Blake S Drama

Blake's Drama challenges conventional views of William Blake's multimedia work by reinterpreting it as theatrical performance. Viewed in its dramatic contexts, this art form is shown to provoke an active spectatorship and to depict identity as paradoxically essential and constructed, revealing Blake's investments in drama, action, and the body.

Instant New York Times Bestseller Longlisted for Andrew Carnegie Medal for Excellence 2020 New England Society Book Award Winner for Fiction “The Guest Book is monumental in a way that few novels dare attempt.” —The Washington Post The thought-provoking new novel by New York Times bestselling author Sarah Blake An exquisitely written, poignant family saga that illuminates the great divide, the gulf that separates the rich and poor, black and white, Protestant and Jew. Spanning three generations, The Guest Book deftly examines the life and legacy of one unforgettable family as they navigate the evolving social and political landscape from Crockett’s Island, their family retreat off the coast of Maine. Blake masterfully lays bare the memories and mistakes each generation makes while coming to terms with what it means to inherit the past.

This book explores the ways in which Blake reacted to the subcultures of his day, as well as how he has inspired popular, modernist and postmodernist figures until the present day. Blake's influence on later generations of writers and artists is more important than ever, extending into film, psychology, children's literature and graphic novels.

Susanne Sklar engages with the interpretive challenges of William Blake's illuminated epic poem Jerusalem by considering it as a piece of visionary theatre - an imaginative performance in which characters, settings, and imagery are not confined by mundane space and time - allowing readers to find coherence within its complexities.

Challenging the idea that a writer's work reflects his experiences in time and place, Cooper locates the action of William Blake's major illuminated books in the ahistorical present, an impersonal spirit realm beyond the three-dimensional self. Historicist attempts to place Blake's vision in perspective, Cooper argues, involve a self-contradictory denial of his performativity as a poet-artist of multiple geometrical dimensions.

Blake's combination of verse and design invites interdisciplinary study. The essays in this collection approach his work from a variety of perspectives including masculinity, performance, plant biology, empire, politics and sexuality.

This book examines Blake's work in the context of discourses of nation and empire, of the construction of a public sphere, and restores the longevity to his artistic career by placing emphasis on his work in the 1820s. Relevant contexts include technology, sentimentalism, Ireland and Catholic Emancipation, missionary prospectuses and body politics.

Meet Edna: shes 14, shes a misfit, shes kind of a genius and shes in love. With Harry. Theres just one problem: Harry doesnt actually know that she exists. Because Harry is in the worlds biggest boy band, True Connection. But to Edna, thats just a small obstacle. When True Connection announces a tour stop in Ednas city, she realises that this is her one chance to meet Harry and convince him of their destiny. But how will Edna get Harrys attention? How will she convince him that shes the one? And just how far is she prepared to go in the name of love? Edna takes her devotion to unforseen heights in this thrilling and hilarious musical comedy about first love, fan culture and the danger of underestimating teenage girls. Fangirls, by composer, lyricist and playwright Yve Blake, will surprise and shock you. If you think this is just a story about loving a boy band think again. This is a story about how we ask young women to see themselves, and a celebration of their true, unlimited power.