Black Market Cold War

This book is a history of everyday life and explains how and why Berlin became the symbolic capital of the Cold War. Paul Steege anchors his account of this emerging global conflict in the terrain of a city literally shattered by World War II.

This book puts the illegal economy of the German capital during and after World War II into context and provides a new interpretation of Germany's postwar history. The black market, it argues, served as a reference point for the beginnings of the two new German states.

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The 1992–1995 battle for Sarajevo was the longest siege in modern history. It was also the most internationalized, attracting a vast contingent of aid workers, UN soldiers, journalists, smugglers, and embargo-busters. The city took center stage under an intense global media spotlight, becoming the most visible face of post-Cold War conflict and humanitarian intervention. However, some critical activities took place backstage, away from the cameras, including extensive clandestine trading across the siege lines, theft and diversion of aid, and complicity in the black market by peacekeeping forces. In Blue Helmets and Black Markets, Peter Andreas traces the interaction between these formal front-stage and informal backstage activities, arguing that this created and sustained a criminalized war economy and prolonged the conflict in a manner that served various interests on all sides. Although the vast majority of Sarajevans struggled for daily survival and lived in a state of terror, the siege was highly rewarding for some key local and international players. This situation also left a powerful legacy for postwar reconstruction: new elites emerged via war profiteering and an illicit economy flourished partly based on the smuggling networks built up during wartime. Andreas shows how and why the internationalization of the siege changed the repertoires of siege-craft and siege defenses and altered the strategic calculations of both the besiegers and the besieged. The Sarajevo experience dramatically illustrates that just as changes in weapons technologies transformed siege warfare through the ages, so too has the arrival of CNN, NGOs, satellite phones, UN peacekeepers, and aid convoys. Drawing on interviews, reportage, diaries, memoirs, and other sources, Andreas documents the business of survival in wartime Sarajevo and the limits, contradictions, and unintended consequences of international intervention. Concluding with a comparison of the battle for Sarajevo with the sieges of Leningrad, Grozny, and Srebrenica, and, more recently, Falluja, Blue Helmets and Black Markets is a major contribution to our understanding of contemporary urban warfare, war economies, and the political repercussions of humanitarian action.

Smuggling Armageddon looks at one of the most troubling international concerns of the 1990s and beyond: the illegal trade in nuclear materials that has erupted in the Newly-Independent States (NIS) and Europe since the collapse of the former Soviet Union. Rensselaer Lee raises the seldom-asked question of whether such traffic poses a threat of consequence to international security and stability while showing readers a Russia beset with a variety of criminal proliferation channels, increasingly sophisticated smuggling operations, and nuclear stockpiles with breached security. Smuggling Armageddon is sure to provoke controversy and raise the specter of nuclear destruction once again.

South Korea in the 1950s was home to a burgeoning film culture, one of the many “Golden Age cinemas” that flourished in Asia during the postwar years. Cold War Cosmopolitanism offers a transnational cultural history of South Korean film style in this period, focusing on the works of Han Hyung-mo, director of the era’s most glamorous and popular women’s pictures, including the blockbuster Madame Freedom (1956). Christina Klein provides a unique approach to the study of film style, illuminating how Han’s films took shape within a “free world” network of aesthetic and material ties created by the legacies of Japanese colonialism, the construction of US military bases, the waging of the cultural Cold War by the CIA, the forging of regional political alliances, and the import of popular cultures from around the world. Klein combines nuanced readings of Han’s sophisticated style with careful attention to key issues of modernity—such as feminism, cosmopolitanism, and consumerism—in the first monograph devoted to this major Korean director. A free open access ebook is available upon publication. Learn more at www.luminosoa.org.

Foreword / Malgorzata Mazurek (Columbia University) -- Terms and methods -- Shortage, greed, protest : a short course in the history of the black market in the first half of the 20th century -- The Polish (anti) speculation curve : 1944-1989 -- The (historical) geography of the black market in the Polish People's Republic -- Meat -- Alcohol -- Gasoline -- Dollar and gold -- The tourist trade in communist Poland -- Closing remarks: Through the back door ... or the front? -- Glossary

Communism Unwrapped reveals the complex world of consumption in Cold War Eastern Europe, exploring the ways people shopped, ate, drank, smoked, cooked, acquired, assessed and exchanged goods. These everyday experiences, the editors and contributors argue, were central to the way that communism was lived in its widely varied contexts in the region. From design, to production, to retail sales and black market exchange, Communism Unwrapped follows communist goods from producer to consumer, tracing their circuitous routes. In the communist world this journey was rife with its own meanings, shaped by the special political and social circumstances of these societies. In examining consumption behind the Iron Curtain, this volume brings dimension and nuance to understandings of the communist period and the history of consumerism.