Black Paradise

In 1978, Peoples Temple, a Black multiracial church once at the forefront of progressive San Francisco politics, self-destructed in a Guyana jungle settlement named after its leader, the Reverend Jim Jones. Fatally bonded by fear of racist annihilation, the community's greatest symbol of crisis was the "White Night"; a rehearsal of revolutionary mass suicide that eventually led to the deaths of over 900 church members of all ages, genders and sexual orientations. White Nights, Black Paradise focuses on three fictional black women characters who were part of the Peoples Temple movement but took radically different paths to Jonestown: Hy, a drifter and a spiritual seeker, her sister Taryn, an atheist with an inside line on the church s money trail and Ida Lassiter, an activist whose watchdog journalism exposes the rot of corruption, sexual abuse, racism and violence in the church, fueling its exodus to Guyana. White Nights, Black Paradise is a riveting story of complicity and resistance; loyalty and betrayal; black struggle and black sacrifice. It locates Peoples Temple and Jonestown in the shadow of the civil rights movement, Black Power, Second Wave feminism and the Great Migration. Recapturing black women's voices, White Nights, Black Paradise explores their elusive quest for social justice, home and utopia. In so doing, the novel provides a complex window onto the epic flameout of a movement that was not only an indictment of religious faith but of American democracy.

Tourists exult in Bahia, Brazil as a tropical paradise infused with the black population's one-of-a-kind vitality. But the alluring images of smiling black faces and dancing black bodies masks an ugly reality of anti-black authoritarian violence. Christen A. Smith argues that the dialectic of glorified representations of black bodies and subsequent state repression reinforces Brazil's racially hierarchal society. Interpreting the violence as both institutional and performative, Smith follows a grassroots movement and social protest theater troupe in their campaigns against racial violence. As Smith reveals, economies of black pain and suffering form the backdrop for the staged, scripted, and choreographed afro-paradise that dazzles visitors. The work of grassroots organizers exposes this relationship, exploding illusions and asking unwelcome questions about the impact of state violence performed against the still-marginalized mass of Afro-Brazilians.

National anti gay marriage laws join California's voter approved Proposition 8 challenging America. Afro-American Christians launch from sidelined shadows hitting the streets, vocally backing these measures. Intense Afro denunciation of gays capture media coverage; angry images fuel America's sensational discourse stage—they've become the new self-appointed representatives of global religious advocacy. Afro supporters justify opposition citing standard historical verbiage. Claimed is that no evidence of sacredly integrated gay life, or gay marriage resonates from antiquity. Intense condemnation of gays professes compassion, not "hate." A white gay mainstream, shocked and baffled, wonders in their eyes how so-called fellow Civil Rights seeking groups could in turn condemn them. Afro religious though, vehemently reject any claim to shared Civil Rights predicament made by gays. Trouble In Black Paradise tackles this entanglement head on. Highly volatile situations are fleshed-out in a way unprecedented by impassioned literary presentation. Now, a man steeped in Civil Rights tradition through Southern Baptist family initiates a sensitive, intimate dialogue with broader Afro-Christian communities. Fundi is an educator, historian and social/cultural activist of 38 years; concurrently he's been a practitioner of Buddhism and an openly gay Black man "coming out" in the pre AIDS era. Afro-Americans and the gay mainstream do not live in a vacuum. Troubling civil nuances impacting each cultural phenomenon reveals a strangely unused bridge. Here, decades of cutting edge social/anthropological research is finely organized, enlightening each side about one another—heroes, villains, institutions (uplifting and disingenuous) and media, all are laid bare. Exposes' confront negligible Civil Rights participation by an entrenched Afro-Christian establishment; white gays in parallel light reveal extreme political/multiethnic disconnect. Racism and homophobia are intertwined aspects—inexplicably tying both—and find rigorous review. Trouble In Black Paradise holds unforeseen surprises with a shocking conclusion. Fasten yourself for a beginning-to-end rollercoaster ride.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Black Reconstruction in America tells and interprets the story of the twenty years of Reconstruction from the point of view of newly liberated African Americans. Though lambasted by critics at the time of its publication in 1935, Black Reconstruction has only grown in historical and literary importance. In the 1960s it joined the canon of the most influential revisionist historical works. Its greatest achievement is weaving a credible, lyrical historical narrative of the hostile and politically fraught years of 1860-1880 with a powerful critical analysis of the harmful effects of democracy, including Jim Crow laws and other injustices. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by David Levering Lewis, this edition is essential for anyone interested in African American history.

From the author of the classic A LITTLE LIFE, a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia. In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances. These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness. TO PARADISE is a fin de siecle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family and even our fellow citizens—and the pain that ensues when we cannot.

Roberta J. Newman and Joel Nathan Rosen have written an authoritative social history of the Negro Leagues. This book examines how the relationship between black baseball and black businesses functioned, particularly in urban areas with significant African American populations—Chicago, Detroit, Indianapolis, Kansas City, Newark, New York, Philadelphia, and more. Inextricably bound together by circumstance, these sports and business alliances faced destruction and upheaval. Once Jackie Robinson and a select handful of black baseball’s elite gained acceptance in Major League Baseball and financial stability in the mainstream economy, shock waves traveled throughout the black business world. Though the economic impact on Negro League baseball is perhaps obvious due to its demise, the impact on other black-owned businesses and on segregated neighborhoods is often undervalued if not outright ignored in current accounts. There have been many books written on great individual players who played in the Negro Leagues and/or integrated the Major Leagues. But Newman and Rosen move beyond hagiography to analyze what happens when a community has its economic footing undermined while simultaneously being called upon to celebrate a larger social progress. In this regard, Black Baseball, Black Business moves beyond the diamond to explore baseball’s desegregation narrative in a critical and wide ranging fashion.

Book '3.5' in the ExForce series: While the crew of the UN Expeditionary Force's pirate starship Flying Dutchman are enjoying a luxury vacation cruise (not!), UNEF troops are still stranded on an alien-controlled planet. Major Emily Perkins and her team are busy picking up the pieces, and it's not easy, because there is trouble on Paradise...