Blake Nation And Empire

This book examines Blake's work in the context of discourses of nation and empire, of the construction of a public sphere, and restores the longevity to his artistic career by placing emphasis on his work in the 1820s. Relevant contexts include technology, sentimentalism, Ireland and Catholic Emancipation, missionary prospectuses and body politics.

This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient.

This book examines the difficult relationship between individual intellectual freedom and the legal structures which govern human societies in William Blake’s works, showing that this tension carries a political urgency that has not yet been recognised by scholars in the field. In doing so, it offers a new approach to Blake’s corpus that builds on the literary and cultural historical work of recent decades. Blake’s pronouncements about law may often sound biblical in tone; but this book argues that they directly address (and are informed by) eighteenth-century legal debates concerning the origin of the English common law, the autonomy of the judicature, the increasing legislative role of Parliament, and the emergence of the notions of constitutionalism and natural rights. Through a study of his illuminated books, manuscript works, notebook drafts and annotations, this study considers Blake’s understanding that law is both integral to humanity itself and a core component of its potential fulfilment of the ‘Human Form Divine’.

In a world of conflicting nationalist claims, mass displacements and asylum-seeking, a great many people are looking for 'home' or struggling to establish the 'nation'. These were also important preoccupations between the English and the French revolutions: a period when Britain was first at war within itself, then achieved a confident if precarious equilibrium, and finally seemed to have come once more to the edge of overthrow. In the century and a half between revolution experienced and revolution observed, the impulse to identify or implicitly appropriate home and nation was elemental to British literature. This wide-ranging study by international scholars provides an innovative and thorough account of writings that vigorously contested notions and images of the nation and of private domestic space within it, tracing the larger patterns of debate, while at the same time exploring how particular writers situated themselves within it and gave it shape.

William Blake was ignored in his own time. Now, however, his Songs of Innocence and Experience and 'prophetic books' are widely admired and studied. The second edition of this successful introductory text: - Leads the reader into the Songs and 'prophetic books' via detailed analysis of individual poems and extracts, and now features additional insightful analyses - Provides useful sections on 'Methods of Analysis' and 'Suggested Work' to aid independent study - Offers expanded historical and cultural context, and an extended sample of critical views that includes discussion of the work of recent critics - Provides up-to-date suggestions for further reading William Blake: The Poems is ideal for students who are encountering the work of this major English poet for the first time. Nicholas Marsh encourages you to enjoy and explore the power and beauty of Blake's poems for yourself.

This book provides compelling new readings of William Blake’s poetry and art, including the first sustained account of his visionary paintings of Pitt and Nelson. It focuses on the recurrent motif of apotheosis, both as a figure of political authority to be demystified but also as an image of utopian possibility. It reevaluates Blake’s relationship to Enlightenment thought, myth, religion, and politics, from The French Revolution to Jerusalem and The Laocoön. The book combines careful attention to cultural and historical contexts with close readings of the texts and designs, providing an innovative account of Blake’s creative transformations of Enlightenment, classical, and Christian thought.

Examines Blake's place within a bourgeois culture in the process of redefining the role and meaning of sexuality.