Blood In The Moonlight

Perfect for fans of Kerri Maniscalco, Mary E. Pearson, and Criminal Minds, a young woman with dangerous magical abilities teams up with a handsome detective to hunt down an elusive serial killer in this thrilling dark fantasy. When orphan Catrin witnesses a murder on the streets of Collis, she’s pulled into a deadly chain of events where the only certainty is that the killer will strike again. Assigned to investigate is the mysterious and brilliant Simon, whose insights into the mind of a predator are frighteningly accurate. As the grisly crimes continue, Catrin finds herself caught between killer and detective while hiding her own secret—forbidden magic granted by moonlight that’s destined to make her an outcast. But her newfound power might be the only thing that can save her and those she loves from becoming the murderer’s next victims . . . Full of slow burn romance, unexpected twists, and electrifying suspense, Erin Beaty’s Blood and Moonlight kicks off a captivating new duology set in a world of moonlit magic and mystery. Don’t miss the epic conclusion to Catrin and Simon’s story in Silence and Shadow. Looking for more romantic fantasy? Check out Erin Beaty’s acclaimed Traitor’s Trilogy: ● The Traitor’s Kiss ● The Traitor’s Ruin ● The Traitor’s Kingdom

Director and screenwriter Michael Mann is the creative force behind such movies as Last of the Mohicans and Ali. Markedly reticent, Mann prefers that his personal background remain an enigma, but his disparate films contain clear and consistent messages. One of Mann's focuses is on the Information Age. He addresses the nature of modern communication, its use to manipulate and coerce, and the resultant subjugation of truth. The perils inherent in modern technology and communication stand in stark contrast to the power of symbolic and oral exchange, the trusted medium of Mann's protagonists. This critical exploration of the films of Michael Mann examines his recurring focus on the nature of modern communication and information and their effect on the individual and society. Mann's films highlight the struggle to maintain a connection to reality in a world where information is a commodity manipulated and abused by forces that exert increasing control over its content and dissemination. Each chapter examines one of Mann's films--including Manhunter, The Keep, Last of the Mohicans, The Insider and Ali--in which the protagonist longs for a sense of human connection but is pitted against forces that devalue and destroy individuality. Photographs illustrate specific moments from the films. A bibliography and an index are included.

In occupied Japan in 1946, an American military investigator is sent to Yokohama Base to research a number of bizarre deaths. His encounters with a mysterious, sword-wielding stranger and a series of supernatural events lead him to believe that the murderer isn't human. Something more sinister lurks within the shadows! Paying homage to the previous Blood series - but telling a wholly new story - Blood-C: Demonic Moonlight is the prequel fans have been waiting for!

Vampires. Werewolves. Beasts that hunt in the night. Step into Cynthia Eden's sexy paranormal world and you'll meet an alpha werewolf who will risk everything for the woman he loves...For the first time, all of the BLOOD AND MOONLIGHT novels are now available in one hot boxed set. BITE THE DUST – Book 1 When New Orleans Detective Jane Hart investigates her first official homicide case, she never expects to have her world ripped apart. But the murder she’s investigating is part of a deadly war between vampires and werewolves…and now Jane is caught in that eternal battle. A battle that can’t end well. Werewolf Aidan Locke has been running New Orleans for years. It’s his job to keep the vamps out of the city. But when a Master Vampire comes to town, determined to unleash hell, Aidan knows it’s time to fight with all the fury of his pack. Beast versus vamp, until the last breath. Then he meets Jane… One look, one taste, and Aidan knows that Jane is far more than she seems. Far more than she even knows herself to be. She’s important in the paranormal war, not a pawn to be used, but a queen to be won. And if he can’t keep her at his side, if he can’t stop the darkness from descending on the town…then Jane Hart will become not just a fierce cop, not some guardian, but something deadlier. Darker. Aidan will fight heaven and hell to change her fate. To change their fate because he is more than just a predator. And Jane is more than prey. Far more. BETTER OFF UNDEAD – Book 2 Detective Jane Hart is just getting used to paranormal life in New Orleans. Monsters are real, and she’s the lucky cop who has to deal with them on a daily basis. Werewolves, vampires, witches, and demons—she has to face them all and keep their paranormal madness in check. When a killer targets human men—and leaves their bodies scattered in local cemeteries–Jane suspects she may be looking at the crimes of a werewolf gone rogue. In order to hunt down the beast, Jane once again teams up with her werewolf lover, alpha Aidan Locke. But Aidan has been keeping secrets from Jane, dark secrets that will destroy her world. Because Jane isn’t the hunter on her latest investigation. She’s the prey. And when a vampire attack leaves her helpless, the woman that Jane was before will vanish. She’ll become the one thing she fears most and Aidan… Her fierce lover may have to become her executioner. BITTER BLOOD – Book 3 New Orleans detective Jane Hart is a vampire. She craves blood, has supernatural strength, and when the mood hits her just right, she can grow one killer pair of fangs. She never counted on being a vamp, but she also never counted on falling hard for werewolf alpha Aidan Locke. Now she’s mated to the wolf, and even though she’s living the undead life, Aidan refuses to leave her side. But Jane is being watched, hunted…tested. And each deadly test that she faces puts Jane—and the people she loves—in the path of a determined killer. She has to find out who is setting her up, before it’s too late. Too late for Jane. Too late for Aidan. Jane’s blood has infected Aidan and the wolf that lives within him is fighting for survival. Each battle…each dark test that their enemy puts in their path…each move slides Aidan closer to the edge. A darkness is growing inside of him. A darkness that is slowly consuming the man he’s been… And leaving only the monster behind.

