Black Prince Leopards In The Temple

A comprehensive and user-friendly photographic field guide covering more than 1,000 birds, mammals, insects, reptiles, and plants The Indian subcontinent is exceptionally rich in wildlife because of its wide variety of habitats and climates, ranging from the ocean to the Himalayas and from the Rajasthan desert to Mawsynram in Meghalaya, one of the wettest places on earth. This diversity supports a huge range of charismatic species, from the iconic Tiger to Clouded Leopards, crocodiles to King Cobras, hornbills to eagles. Covering these animals and many others, as well as trees and flowers, this color photographic field guide describes and illustrates more than 1,000 species from all over India, including the Andaman and Nicobar islands. The guide begins with an overview of India’s climate and geography, its wildlife habitats and how to enjoy them, and threats to wildlife. The main part of the book includes concise species descriptions of 770 birds, 114 mammals, 72 butterflies and other insects, 54 reptiles, and 54 plants, each accompanied by a photograph. The book concludes with a section on wildlife-watching in the national parks and wildlife sanctuaries, which offer the best chance of seeing many of the species described. Describes and illustrates more than 1,000 species from all across India—including some 770 birds, 114 mammals, 72 butterflies and other insects, 54 reptiles, and 54 plants Features more than 1,000 color photographs Includes a guide to national parks and wildlife sanctuaries and the key species to be seen there

Look out for the original series starring Katherine Langford coming soon to Netflix! The Lady of the Lake is the true hero in this cinematic twist on the tale of King Arthur created by Thomas Wheeler and legendary artist, producer, and director Frank Miller (300, Batman: The Dark Knight Returns, Sin City). Featuring 8 full-color and 30 black-and-white pieces of original artwork by Frank Miller. Whosoever wields the Sword of Power shall be the one true King. But what if the Sword has chosen a Queen? Nimue grew up an outcast. Her connection to dark magic made her something to be feared in her Druid village, and that made her desperate to leave… That is, until her entire village is slaughtered by Red Paladins, and Nimue’s fate is forever altered. Charged by her dying mother to reunite an ancient sword with a legendary sorcerer, Nimue is now her people’s only hope. Her mission leaves little room for revenge, but the growing power within her can think of little else. Nimue teams up with a charming mercenary named Arthur and refugee Fey Folk from across England. She wields a sword meant for the one true king, battling paladins and the armies of a corrupt king. She struggles to unite her people, avenge her family, and discover the truth about her destiny. But perhaps the one thing that can change Destiny itself is found at the edge of a blade.

In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is ironically keen on denying that connection. Exploring the ways ideas about paradise and pastoral, difference and exclusion, innocence and righteousness, triumph and trauma deform the stories Americans tell themselves about their nation’s past, After the End of History challenges us to reconsider these works in a new light, offering fresh, insightful readings of what are destined to be classic works of literature. At the same time, Cohen enters into the theoretical discussion about postmodern historical understanding. Throwing his hat in the ring with force and style, he confronts not only Francis Fukuyama’s triumphalist response to the fall of the Soviet Union but also the other literary and political “end of history” claims put forth by such theorists as Fredric Jameson and Walter Benn Michaels. In a straightforward, affecting style, After the End of History offers us a new vision for the capabilities and confines of contemporary fiction.

"Transactions and publications of the Royal Historical Society" in each vol., ser. 4, v. 18-26.

In the aftermath of Donald Trump’s victory in 2016, Americans finally faced a perplexing political reality: Democrats, purported champions of working people since the New Deal, had lost the white working-class voters of Middle America. For answers about how this could be, Yoav Fromer turns to an unlikely source: the fiction of John Updike. Though commonly viewed as an East Coast chronicler of suburban angst, the gifted writer (in fact a native of the quintessential Rust Belt state, Pennsylvania) was also an ardent man of ideas, political ideas—whose fiction, Fromer tells us, should be read not merely as a reflection of the postwar era but rather as a critical investigation into the liberal culture that helped define it. Several generations of Americans since the 1960s have increasingly felt “left behind.” In Updike’s early work, Fromer finds a fictional map of the failures of liberalism that might explain these grievances. The Moderate Imagination also taps previously unknown archival materials and unread works from his college years at Harvard to offer a clearer view of the author’s acute political thought and ideas. Updike’s prescient literary imagination, Fromer shows, sensed the disappointments and alienation of rural white working- and middle-class Americans decades before conservatives sought to exploit them. In his writing, he traced liberalism’s historic decline to its own philosophical contradictions rather than to only commonly cited external circumstances like the Vietnam War, racial strife, economic recession, and conservative backlash. A subtle reinterpretation of John Updike’s legacy, Fromer’s work complicates and enriches our understanding of one of the twentieth century’s great American writers—even as the book deftly demonstrates what literature can teach us about politics and history.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.