Blood River

**THE NUMBER ONE SUNDAY TIMES BESTSELLER** A compulsively readable account of an African country now virtually inaccessible to the outside world and one journalist's daring and adventurous journey. When war correspondent Tim Butcher was sent to cover Africa in 2000 he quickly became obsessed with the idea of recreating H.M. Stanley's famous nineteenth century trans-Africa expedition - but travelling alone. Despite warnings that his plan was 'suicidal', Butcher set out for the Congo's eastern border with just a rucksack and a few thousand dollars hidden in his boots. Making his way in an assortment of vessels including a motorbike and a dugout canoe, helped along by a cast of unlikely characters, he followed in the footsteps of the great Victorian adventurers. Butcher's journey was a remarkable feat, but the story of the Congo, told expertly and vividly in this book, is more remarkable still. ‘A masterpiece’ John Le Carré ‘Extraordinary, audacious, completely enthralling’ William Boyd ‘A remarkable marriage of travelogue and history, which deserves to make Tim Butcher a star for his prose, as well as his courage’ Max Hastings

Nelson Mandela is dead and his dream of a rainbow nation in South Africa is fading. Twenty years after the fall of apartheid the white Afrikaner minority fears cultural extinction. How far are they prepared to go to survive as a people? Kajsa Norman's book traces the war for control of South Africa, its people, and its history, over a series of December 16ths, from the Battle of Blood River in 1838 to its commemoration in 2011. Weaving between the past and the present, the book highlights how years of fear, nationalism, and social engineering have left the modern Afrikaner struggling for identity and relevance. Norman spends time with residents of the breakaway republic of Orania, where a thousand Afrikaners are working to construct a white-African utopia. Citing their desire to preserve their language and traditions, they have sequestered themselves in an isolated part of the arid Karoo region. Here, they can still dictate the rules and create a homeland with its own flag, currency and ideology. For a Europe that faces growing nationalism, their story is more relevant than ever. How do people react when they believe their cultural identity is under threat? Bridge Over Blood River's haunting and subversive evocation of South Africa's racial politics provides some unsettling answers.

Twelve-year-old Samuel Collier is a lowly commoner on the streets of London. So when he becomes the page of Captain John Smith and boards the Susan Constant, bound for the New World, he can’t believe his good fortune. He’s heard that gold washes ashore with every tide. But beginning with the stormy journey and his first contact with the native people, he realizes that the New World is nothing like he imagined. The lush Virginia shore where they establish the colony of James Town is both beautiful and forbidding, and it’s hard to know who’s a friend or foe. As he learns the language of the Algonquian Indians and observes Captain Smith’s wise diplomacy, Samuel begins to see that he can be whomever he wants to be in this new land.

Winner of the Cundill History Prize Winner of the Frederick Douglass Book Prize Named One of the Best Books of the Year by NPR A breathtakingly original work of history that uncovers a massive enslaved persons' revolt that almost changed the face of the Americas Named one of the best books of the year by NPR, Blood on the River also won two of the highest honors for works of history, capturing both the Frederick Douglass Prize and the Cundill History Prize in 2021. A book with profound relevance for our own time, Blood on the River “fundamentally alters what we know about revolutionary change” according to Cundill Prize juror and NYU history professor Jennifer Morgan. Nearly two hundred sixty years ago, on Sunday, February 27, 1763, thousands of slaves in the Dutch colony of Berbice—in present-day Guyana—launched a rebellion that came amazingly close to succeeding. Blood on the River is the explosive story of this little-known revolution, one that almost changed the face of the Americas. Michael Ignatieff, chair of the Cundill Prize jury, declared that Blood on the River “tells a story so dramatic, so compelling that no reader will be able to put the book down.” Drawing on nine hundred interrogation transcripts collected by the Dutch when the rebellion collapsed, and which were subsequently buried in Dutch archives, historian Marjoleine Kars has constructed what Pulitzer Prize–winning historian Eric Foner calls “a gripping narrative that brings to life a forgotten world.”

The culmination of years of fieldwork in southern Malawi, River of Blood reconstructs the beginnings of the Mbona martyr cult, follows its history to the present day, and reveals the fascinating intersections of an indigenous belief system with European Christianity. In the cult of Mbona, the central African mythology of the snake that is beheaded to make the rains come has been combined with a more spiritual interpretation: the snake has been transformed into a human martyr and redeemer. According to the cult, the rainmaker Mbona was tracked down by his enemies; they cut off his head, and his blood formed the River of Blood. Mbona returned as a storm wind and asked that a shrine be dedicated in his name. J. Matthew Schoffeleers recounts how the Portuguese presence in Zambezia in the period 1590-1622 led to more than three decades of internecine warfare and caused the people of southern Malawi tremendous suffering. In response to this political oppression and social upheaval, Schoffeleers shows, the people looked to Mbona, their "black Jesus," for redemption. Beyond reconstructing the cult's genesis, Schoffeleers traces its recent history, particularly in political context. He provides texts of seven cult myths from different historical periods in both Chimang'anja and English. His analysis presents the Mbona myth as a continuous social construction and deconstruction. Emphasizing the impact of political and spiritual oppression on the cult, he distinguishes between the differing versions of the myth preserved by the aristocracy and by the commonalty and demonstrates how these disparate views unite to preserve historical information. In so doing, he shows that cults serve as valuable repositories for historical information.

THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS transports readers to the majestic landscapes and hard Native American lives of the desert Southwest and into the embrace of a way of looking at the world that seems almost like revelation. Born to a storytelling Native mother and a roughneck, song-singing cowboy father, Nasdijj has lived on the jagged-edged margins of American society, yet hardship and isolation have only brought him greater clarity--and a gift for language that is nothing short of breathtaking. Nasdijj tells of his adopted son, Tommy Nothing Fancy, of the young boy's struggle with fetal alcohol syndrome, and of their last fishing trip together. It is a heartbreaking story, written with great power and a diamondlike poetry. But whether Nasdijj is telling us about his son, about the chaotic, alternately harrowing and comical life he led with his own parents, or about the vitality and beauty of Native American culture, his voice is always one of searching honesty, wry humor, and a nearly cosmic compassion. While Nasdijj struggles with his impossible status as someone of two separate cultures, he also remains a contradiction in a larger sense: he cares for those who often shun him, he teaches hope though he often has none for himself, and he comes home to the land he then must leave. THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS is the memoir of a man who has survived a hard life with grace, who has taken the past experience of pain and transformed it into a determination to care for the most vulnerable among us, and who has found an almost unspeakable beauty where others would find only sadness. This is a book that will touch your soul.

From the bestselling authors of The Frontiersman, a young man follows the call of the wild to the Rockies, but killers follow him. Breckenridge Wallace was turning into a true mountain man on the American frontier. As a teenager in Tennessee he killed in self-defense, then left behind the woman he loved. With a gun and trap lines he is learning how to survive in the Rocky Mountains, braving the punishing elements, ruthless outlaws, and forging an uneasy peace with the Indians. But as dangerous as life is, nothing is worse than a powerful man with a murderous grudge. Breck has left two such men in his past—and they both send cold-blooded killers for hire after him. Now the young frontiersman must fight a whole new kind of enemy—armed with his courage, strength, and raw skills with knife and gun...

Sex, Drugs and Zeppelin! In the 1970s, four life-long friends plan their escape from a small town in New Jersey. Unfortunately, they find that fate, nature or some monstrous power has other plans for them... Based on a true story.