Black Entertainers In African American Newspaper Articles An Annotated Bibliography Of The Chicago Defender The Afro American Baltimore The Los Angeles Sentinel And The New York Amsterdam News 1910 1950

All forms of American entertainment have been influenced by the participation of African Americans, and some forms have been invented by them, yet for much history that influence and those inventions went undocumented in the white press. For the first half of the twentieth century, the best coverage of blacks in entertainment-especially the developing motion picture industry-was in the newspapers published and circulated by the African American community. This annotated bibliography offers easy access to that coverage in four of the most influential black newspapers in the period from 1910 to 1950: the Chicago Defender, the Afro-American (Baltimore), the Los Angeles Sentinel and the New York Amsterdam News. The chronological arrangement allows the reader to trace developments in entertainment from the early days of motion pictures to mid-century. Quotations from the articles offer a taste of each newspaper's style, and extensive indexing provides quick access to names, titles, and subjects, making the book an invaluable aid to researchers.

Chronicling over forty years of changes in African-American popular culture, the Regal Theatre (1928-1968) was the largest movie-stage-show venue ever constructed for a Black community. Semmes reveals the political, economic and business realities of cultural production and the institutional inequalities that circumscribed Black life.

African-American writer Richard Wright (1908–1960) was celebrated during the early 1940s for his searing autobiography (Black Boy) and fiction (Native Son). By 1947 he felt so unwelcome in his homeland that he exiled himself and his family in Paris. But his writings changed American culture forever, and today they are mainstays of literature and composition classes. He and his works are also the subjects of numerous critical essays and commentaries by contemporary writers. This volume presents a comprehensive annotated bibliography of those essays, books, and articles from 1983 through 2003. Arranged alphabetically by author within years are some 8,320 entries ranging from unpublished dissertations to book-length studies of African American literature and literary criticism. Also included as an appendix are addenda to the author’s earlier bibliography covering the years from 1934 through 1982. This is the exhaustive reference for serious students of Richard Wright and his critics.

1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering.