Black Terror

Who are the Super-Patriots? Who are the "Inheritors"? And how does Captain Future fit in to all of this? Spinning out of Alex Ross' Project Superpowers is the Black Terror -- opening with this four-part story arc by Alex Ross, Jim Krueger, and Mike Lilly This new story arc will lead directly in to Project Superpowers Chapter Two

The Black Terror returns! Under the direction of Alex Ross, writer Phil (Darkness, Masquerade) Hester joins the team as writer and is joined by Jonathan (Project Superpowers: Meet the Bad Guys) Lau for this thrilling second story arc! Collects all there volumes of Project Superpowers: Black Terror. Project Superpowers: Black Terror Volume 1 9781606900345 Project Superpowers: Black Terror Volume 2 9781606901304 Project Superpowers: Black Terror Volume 3: Inhuman Remains 9781606902349

A follow up to Uncle Montague's Tales of Terror, this is another creepy middle grade story collection with a chilling frame. This time, the stories are all tales of the sea: pirates and plagues and storms a plenty...

On Sunday, September 6, 1970, the Popular Front for the Liberation of Palestine (PFLP) hijacked four airliners bound from Europe for New York. One, a brand new Pan Am 747, was taken to Cairo and blown up only seconds after its passengers escaped. The attempt to hijack a second plane, an El Al flight, was foiled and the plane landed safely in the UK. Two other planes, one TWA and one Swissair, were directed to the desert floor thirty-five miles northeast of Amman, Jordan, where a twenty-five day hostage drama began. With the additional hijacking of a British airliner, over four hundred and fifty hostages had landed in the Jordanian desert. David Raab was on the TWA flight with his mother and siblings but was separated from them and taken to a refugee camp and then to an apartment in Amman where he was held hostage through a civil war. This is his story.

WINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.

In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the "Negro question" is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing—a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks—Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.

Imagine being born with the memories of a life you haven’t lived yet, a life of crime fighting and adventuring, only to find out that no one believes you and, honestly, couldn’t care less. This is the story of Black Terror’s trusted sidekick…TIM! (It’s just Tim.)

Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.