Black Preaching

LaRue provides important insights on why black preaching is strong and active, and connects with the real-life experiences of listeners. (Christian)

In this book, scholar and preacher Cleophus J. LaRue brings together the voices of twelve of America's most influential African-American preachers. Each of these renowned preachers describes his or her method of sermon preparation and includes a sample sermon for illustration. An excellent how-to manual for pastors and students,Power in the Pulpitis both sage wisdom on the art of preaching and an inspiring look at some of the most prominent figures in the black church.

Oneness is hard to achieve. Let the kingdom unity of Scripture point the way. Today’s world is torn apart. Tension is everywhere. Brother is pitted against brother, sister against sister, citizen against citizen, even Christian against Christian. It’s so hard to find agreement—much less real harmony—in our polarized society. Can there be a way forward? Tony Evans knows how elusive unity can be. As a black man who’s also a leader in white evangelicalism, he understands how hard it can be to bring these worlds together. Yet he’s convinced that the gospel provides a way for Christians to find oneness despite the things that divide us. In the Word of God, we find a kingdom-based approach to matters of history, culture, the church, and social justice. In this book, you’ll get: A Biblical Look at Oneness A Historical View of the Black Church A Kingdom Vision for Societal Impact Although oneness is hard to achieve, the Christian must never stop striving. It’s a kingdom imperative. As Tony reminds us, “Glorifying God is our ultimate goal. Oneness exists to enable us to reach our goal.”

"Preaching in Black and White" is the first attempt to bring together a noted black preacher and white preacher to interact on the dynamics of pulpit ministry and what can be learned from each other. The conversation between the two authors discusses the similarities and differences in styles of preaching in the two communities.

In this comparative and hybrid study, Reginald A. Wilburn offers the first scholarly work to theorize African American authors’ rebellious appropriations of Milton and his canon. Wilburn engages African Americans’ transatlantic negotiations with perhaps the preeminent freedom writer in the English tradition. Preaching the Gospel of Black Revolt contends that early African American authors appropriated and remastered Milton by completing and complicating England’s epic poet of liberty with the intertextual originality of repetitive difference. Wilburn focuses on a diverse array of early African American authors, such as Phillis Wheatley, Frances Ellen Watkins Harper, Frederick Douglass, and Anna Julia Cooper. He examines the presence of Milton in their works as a reflection of early African Americans’ rhetorical affiliations with the poet’s satanic epic for messianic purposes of freedom and racial uplift. Wilburn explains that early African American authors were attracted to Milton because of his preeminent status in literary tradition, strong Christian convictions, and poetic mastery of the English language. This tripartite ministry makes Milton an especially indispensible intertext for authors whose writings and oratory were sometimes presumed beneath the dignity of criticism. Through close readings of canonical and obscure texts, Wilburn explores how various authors rebelled against such assessments of black intellect by altering Milton’s meanings, themes, and figures beyond orthodox interpretations and imbuing them with hermeneutic shades of interpretive and cultural difference. However they remastered Milton, these artists respected his oeuvre as a sacred yet secular talking book of revolt, freedom, and cultural liberation. Preaching the Gospel of Black Revolt particularly draws upon recent satanic criticism in Milton studies, placing it in dialogue with methodologies germane to African American literary studies. By exposing the subversive workings of an intertextual Middle Passage in black literacy, Wilburn invites scholars from diverse areas of specialization to traverse within and beyond the cultural veils of racial interpretation and along the color line in literary studies.

Henry H. Mitchell has completely revised and integrated his popular books The Recovery of Preaching and Black Preaching for seminarians and pastors--both Black and White--who are seeking to add power and vision to their sermons. Mitchell persuasively demonstrates that Black culture and preaching style are vital for the empowerment of Black congregations and have much to offer the preaching method of all preachers. By focusing on the use of storytelling, imagination, and style of preaching rooted in African-American culture, Mitchell spotlights effective techniques for lively preaching.

Four centuries of African American preaching has provided hope, healing, and heaven for people from every walk of life. Many notable men and women of African American lineage have contributed, through the art of preaching, to the biblical emancipation and spiritual liberation of their parishioners. In African American Preaching: The Contribution of Dr. Gardner C. Taylor, Gerald Lamont Thomas offers a historical overview of African American preaching and its effect on the cultural legacy of black people, noting the various styles and genius of pulpit orators. The book's focus is on the life, ministry, and preaching methodology of one of this era's most prolific voices, Dr. Gardner C. Taylor, and should be read by everyone who takes the task of preaching seriously.

The Reading and Preaching of the Scriptures in the Worship of the Christian Church is a multivolume study by Hughes Oliphant Old that canvasses the history of preaching from the words of Moses at Mount Sinai through modern times. In Volume 1, The Biblical Period, Old begins his survey by discussing the roots of the Christian ministry of the Word in the worship of Israel. He then examines the preaching of Christ and the Apostles. Finally, Old looks at the development and practice of Christian preaching in the second and third centuries, concluding with the ministry of Origen.