Bizarre Botany

Take a journey through a forest of fascinating facts and explore the wonders of the plant kingdom - from the tallest and smallest, to the smelliest and deadliest. This A to Z gift book reveals some of the most quirky and awe-inspiring stories about plants and will give you a whole new appreciation of all things floral. Did you know that the swamp cypress has breathing knees? Or that poison dart frogs raise their young in tank bromeliads high up in the rainforest canopy? That oak galls can be used as a source of ink, or that juniper wood once fuelled illicit whisky distilleries? Do you know what a vegetable sheep is, or which plants were used in the Egyptian art of embalming? We are surrounded by plants that live unusual and diverse lives, and we put them to some surprising uses. Bizarre Botany is packed with amazing facts that you'll want to share with everyone you know.

THE BIZARRE AND INCREDIBLE WORLD OF PLANTS brings together the best of the following three books in one fascinating union of art and science, POLLEN: THE HIDDEN SEXUALITY OF FLOWERS; SEEDS: TIME CAPSULES OF LIFE; AND FRUIT: EDIBLE, INEDIBLE, INCREDIBLE. Each earned high praise that varied from "breathtaking" and "ravishing" to "enlightening" and "truly revelatory." Visual artist Rob Kesseler uses special light and scanning electron microscopy to create astonishing images of a variety of pollen, seeds and fruits. His razor-sharp cross-sections reveal intricate interiors, pods, pouches, keys, and other examples of botanical architecture and seed dispersal. Seed morphologist Wolfgang Stuppy and palynologist Madeline Harley deftly explain the botanical purposes for which the pollen, seeds and fruit are designed, how they fulfill their mission, and their role in preserving the biodiversity of our planet. Literary references and early botanical illustrations pepper the text. THE BIZARRE AND INCREDIBLE WORLD OF PLANTS is groundbreaking in its intimate examination of plant reproduction. It is an essential source and reference for artists, designers and photographers and will fascinate gardeners and readers interested in the natural world. AUTHOR: Wolfgang Stuppy is a seed morphologist for the Millennium Seed Bank at the Royal Botanic Gardens. Rob Kesseler is a visual arts professor and artist who works with microscopic plant material at London's Royal Botanic Gardens. Madeline Harley, PhD, FLS, is head of the palynology unit at the Royal Botanic Gardens. ILLUSTRATIONS: Colour photographs

Plant experts Larry Mellichamp and Paula Gross take readers on a curious botanical journey of weirdly wonderful plants. Bizarre Botanicals features over 75 astonishing plants that have extraordinary abilities: from pyrotechnic spores that can burst into flame when ignited, to flowers that lure insects to their deaths. Each plant profile includes essential care and cultivation information. A difficulty scale alerts gardeners to how easy (or difficult) it is to grow the plant at home.

RHS Staff Pick of the Year 2021 Spectator Gardening Book of the year 2021 'A refreshingly insightful history of plant introductions.' - Roy Lancaster Travel the world with extraordinary tales of the botanical discoveries that have shaped empires, built (and destroyed) economies, revolutionised medicine and advanced our understanding of science. Circling the globe from Australia's Botany Bay to the Tibetan plateau, from the deserts of Southern Africa to the jungles of Brazil, this book presents an incredible cast of characters - dedicated researchers and reckless adventurers, physicians, lovers and thieves. Meet dauntless Scots explorer David Douglas and visionary Prussian thinker Alexander von Humboldt, the 'Green Samurai' Mikinori Ogisu and the intrepid 17th century entomologist Maria Sibylla Merian - the first woman known to have made a living from science. Beautifully illustrated with over 100 botanical artworks from the archives of the Royal Botanic Gardens, Kew, this absorbing book tells the stories of how plants have travelled across the world - from the missions of the Pharaohs right up to 21st century seed-banks and the many new and endangered species being named every year. *** THE ROYAL BOTANIC GARDENS, KEW is a world-famous research organisation and a major international visitor attraction. It harnesses the power of its science, the rich diversity of its gardens and collections to unearth why plants and fungi matter to everyone. Its aspiration is to end the extinction crisis and help create a world where nature and biodiversity are protected, valued and managed sustainably.