A hand slowly reaches out a crack in the window to feel the light sprinkles of rain. The hand, cemented with dirt, sweat, and blood, trembles like a withered leaf clinging to a dead branch. Although filthy, the hand emits a history of grace and elegance long lost to the evils of torture and imprisonment . . . From what Willa recalls, seeing this pitiful hand, and, eventually, the person connected to it, was the catalyst to the discovery of her true self. Willa is a witch, and it turns out her boyfriend, Simon, is a witch, too.

Marni, a young flower seller who has been living in exile, must choose between claiming her birthright as princess of a realm whose king wants her dead, or a life with the father she has never known--a wild dragon.

A haunting crime story about the broken characters inhabiting yesterday's Brooklyn, this is the new novel from modern master of neo-noir William Boyle. An explosive crime drama, Shoot the Moonlight Out evokes a mystical Brooklyn where the sidewalks are cracked, where Virgin Mary statues tilt in fenced front yards, and where smudges of moonlight reflect in puddles even on the blackest nights. Southern Brooklyn, July 1996. Fire hydrants are open and spraying water on the sizzling blacktop. Punk kids have to make their own fun. Bobby Santovasco and his pal Zeke like to throw rocks at cars getting off the Belt Parkway. They think it’s dumb and harmless until it’s too late to think otherwise. Then there’s Jack Cornacchia, a widower who lives with his high school age daughter Amelia and reads meters for Con Ed but also has a secret life as a vigilante, righting neighborhood wrongs through acts of violence. A simple mission to strong-arm a Bay Ridge con man, Max Berry, leads him to cross paths with a tragedy that hits close to home. Fast forward five years: June 2001. The summer before New York City and the world changed for good. Charlie French is a low-level gangster-wannabe trying to make a name for himself. When he stumbles onto a bowling alley locker stuffed with a bag full of cash, he brings it to his only pal, Max Berry, for safekeeping while he cleans up the mess surrounding it. Bobby Santovasco, with no real future mapped out—and the big sin of his past shining brightly in his rearview mirror—has taken a job working as an errand boy for Max Berry. On a recruiting run for Max’s Ponzi scheme, Bobby meets Francesca Clarke, born in the neighborhood but an outsider nonetheless. They hit it off. Bobby gets the idea to knock off Max’s safe so he and Francesca can escape Brooklyn forever. Little does he know what Charlie French has stashed there. Meanwhile, Bobby’s former stepsister, Lily Murphy, is back home in the neighborhood after college, teaching a writing class in the basement of St. Mary's church. She's also being stalked by her college boyfriend. One of her students is Jack Cornacchia. When she opens up to him about her stalker, Jack decides to take matters into his own hands. A riveting portrait of lives crashing together at the turn of the century, Shoot the Moonlight Out is tragic and tender and funny and strange. A sense of loss is palpable—what has been lost and what will be lost—and Boyle’s characters face down old ghosts with grim determination, as ripples of consequence radiate in dangerous directions.

When you can't sleep, there's always NIGHTS. It all started with Lewis and Jamie. They were sneaking out late at night to be together. Then their friends started joining in. First at the old burned-down Fear Mansion. Later at the local bar Nights. They called themselves the Night People. And they carefully protected their secret world. No parents, no work, no stress. Just chilling with friends in their own private after-hours club. But then the nights turned dark. Unexplainable accidents, evil pranks...and then, later, the killings. The Night People know they have to stop the horror all by themselves, or else they risk exposure -- not to mention their lives. Things go bump in the Night....