Blood Rites Of The Bourgeoisie

Harry Dresden, Chicago's only professional wizard, takes on a case as a favor to his friend Thomas--a vampire of dubious integrity--only to become the prime suspect in a series of ghastly murders.

The legendary novel Pulp Mania is back on the streets in its original form and eBook also. In the eBook and hardback editions the legendary novel is presented with an author interview, colour plates of Stewart Home and enumerative bibliographic hand list. 'Let us not forget, ladies and gentlemen,' Chickenfeed announced as Christine mounted her man, 'that fiction has played an important role in the development of Western sexuality. Among other things, the terms Sadism and Masochism are derived from the names of men who wrote pornographic novels.' Pure Mania is set in an almost fictional anarcho-punk milieu around the squats and council estates of East London. This trashy adventure story takes the form of a blatantly falsified tour of eighties youth trends. It's a pastiche of the fiction published by New English Library during the 1970's. Situationist fun and anarcho-punk adventure à la Jamie Reid meets Cockney Red street violence, Pure Mania by Stewart Home was first published by Polygon Books in 1989. MARX CHRIST AND SATAN UNITED IN STRUGGLE Pure Mania is a pulp tragicomedy set in London's punk and skinhead scene at a time when both ready to blow the British Isles to hell. SEXUAL PERVERSION AT ITS VERY WORST Pure Mania is a tragic Trotskyist triangular tale of politics and love between two men and one woman. Tracy is a militant vegan who is willing to sacrifice everything to save the third world. And in order to get her Paul gives up coffee and other women and Edward gives up his Nazi uniform and other men. ¡ SEX AND ECO-TERRORISME ! PURE MANIA is published in Hardback 9781914090660 / Original paperback 9781914090776 / and quality eBook 9781914090943

This is where the novel has a nervous breakdown. Anna Noon is a twenty-year-old student with a taste for perverse sex involving an enigmatic older man and a ventriloquist's dummy. Anna lives in Aberdeen and her sex life revolves around the ancient stone circles in the region.The sublime grandeur of the stones provides a backdrop against which Anna is able to act out her provocative psychodramas.

Shift Linguals traces a history of the cut-up method, the experimental writing practice discovered by Brion Gysin and made famous by Beat author William S. Burroughs. From the groundbreaking works of Dada and Surrealism that paved the way for Burroughs’ breakthrough, through the countercultural explosion of the 1960s, Shift Linguals explores the evolution of the cut-ups within the theoretical frameworks of postmodernism and the avant-garde to arrive at the present and the digital age. Some 50 years on from the first ‘discovery’ of the cut-ups in 1959, it is only now that we are truly able to observe the method’s impact, not only on literature, but on music and culture in a broader sense. The result of over nine years of research, this study represents the first sustained and detailed analysis of the cut-ups as a narrative form. With explorations of the works of Burroughs, Gysin, Kathy Acker, and John Giorno, it also contains the first critical writing on the works of Claude Pélieu and Carl Weissner in English, as well as the first in-depth discussion of the writing of Stewart Home to date.

How did social, cultural and political events in Britain during the 2000s shape contemporary British fiction? The means of publishing, buying and reading fiction changed dramatically between 2000 and 2010. This volume explores how the socio-political and economic turns of the decade, bookended by the beginning of a millennium and an economic crisis, transformed the act of writing and reading. Through consideration of, among other things, the treatment of neuroscience, violence, the historical and youth subcultures in recent fiction, the essays in this collection explore the complex and still powerful relation between the novel and the world in which it is written, published and read. This major literary assessment of the fiction of the 2000s covers the work of newer voices such as Monica Ali, Mark Haddon, Tom McCarthy, David Peace and Zadie Smith as well as those more established, such as Salman Rushdie, Hilary Mantel and Ian McEwan making it an essential contribution to reading, defining and understanding the decade.

Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation - memes are the inner currency of the internet's circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike, and they are impervious to many economic valuations: the attempts made in co-opting their discourse in advertising and big business have made little headway, and have usually been derailed by retaliative meming. POST MEMES: SEIZING THE MEMES OF PRODUCTION takes advantage of the meme's subversive adaptability and ripeness for a focused, in-depth study. Pulling together the interrogative forces of a raft of thinkers at the forefront of tech theory and media dissection, this collection of essays paves a way to articulating the semiotic fabric of the early 21st century's most prevalent means of content posting, and aims at the very seizing of the memes of production for the imagining and creation of new political horizons. With contributions from Scott and McKenzie Wark, Patricia Reed, Jay Owens, Thomas Hobson and Kaajal Modi, Dominic Pettman, Bogna M. Konior, and Eric Wilson, among others, this essay volume offers the freshest approaches available in the field of memes studies and inaugurates a new kind of writing about the newest manifestations of the written online. The book aims to become the go-to resource for all students and scholars of memes, and will be of the utmost interest to anyone interested in the internet's most viral phenomenon. ABOUT THE EDITORS ALFIE BOWN is the author of several books including "The Playstation Dreamworld" (Polity, 2017) and "In the Event of Laughter: Psychoanalysis, Literature and Comedy" (Bloomsbury, 2018). He is also a journalist for the Guardian, the Paris Review, and other outlets. DAN BRISTOW is a recovering academic, a bookseller, and author of "Joyce and Lacan: Reading, Writing, and Psychoanalysis" (Routledge, 2016) and "2001: A Space Odyssey and Lacanian Psychoanalytic Theory" (Palgrave, 2017). He is also the co-creator with Alfie Bown of Everyday Analysis, now based at New Socialist magazine.

Marshland is a deep map of the east London marshes, a blend of local history, folklore and weird fiction, where nothing is quite as it seems. Cocker spaniel by his side, Rees wanders the marshes of Hackney, Leyton and Walthamstow, avoiding his family and the pressures of life. He discovers a lost world of Victorian filter plants, ancient grazing lands, dead toy factories and tidal rivers on the edgelands of a rapidly changing city. Ghosts are his friends. As strange tales of bears, crocodiles, magic narrowboats and apocalyptic tribes begin to manifest themselves, Rees embarks on a psychedelic journey across time and into the dark heart of London. It soon becomes clear that the very existence of the marshland is at threat. For on all sides, the developers are closing in...