Blackfoot Ways Of Knowing

Blackfoot Ways of Knowing is a journey into the heart and soul of Blackfoot culture. In sharing her personal story of "coming home" to reclaim her identity within that culture, Betty Bastien offers us a gateway into traditional Blackfoot ways of understanding and experiencing the world.

Blackfoot Ways of Knowing:The Worldview of the Siksikaitsitapi is a journey into the heart and soul of Blackfoot culture. In sharing her personal story of "coming home" to reclaim her identity within that culture, Betty Bastien offers us a gateway into traditional Blackfoot ways of understanding and experiencing the world. As a scholar and researcher, Bastien is also able to place Blackfoot tradition within the context of knowledge building among indigenous peoples generally, and within a historical context of precarious survival amid colonial displacement and cultural genocide. In mapping her own process of coming to know, Bastien stresses the recovery of the Blackfoot language and of the Blackfoot notions of reciprocal responsibilities and interdependence. For the Siksikaitsitapi, knowledge is experiential, participatory, and ultimately sacred, rather than objective and inert. Rekindling traditional ways of knowing is essential if First Nations people in Canada are to heal and rebuild their communities and cultures. By sharing what she has learned, Betty Bastien hopes to ensure that the next generation of First Nations people will enjoy a future of hope and peace.

"The modern version of The Tao of Physics. . . We gain tantalizing glimpses of an elusive alternative to the thing we know as science. . . . Above all, Peat's book is an eloquent plea for a fair go for the modes of enquiry of other cultures." --New Scientist One summer in the 1980s, theoretical physicist F. David Peat went to a Blackfoot Sun Dance ceremony. Having spent all of his life steeped in and influenced by linear Western science, he was entranced by the Native American worldview and, through dialogue circles between scientists and native elders, he began to explore it in greater depth. Blackfoot Physics is the account of his discoveries. In an edifying synthesis of anthropology, history, metaphysics, cosmology, and quantum theory, Peat compares the medicines, the myths, the languages—the entire perceptions of reality of the Western and indigenous peoples. What becomes apparent is the amazing resemblance between indigenous teachings and some of the insights that are emerging from modern science, a congruence that is as enlightening about the physical universe as it is about the circular evolution of humanity’s understanding. Through Peat’s insightful observations, he extends our understanding of ourselves, our understanding of the universe, and how the two intersect in a meaningful vision of human life in relation to a greater reality.

Thousands of people in Alberta and Montana speak Blackfoot, an Algonquian language. But the numbers are diminishing and the survival of Blackfoot is in some danger. To help preserve the language while it is still in daily use, Donald G. Frantz and Norma Jean Russell collaborated on the Blackfoot Dictionary, published in 1989 to widespread acclaim and later revised in 1995. Blackfoot Grammar, the companion volume to the dictionary, has now also been updated with a second edition. The changes made to each chapter reflect new approaches refined through years of teaching experience. New chapters on 'Numbers and Enumeration' and 'Translating from English to Blackfoot' have been added, as well as new exercises and two new appendixes describing the phonetics of Blackfoot and the design of the alphabet. This second edition of Blackfoot Grammar will be a welcome update not only for those who wish to learn the language, but for all those with an interest in Native Studies and North American linguistics.

Discusses the history, survival, religion, culture, social development, and modern world of the Blackfeet.

The Blackfoot Dictionary is a comprehensive guide to the vocabulary of Blackfoot. This third edition of the critically acclaimed dictionary adds more than 1,100 new entries, major additions to verb stems, and the inclusion of vai, vii, vta, and viti syntactic categories.

When the Blackfoot Indians were confined to reservations in the late nineteenth century, their pictographic representations of warfare kept alive the rituals associated with war, which were essential facets of Blackfoot culture. Their war ethic served as a unifying force among the four tribes of the Blackfoot nation—Siksika, Blood, and North and South Piegan. In this visually stunning survey, L. James Dempsey, a member of the Blood tribe, plumbs the breadth and depth of warrior representational art. He has mined archival resources and museum collections and interviewed many tribal members to provide a uniquely Native perspective on the importance of warrior art in Blackfoot history and culture. Filled with 160 images of startling beauty and power, Blackfoot War Art tells how pictographs served as a record of both tribal and personal accomplishment. This singular historical record of all available information on Blackfoot warrior pictography depicts painted robes; war tepee covers, liners, and doors; and painted panels. Dempsey provides descriptions and a great deal of other information about the pieces included here. His survey focuses especially on recent paintings that scholars have overlooked. In revealing changing trends in the representation of war, Dempsey skillfully weaves together pictures, people, and histories to convey a fascinating view of this warrior art from a Blood perspective.

Review of the literature on the relationship between Blackfoot peoples and plants.