Terror In Black September

On Sunday, September 6, 1970, the Popular Front for the Liberation of Palestine (PFLP) hijacked four airliners bound from Europe for New York. One, a brand new Pan Am 747, was taken to Cairo and blown up only seconds after its passengers escaped. The attempt to hijack a second plane, an El Al flight, was foiled and the plane landed safely in the UK. Two other planes, one TWA and one Swissair, were directed to the desert floor thirty-five miles northeast of Amman, Jordan, where a twenty-five day hostage drama began. With the additional hijacking of a British airliner, over four hundred and fifty hostages had landed in the Jordanian desert. David Raab was on the TWA flight with his mother and siblings but was separated from them and taken to a refugee camp and then to an apartment in Amman where he was held hostage through a civil war. This is his story.

Discloses the Israeli plan to assassinate the known terrorist leaders responsible for the Munich massacre of Israeli athletes and chronicles the story of the hit-squad's leader, a man morally destroyed by his mission.

Set against the backdrop of the turbulent late 1960s and early 1970s, this compelling book provides the first comprehensive history of the 1972 Munich Olympic Games, notorious for the abduction of Israeli Olympians by Palestinian terrorists and the hostages’ tragic deaths after a botched rescue mission by the German police. Drawing on a wealth of newly available sources from the time, eminent historian David Clay Large explores the 1972 festival in all its ramifications. He interweaves the political drama surrounding the Games with the athletic spectacle in the arena of play, itself hardly free of controversy. Writing with flair and an eye for telling detail, Large brings to life the stories of the indelible characters who epitomized the Games. Key figures range from the city itself, the visionaries who brought the Games to Munich against all odds, and of course to the athletes themselves, obscure and famous alike. With the Olympic movement in constant danger of terrorist disruption, and with the fortieth anniversary of the 1972 tragedy upon us in 2012, the Munich story is more timely than ever.

At 4:30 a.m. on September 5, 1972, a band of Palestinian terrorists took eleven Israeli athletes and coaches hostage at the Summer Olympics in Munich. More than 900 million viewers followed the chilling, twenty-hour event on television, as German authorities desperately negotiated with the terrorists. Finally, late in the evening, two helicopters bore the terrorists and their surviving hostages to Munich's little-used Fürstenfeldbruck airfield, where events went tragically awry. Within minutes all of the Israeli athletes, five of the terrorists, and one German policeman were dead. Why did the rescue mission fail so miserably? And why were the reports compiled by the German authorities concealed from the public for more than two decades? Reeves takes on a catastrophe that permanently shifted the political spectrum with a fast-paced narrative that covers the events detail by detail. Based on years of exhaustive research, One Day in September is the definitive account of one of the most devastating and politically explosive tragedies of the late twentieth century, one that set the tone for nearly thirty years of renewed conflict in the Middle East.

This is a print on demand edition of a hard to find publication. Examines terrorists¿ involvement in a variety of crimes ranging from motor vehicle violations, immigration fraud, and mfg. illegal firearms to counterfeiting, armed bank robbery, and smuggling weapons of mass destruction. There are 3 parts: (1) Compares the criminality of internat. jihad groups with domestic right-wing groups. (2) Six case studies of crimes includes trial transcripts, official reports, previous scholarship, and interviews with law enforce. officials and former terrorists are used to explore skills that made crimes possible; or events and lack of skill that the prevented crimes. Includes brief bio. of the terrorists along with descriptions of their org., strategies, and plots. (3) Analysis of the themes in closing arguments of the transcripts in Part 2. Illus.

The first full account, based on access to key players who have never before spoken, of the Munich Massacre and the Israeli response–a lethal, top secret, thirty-year-long antiterrorism campaign to track down the killers. 1972. The Munich Olympics. Palestinian members of the Black September group murder eleven Israeli athletes. Nine hundred million people watch the crisis unfold on television, witnessing a tragedy that inaugurates the modern age of terror and remains a scar on the collective conscience of the world. Back in Israel, Prime Minister Golda Meir vows to track down those responsible and, in Menachem Begin’s words, “run these criminals and murderers off the face of the earth.” A secret Mossad unit, code named Caesarea, is mobilized, a list of targets drawn up. Thus begins the Israeli response–a mission that unfolds not over months but over decades. The Mossad has never spoken about this operation. No one has known the real story. Until now. Award-winning journalist Aaron Klein’s incisive and riveting account tells for the first time the full story of Munich and the Israeli counterterrorism operation it spawned. With unprecedented access to Mossad agents and an unparalleled knowledge of Israeli intelligence, Klein peels back the layers of myth and misinformation that have permeated previous books, films, and magazine articles about the “shadow war” against Black September and other terrorist groups. Spycraft, secret diplomacy, and fierce detective work abound in a story with more drama than any fictional thriller. Burning questions are at last answered, including who was killed and who was not, how it was done, which targets were hit and which were missed. Truths are revealed: the degree to which the Mossad targeted nonaffiliated Black September terrorists for assassination, the length and full scope of the operation (far greater than previously suspected), retributive acts against Israel, and much more. Finally, Klein shows that the Israeli response to Munich was not simply about revenge, as is popularly believed. By illuminating the tactical and strategic purposes of the Israeli operation, Striking Back allows us to draw profoundly relevant lessons from one of the most important counterterrorism campaigns in history.

A New York Times Critics’ Top Book of 2021 "An impressive combination of diligence and verve, deploying Ackerman’s deep stores of knowledge as a national security journalist to full effect. The result is a narrative of the last 20 years that is upsetting, discerning and brilliantly argued." —The New York Times "One of the most illuminating books to come out of the Trump era." —New York Magazine An examination of the profound impact that the War on Terror had in pushing American politics and society in an authoritarian direction For an entire generation, at home and abroad, the United States has waged an endless conflict known as the War on Terror. In addition to multiple ground wars, the era pioneered drone strikes and industrial-scale digital surveillance; weakened the rule of law through indefinite detentions; sanctioned torture; and manipulated the truth about it all. These conflicts have yielded neither peace nor victory, but they have transformed America. What began as the persecution of Muslims and immigrants has become a normalized feature of American politics and national security, expanding the possibilities for applying similar or worse measures against other targets at home, as the summer of 2020 showed. A politically divided and economically destabilized country turned the War on Terror into a cultural—and then a tribal—struggle. It began on the ideological frontiers of the Republican Party before expanding to conquer the GOP, often with the acquiescence of the Democratic Party. Today’s nativist resurgence walked through a door opened by the 9/11 era. And that door remains open. Reign of Terror shows how these developments created an opportunity for American authoritarianism and gave rise to Donald Trump. It shows that Barack Obama squandered an opportunity to dismantle the War on Terror after killing Osama bin Laden. By the end of his tenure, the war had metastasized into a bitter, broader cultural struggle in search of a demagogue like Trump to lead it. Reign of Terror is a pathbreaking and definitive union of journalism and intellectual history with the power to transform how America understands its national security policies and their catastrophic impact on civic life.

Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.