Blackstone And The Endgame

December, 1916. Inspector Sam Blackstone is suspicious when he is called to the office of Superintendent Brigham – the new head of special branch – and confused that Brigham seems to want to see him as little as Sam himself wishes to be there. An already stranger situation grows more strange when Sam discovers what he’s there for: a German traitor wants £25,000 in exchange for secret intelligence on U-boat locations, and ‘Max’ has specifically asked for Blackstone to be the one to deliver the money – alone. Blackstone, and his sergeant, Archie Patterson, are certain there’s more to it than that, but Blackstone can’t turn down the job – if he doesn’t do it, some other poor fool will have to. But that is little comfort when, as suspected, it all goes wrong, and Blackstone finds himself on the run from his own colleagues, with Patterson languishing in a cell, looking at a twenty year stretch, if he’s lucky . . . A chance meeting with a Russian former colleague seems to provide a lifeline, but his help comes at a cost . . .

When my family left our small, ultra-conservative pack back in Utah to join a giant pack in Northwest Louisiana, I thought I'd be able to coast through my last year of high school in semi-anonymity, then get the fuck away from wolf pack politics and just live my life for awhile. But the Moon decided to prolong my torture by placing my fated mate in front of my face on my first day at Blackstone Academy. He's the Alpha's son and king of a school crawling with shifters, and it turns out he doesn't care to be saddled with a Moon-chosen mate who he thinks is a nobody-omega wolf. When he rejects me in front of every shifter in school, I vow to harden my heart, become impervious to the constant, deep hurt of the rejection, and figure out how to be the first wolf in known history to shake the taint of a rejected fated mate bond. I'm also becoming closer to a new student--a smoking hot and intriguing human, who I can't manage to scare off even with the drama that surrounds me and the poisonous pack politics that I can't seem to escape. I can't even tell him what's really going on, but I think he's keeping secrets from me, too.I'm Mave Fortune, and my mate threw me out like yesterday's garbage. But fuck that guy.This is a new adult, M/F 133,000 word standalone story with a HEA. Any future books in the series will feature other characters. It is intended for the 18+ crowd and contains foul language, some mild violence, and steamy scenes. If you're a fan of upper YA/NA, wolf shifters, academy romances, and all of the associated tropes, then this book is for you!

"Spencer's skillful writing, clever plotting, and colorful characters, combined with her insights into what makes humans - and especially cops - tick, make this a crime novel to savor" - Booklist Starred Review Monika Paniatowski knows exactly who the killer is – but there’s no way she can tell anyone else! DCI Paniatowski’s team are increasingly convinced that the girl found dead in the woods is the victim of a ritual killing, carried out by a secret society which has been established in the very heart of Whitebridge. Their problem is that without Paniatowski there to back them up, they find it impossible to persuade the ambitious DCI ‘Rhino’ Dixon that treating it as a mere domestic murder will get them nowhere. And so Meadows, Crane and Beresford find themselves out on a limb - cutting corners, ignoring procedure, and running the very real risk that their careers could be brought to an abrupt and dramatic end. Meanwhile, Monika herself knows not only who the killer is, but also that he is stalking Louisa, her beloved daughter. But as she is one of the killer’s victims too, and is lying in a coma – hearing everything, but unable to move or speak – there is nothing she can do about it!

Spanning 80 tumultuous years, the incredible story of a peasant girl who became the Red Princess of the Russian Revolution. Anna Mayakovsky is now a penniless old woman living in London, but no one can take away the vivid memories of her past: the Count who lifted her out of poverty; the Count’s son, Misha, whose baby she bore; Paul, the ruthless factory owner who became her lover – and her deadliest enemy; Sasha, the tough but gentle peasant who converted her to revolution. And her aristocratic husband whom she adored, but could never love as completely as a woman should love her man. Now Anna finds she has one more battle ahead of her: her great-granddaughters Jennifer and Sonia wish to lock her away in an institution. Anna knows this would kill her. She will have to fight back . . .

"Spencer has devised a thrill ride that’s not easily forgotten." - Publishers Weekly Starred Review Monika Paniatowski’s boss is trying to destroy her career, but the dead end case he assigns her turns out to be something else entirely . . . DCI Monika Paniatowski recognises her latest assignment as advisor to the Earl of Ridley’s rock festival for what it really is – an attempt by the chief constable to destroy her career. Yet it soon becomes apparent that matters are not as simple as they appear. Why, for instance, did the earl choose to employ the notorious Devil’s Disciples motorcycle gang to provide the security for the festival? And to what lengths will his mother, the dowager countess, go to destroy it? But it is when the half-naked body of a tabloid journalist is discovered in the middle of Whitebridge that things really start to hot up.

DCI Monika Paniatowski investigates the killing of an American guest – and uncovers a link to a 50-year-old murder. When the body of an American woman is found in the Prince Alfred suite at the Royal Victoria Hotel, DCI Monika Paniatowski is faced with one of the most baffling cases of her career. The woman who called herself Mary Edwards had been a guest at the hotel for the past two weeks, having paid cash in advance. But who was she really – and what was she doing in a small town like Whitebridge? If Monika could discover why the dead woman had come to Lancashire, she would be one step closer to catching her killer. The investigation takes an intriguing twist when Monika learns of a possible link to a fifty-year-old murder – but the only person who could tell her why it’s relevant is lying in a coma.

A Monika Paniatowski British police procedural On the night the Whitebridge Players staged their last ever performance, the idealistic young actors in the company resolved that twenty years on they would return to the same theatre and stage the same play. But two decades later, old resentments have grown and new jealousies have germinated, and it is a very different company that returns to re-enact the Spanish Tragedy. The cast members all have their axes to grind – and some have clear targets for those axes . . . It is in this world – where normal rules and standards have no meaning – that DCI Monika Paniatowski finds herself, once a tragedy within the Tragedy has occurred. But how can she uncover the killer’s motive when everyone seemed to want the victim dead? And how can she decide who is telling the truth – when all these people lie for a living?

'It's good to have Monika back, doing what she does best' - Kirkus Starred Review DCI Monika Paniatowski investigates a case that could be the making – or, more likely, breaking – of her career DCI Monika Paniatowski has only been back from maternity leave for three days when she is called in to investigate a nightmare of a case. Not only is the murder victim a mother of three small children, but her husband is a wealthy politician. Monika knows that if she can’t make a quick arrest her career is on the line. It’s lucky, then, that within minutes of meeting Councillor Danbury, she has a bruised face – and a prime suspect. But then the case takes a nasty twist, and suddenly the investigation is national news. Monika’s sure she has the right man – but how to prove it? Particularly when she’s under pressure from her superiors to arrest anyone other than Councillor Danbury, president of the golf club and friend of her chief constable . . .