Black God S Shadow

For fans of Red Sonja and Xena the Warrior Princess, a collection of five fantasy stories starring a mighty and powerful female warrior. The 1930s heralded the arrival of C.L. Moore, one of the pioneering women writers of speculative fiction, and the appearance of fantasy’s landmark female hero: Jirel of Joiry. With her red hair flowing, her yellow eyes glinting like embers, and her face streaked with blood, Jirel is strong, fearless, and driven by honor. Her legendary debut, Black God’s Kiss, begins as her castle, Joiry, is overrun by invaders, but knowing that this is one battle she cannot fight, she summons her courage and cunning and descends into the castle’s hidden reaches, where she crosses through a doorway into Hell itself… Jirel of Joiry collects the classic tales of blood and vengeance that secured C.L. Moore’s place among legendary authors of sword and sorcery like Robert E. Howard and Edgar Rice Burroughs. Originally published in the magazine Weird Tales, Moore’s fantastic tales of warriors, gods, and magic are defined by a fierce, romantic vision that helped define the genre, earning her the title of Grand Master for lifetime achievement by the World Fantasy Convention. Includes “Black God’s Kiss,” “Black God’s Shadow,” “Jirel Meets Magic,” “The Dark Land,” and “Hellsgarde.” “One of the best authors of her era.... The stories are engaging and well written, and the central character, who is headstrong and passionate, is more than compelling…. Fans of eldritch horror and sinister gods…will find much to enjoy here.”—Alan Brown, Tor.com

The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark, one-of-a-kind fairy tale inspired by Mexican folklore. “A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadow is a magical fairy tale about identity, freedom, and love, and it's like nothing you've read before.”—Bustle NEBULA AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Tordotcom • The New York Public Library • BookRiot The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld. Praise for Gods of Jade and Shadow “A dark, dazzling fairy tale . . . a whirlwind tour of a 1920s Mexico vivid with jazz, the memories of revolution, and gods, demons, and magic.”—NPR “Snappy dialog, stellar worldbuilding, lyrical prose, and a slow-burn romance make this a standout. . . . Purchase where Naomi Novik, Nnedi Okorafor, and N. K. Jemisin are popular.”—Library Journal (starred review) “A magical novel of duality, tradition, and change . . . Moreno-Garcia’s seamless blend of mythology and history provides a ripe setting for Casiopea’s stellar journey of self-discovery, which culminates in a dramatic denouement. Readers will gladly immerse themselves in Moreno-Garcia’s rich and complex tale of desperate hopes and complicated relationships.”—Publishers Weekly (starred review)

The Ottoman Empire was a hub of flourishing intellectual fervor, geopolitical power, and enlightened pluralistic rule. At the helm of its ascent was the omnipotent Sultan Selim I (1470-1520), who, with the aid of his extraordinarily gifted mother, Gülbahar, hugely expanded the empire, propelling it onto the world stage. Aware of centuries of European suppression of Islamic history, Alan Mikhail centers Selim's Ottoman Empire and Islam as the very pivots of global history, redefining such world-changing events as Christopher Columbus's voyages - which originated, in fact, as a Catholic jihad that would come to view Native Americans as somehow "Moorish" - the Protestant Reformation, the transatlantic slave trade, and the dramatic Ottoman seizure of the Middle East and North Africa. Drawing on previously unexamined sources and written in gripping detail, Mikhail's groundbreaking account vividly recaptures Selim's life and world. An historical masterwork, God's Shadow radically reshapes our understanding of a world we thought we knew.A leading historian of his generation, Alan Mikhail, Professor of History and Chair of the Department of History at Yale University, has reforged our understandings of the past through his previous three prize-winning books on the history of Middle East.

AN ACCLAIMED, EMMY-NOMINATED TV SERIES ON AMAZON PRIME VIDEO WINNER OF THE HUGO, LOCUS AND BRAM STOKER AWARDS 'To give him his full title: Neil Gaiman, Architect of Worlds, Svengali of Plot, Shaman of Character, Exploder of Cliché, Master Craftsman of Style, Dreamer Laureate of the Republic of Letters' DAVID MITCHELL 'Original, engrossing, and endlessly inventive' GEORGE R.R. MARTIN 'Brilliant and unique' GUARDIAN --- 'This is about the soul of America, the idea that everyone came here from somewhere' NEIL GAIMAN --- After three years in prison, Shadow Moon is free to go home. But hours before his release, his beloved wife is killed in a freak accident. Numbly, he boards a plane where he meets an enigmatic stranger who seems to know Shadow and claims to be an ancient god - and king of America. Together they embark on a profoundly strange road trip across the USA, encountering a kaleidoscopic cast of characters along the way. But all around them a storm of unnatural proportions is gathering. War is coming, an epic struggle for the very soul of America. And Shadow is standing squarely in its path. NEIL GAIMAN. WITH STORIES COME POSSIBILITIES.

Rising science fiction and fantasy star P. Djèlí Clark brings an alternate New Orleans of orisha, airships, and adventure to life in his immersive debut novella The Black God's Drums. Alex Award Winner! In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air--in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums. But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations. Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans. “A sinewy mosaic of Haitian sky pirates, wily street urchins, and orisha magic. Beguiling and bombastic!”—New York Times bestselling author Scott Westerfeld At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The scent of pine, the crackle of snow, the pounding of waves against the surf ⦠Andrew Gyllâs poetry for the ancient Norse Gods, and for his own spirit ancestors, brings us back into a world of beauty and mystery. Unknown depths open up before us, around us, inside us as the Gods speak. Listen to their words, and wonder.

In this eagerly awaited book, political theorist Michael Walzer reports his findings after decades of reading and thinking about the politics of the Hebrew Bible. Attentive to nuance while engagingly straightforward, Walzer examines the commentary of the ancient biblical writers and discusses the implications for such urgent modern topics as the nature of political society, hierarchy and justice, the use of political power, the justification for and rules of warfare, and the responsibilities of clerical figures, monarchs, and their subjects./divDIV DIVBecause there are many biblical writers, and because they represent different political views, pluralism is a central feature of biblical politics, Walzer observes. Yet pluralism is never explicitly defended in the Bible—indeed it couldn't be defended since God's word is one. There is, however, an anti-political teaching which recurs in biblical texts: if you have faith in God, you have no need for particular political institutions or prudent political leaders or deliberative assemblies or loyal citizens. And, Walzer finds a strong moral teaching common to the Bible's authors. He identifies God's decree for ethics and investigates its implications for just policymaking in our own times./div