David Attenborough meets Lemony Snicket in The Big Bad Book of Botany, Michael Largo’s entertaining and enlightening one-of-a-kind compendium of the world’s most amazing and bizarre plants, their history, and their lore. The Big, Bad Book of Botany introduces a world of wild, wonderful, and weird plants. Some are so rare, they were once more valuable than gold. Some found in ancient mythology hold magical abilities, including the power to turn a person to stone. Others have been used by assassins to kill kings, and sorcerers to revive the dead. Here, too, is vegetation with astonishing properties to cure and heal, many of which have long since been lost with the advent of modern medicine. Organized alphabetically, The Big, Bad Book of Botany combines the latest in biological information with bizarre facts about the plant kingdom’s oddest members, including a species that is more poisonous than a cobra and a prehistoric plant that actually “walked.” Largo takes you through the history of vegetables and fruits and their astonishing agricultural evolution. Throughout, he reveals astonishing facts, from where the world’s first tree grew to whether plants are telepathic. Featuring more than 150 photographs and illustrations, The Big, Bad Book of Botany is a fascinating, fun A-to-Z encyclopedia for all ages that will transform the way we look at the natural world.

The Study of Plants in a Whole New Light “Matt Candeias succeeds in evoking the wonder of plants with wit and wisdom.” ―James T. Costa, PhD, executive director, Highlands Biological Station and author of Darwin's Backyard #1 New Release in Nature & Ecology, Plants, Botany, Horticulture, Trees, Biological Sciences, and Nature Writing & Essays In his debut book, internationally-recognized blogger and podcaster Matt Candeias celebrates the nature of plants and the extraordinary world of plant organisms. A botanist’s defense. Since his early days of plant restoration, this amateur plant scientist has been enchanted with flora and the greater environmental ecology of the planet. Now, he looks at the study of plants through the lens of his ever-growing houseplant collection. Using gardening, houseplants, and examples of plants around you, In Defense of Plants changes your relationship with the world from the comfort of your windowsill. The ruthless, horny, and wonderful nature of plants. Understand how plants evolve and live on Earth with a never-before-seen look into their daily drama. Inside, Candeias explores the incredible ways plants live, fight, have sex, and conquer new territory. Whether a blossoming botanist or a professional plant scientist, In Defense of Plants is for anyone who sees plants as more than just static backdrops to more charismatic life forms. In this easily accessible introduction to the incredible world of plants, you’ll find: • Fantastic botanical histories and plant symbolism • Passionate stories of flora diversity and scientific names of plant organisms • Personal tales of plantsman discovery through the study of plants If you enjoyed books like The Botany of Desire, What a Plant Knows, or The Soul of an Octopus, then you’ll love In Defense of Plants.

From the two-time Booker Prize-winning author: an irrepressible, audacious, trenchantly funny new novel set in the 19th century and inspired in part by the life of Alexis de Tocqueville. With dazzling exuberance and all the richness of characterization, story, and language that we have come to expect from this superlative writer, Peter Carey explores the birth of democracy, the limits of friendship and whether people really can remake themselves in a New World. The two men at the heart of the novel couldn't be any more different: Olivier is the son of French aristocrats who (barely) survived the French Revolution. Parrot is the motherless son of an itinerate English printer. But when young Parrot is separated from his father (after a stupendous conflagration at a house of forgery) he runs into the powerful embrace of a one-armed marquis who will be his conduit - like it or not - into a life as closely (mis)allied with Olivier's as if they were connected by blood. And when Olivier sets sail for America - ostensibly to make a study of the American penal system, but more precisely to save his neck from the latest guillotineurs - Parrot, unable to loosen the Marquis's grip, is there too: as spy, scribe, comptroller, protector, foe and foil. As the narrative unfurls, shifting between the perspectives of Olivier and Parrot, between their picaresque adventures apart and together, in love and politics, prisons and finance, homelands and brave new lands - a most unlikely friendship begins to take hold.

Edward Lear's poems follow and break the rules. They abide by the logic of syntax, the linking of rhyme and the dance of rhythm, and these 'nonsenses' are full of joy - yet set against darkness. Where do these human-like animals and birds and these odd adventures - some gentle, some violent, some musical, some wild - come from? His many drawings that accompany his verse are almost hyper-real, as if he wants to free the creatures from the page. They exist nowhere else in literature, springing only from Lear's imagination. Lear lived all his life on the borders of rules and structures, of disciplines and desires. He vowed to ignore politics yet trembled with passionate sympathies. He depended on patrons and moved in establishment circles, yet he never belonged among them and mocked imperial attitudes. He loved men yet dreamed of marriage - but remained, it seems, celibate, wrapped in himself. Even in his family he was marginal, at once accepted and rejected. Surrounded by friends, he was alone. If we follow him across land and sea - to Italy, Greece and Albania, to The Levant and Egypt and India - and to the borderlands of spirit and self, art and desire, can we see, in the end, if the nonsense makes sense? This is what Jenny Uglow has set sail to find out.