Birds In England An Account Of The State Of Our Bird Life And A Criticism Of Bird Protection

Etta Lemon: The Woman Who Saved the Birds is the story of a pioneering conservationist who led the campaign against the slaughter of wild birds for extravagantly feathered hats and coaxed the world to care for birds.

At the center of Stefan Bargheer’s account of bird watching, field ornithology, and nature conservation in Britain and Germany stands the question of how values change over time and how individuals develop moral commitments. Using life history data derived from written narratives and oral histories, Moral Entanglements follows the development of conservation from the point in time at which the greatest declines in bird life took place to the current efforts in large-scale biodiversity conservation and environmental policy within the European Union. While often depicted as the outcome of an environmental revolution that has taken place since the 1960s, Bargheer demonstrates to the contrary that the relevant practices and institutions that shape contemporary conservation have evolved gradually since the early nineteenth century. Moral Entanglements further shows that the practices and institutions in which bird conservation is entangled differ between the two countries. In Britain, birds derived their meaning in the context of the game of bird watching as a leisure activity. Here birds are now, as then, the most popular and best protected taxonomic group of wildlife due to their particularly suitable status as toys in a collecting game, turning nature into a playground. In Germany, by contrast, birds were initially part of the world of work. They were protected as useful economic tools, rendering services of ecological pest control in a system of agricultural production modeled after the factory shop floor. Based on this extensive analysis, Bargheer formulates a sociology of morality informed by a pragmatist theory of value.

As evidenced by the incredible success of Helen MacDonald's H is for Hawk, and the legions of fans of Pale Male, the incredible red-tailed hawk of 5th avenue, we are full of rapture for raptors. James Macdonald Lockhart, is among the many who have sought out these incredible birds, and in this lyrical work of natural history he seeks out 15 different raptors, in 15 different landscapes across England: a journey in search of raptors, a journey through the birds and into their worlds. Raptors are by nature scarce and extremely elusive. Of Pandionidae (osprey), Accipitridae (broad-winged harrier, eagle, buzzard, red kite) and Falconidae (peregrine, sparrowhawk etc.) only widespread buzzards, kestrels and kites are easily seen. Lockhart follows loosely the trail of 19th-century Scottish naturalist and artist William MacGillivray (1796-1852), As Philip Hoare wrote of it, James MacDonald Lockhart puts the rapture back in the raptor. This is in-the-moment writing, raw in beak and claw. With its gorgeously felt sense of life and place, Raptor rips at its words, turning them into exquisite portraits of the utter wild, shaping soaring, obsessive beauty out of the British landscape and its imperial birds"

In 1983, the British Trust for Ornithology celebrated its first 50 years. This volume records much of the history of birdwatching and ornithology since the early 1930s. The book is not a history of the BTO, but many of the Trust's achievements helped fashion the development and direction of ornithology over the decades, and major aspects of the Trust's work rightly have detailed treatment. The book ranges widely, it looks at the changing bird as well as the changing bird watcher and records the work of related conservation bodies, it considers the future and the past and includes an extensive section of useful facts and figures, whilst never losing sight of the central theme which is the book's title.

A beautifully illustrated history of modern ornithology Ten Thousand Birds provides a thoroughly engaging and authoritative history of modern ornithology, tracing how the study of birds has been shaped by a succession of visionary and often-controversial personalities, and by the unique social and scientific contexts in which these extraordinary individuals worked. This beautifully illustrated book opens in the middle of the nineteenth century when ornithology was a museum-based discipline focused almost exclusively on the anatomy, taxonomy, and classification of dead birds. It describes how in the early 1900s pioneering individuals such as Erwin Stresemann, Ernst Mayr, and Julian Huxley recognized the importance of studying live birds in the field, and how this shift thrust ornithology into the mainstream of the biological sciences. The book tells the stories of eccentrics like Colonel Richard Meinertzhagen, a pathological liar who stole specimens from museums and quite likely murdered his wife, and describes the breathtaking insights and discoveries of ambitious and influential figures such as David Lack, Niko Tinbergen, Robert MacArthur, and others who through their studies of birds transformed entire fields of biology. Ten Thousand Birds brings this history vividly to life through the work and achievements of those who advanced the field. Drawing on a wealth of archival material and in-depth interviews, this fascinating book reveals how research on birds has contributed more to our understanding of animal biology than the study of just about any other group of organisms.

Reflecting the modernist fascination with science, Virginia Woolf's representations of nature are informed by a wide-ranging interest in contemporary developments in the life sciences. Christina Alt analyses Woolf's responses to disciplines ranging from taxonomy and the new biology of the laboratory to ethology and ecology and illustrates how Woolf drew on the methods and objectives of the contemporary life sciences to describe her own literary experiments. Through the examination of Woolf's engagement with shifting approaches to the study of nature, this work covers new ground in Woolf studies and makes an important contribution to the understanding of modernist exchanges between literature and science.