jetliner to numerous fly-by commentaries about people, places, big government and life. If you loved the movie The Aviator, you'll want to climb into the cockpit with Eldon Price-pilot, aeronautical engineer, aerospace executive, and family man-and take this short, literary flight through some of aviation history's defining moments.

This book addresses the main enigmas of Easter Island’s (Rapa Nui, in the Polynesian language) prehistory from the time of initial settlement to European contact with a multidisciplinary perspective. The main topics include: (i) the time of first settlement and the origin of the first settlers; (ii) the main features of prehistoric Rapanui culture and their changes; (iii) the deforestation of the island and its timing and causes; (iv) the extinction of the indigenous biota, (v) the occurrence of climatic shifts and their potential effects on socioecological trends; (vi) the evidence for a cultural and demographic collapse before European contact; and (vii) the influence of Europeans on prehistoric Rapanui society. The book is subdivided into thematic sections and each chapter is written by renowned specialists in disciplines such as archaeology, anthropology, paleoecology, ethnography, linguistics, ethnobotany, phylogenetics/phylogeography and history. Contributors have been invited to provide an open and objective vision that includes as many views as possible on the topics considered. In this way, the readers may be able to compare different of points of view and make their own interpretations on each of the subjects considered. The book is intended for a wide audience including graduate students, advanced undergraduate students, university teachers and researchers interested in the subject. Given its multidisciplinary character and the topics included, the book is suitable for students and researchers from a wide range of disciplines and interests.

Birdmen is a story about our wars. More specifically, it is the story of two young men caught in the middle of the conflict in Iraq, and their attempts to carve out meaning and purpose in the midst of a war they do not fully understand. As an old veteran in the book says, Something inside all of us dies in a war. Hope innocence maybe just naïveté? In a sense, we are all struggling in some form or other for a victory that seems to constantly elude us. Suddenly we find ourselves fighting a battle that may provide no real sense of absolution in the end. War is truly ugly. Truth becomes abstracted. Redemption reveals itself as an often unpleasant and complicated process. Soldiers come home from a war expecting to be free and clear of the thing, only too often to find they are still carrying it around inside them. For those who live through it, the war is never really over, and there may be no such thing as a happy ending.