Blood Victory

NEW YORK TIMES BESTSELLER • “[Furst] glides gracefully into an urbane pre–World War II Europe and describes that milieu with superb precision.” —Janet Maslin, The New York Times In the autumn of 1940, Russian émigré journalist I. A. Serebin is recruited in Istanbul by an agent of the British secret services for a clandestine operation to stop German importation of Romanian oil—a last desperate attempt to block Hitler’s conquest of Europe. Serebin’s race against time begins in Bucharest and leads him to Paris, the Black Sea, Beirut, and, finally, Belgrade; his task is to attack the oil barges that fuel German tanks and airplanes. Blood of Victory is a novel with the heart-pounding suspense, extraordinary historical accuracy, and narrative immediacy we have come to expect from Alan Furst. Praise for Blood of Victory “Densely atmospheric and genuinely romantic, the novel is most reminiscent of the Hollywood films of the forties, when moral choices were rendered not in black-and-white but in smoky shades of gray.”—The New Yorker “Furst’s achievement is a moral one, producing a powerful testament to fiction’s ability to re-create the experience of others, and why it is so deeply important to do so.” —Neil Gordon, The New York Times Book Review “Richly atmospheric and satisfying.” —Deirdre Donahue, USA Today

On a cross-country journey to hell, fear is the engine and vengeance is the destination as Christopher Rice's Amazon Charts bestselling series continues. As the test subject of an experimental drug, Charlotte Rowe was infused with extraordinary powers. As the secret weapon of a mysterious consortium, she baits evil predators and stops them in their tracks. But it takes more than fear to trigger what's coursing through Charlotte's blood. She needs to be terrorized. Serial killer Cyrus Mattingly is up to the task. Cyrus is a long-haul truck driver, and his cargo bay is a gallery of horrors on wheels. To stop his bloodshed, Charlotte will become his next victim, reining in her powers so she can face each of his evils in turn. As much as they know about Cyrus--his method of selecting victims, his prolonged rituals--there is something they don't. What happens on the dark and lonely highways is only the journey. It's the destination that's truly depraved. Before she can unleash vengeance on a scale this killer has never seen, Charlotte and her team will have to go the distance into hell.

SHORTLISTED FOR THE DUKE OF WELLINGTON MEDAL FOR MILITARY HISTORY 2021, THE BRITISH ARMY BOOK OF THE YEAR 2021, AS A FINALIST FOR THE 2020 ARMY HISTORICAL FOUNDATION DISTINGUISHED WRITING AWARDS. FIRST RUNNER UP IN THE TEMPLER MEDAL BOOK PRIZE 2021. 'With a soldier's eye for telling operational details, Ben Barry offers an authoritative, compelling and inevitably bleak account of the American and British campaigns in Iraq and Afghanistan.' Sir Lawrence Freedman, Emeritus Professor of War Studies, King's College London Newly revised and updated with in-depth analysis of the current situation in Afghanistan after American withdrawal, Blood, Metal and Dust is an authoritative account of how the wars in Iraq and Afghanistan were played out, explaining their underlying politics and telling the story of what happened on the ground. From the high-ranking officer who wrote the still-classified British military analysis of the war in Iraq comes the authoritative history of two conflicts which have overshadowed the beginning of the 21st century. Inextricably linked to the ongoing 'War on Terror', the wars in Iraq and Afghanistan dominated more than a decade of international politics, and their influence is felt to this day. Blood, Metal and Dust is the first military history to offer a comprehensive overview of the wars in Afghanistan and Iraq, providing in-depth accounts of the operations undertaken by both US and UK forces. Brigadier Ben Barry explores the wars which shaped the modern Middle East, providing a detailed narrative of operations as they unfolded. With unparalleled access to official military accounts and extensive contacts in both the UK and the US militaries, Brigadier Barry is uniquely placed to tell the story of these controversial conflicts, and offers a rounded account of the international campaigns which irrevocably changed the global geopolitical landscape.

The Blood Books are now available in "Blood Ties" TV tie-in editions. View our TV tie-in feature page here here. Vicki Nelson, formerly of Toronto’s homicide unit and now a private detective, witnesses the first of many vicious attacks that are now plaguing the city of Toronto. As death follows unspeakable death, Vicki is forced to renew her tempestuous relationship with her former partner, Mike Celluci, to stop these forces of dark magic—along with another, unexpected ally… Henry Fitzroy, the illegitimate son of King Henry VIII, has learned over the course of his long life how to blend with humans, how to deny the call for blood in his veins. Without him, Vicki and Mike would not survive the ancient force of chaos that has been unleashed upon the world—but in doing so, his identity may be exposed, and his life forfeit.

One hundred years ago, the vampire Victory retired from a centuries-long mercenary career. She settled in Limani, the independent city-state acting as a neutral zone between the British and Roman colonies on the New Continent. Twenty years ago, Victory adopted a human baby girl, who soon showed signs of magical ability. Today, Victory is a city councilwoman, balancing the human and supernatural populations within Limani. Her daughter Toria is a warrior-mage, balancing life as an apprentice mercenary with college chemistry courses. Tomorrow, the Roman Empire invades. This revised edition features the author’s preferred text, a new introduction by author Lee Murray, a previously unpublished short story about Victory and the essay “Limani: A Brief History” by Lady Zhinu Zhuanxu-Wallace.

During the winter of 1944–45, the western Allies desperately sought a strategy that would lead to Germany’s quick defeat. After much rancorous debate, the Allied high command decided that First Canadian Army would launch the pivotal offensive to win the war—an attack against the Rhineland, an area of Germany on the west bank of the Rhine. Winning this land would give them a launching point for crossing the river and driving into Germany’s heartland. This was considered the road to victory. For those who fought, the names of battlegrounds such as Moyland Wood and the Hochwald Gap would forever call up memories of uncommon heroism, endurance and tragic sacrifice. Their story is one largely lost to the common national history of World War II. Forgotten Victory gives this important legacy back to Canadians.

Introduced by Donald Smith. Set in Rome during Nero’s reign of terror, The Blood of the Martyrs is a disciplined historical novel tracing the destruction of one cell of the early church. With a cast of slaves, ordinary Roman people, exiles and entertainers, it is thorough in its historical interpretation and in its determination to make the past accessible and readable. Written in 1938-9, the novel contains many symbolic parallels to the rise of European fascism in the 1930s and the desperate plight of persecuted minorities such as the Jews and the left-wing activists with whom Naomi Mitchison personally campaigned at the time. With the invasion of Britain a real possibility, she felt compelled to write a testament to the power of human solidarity which, even faced with death, can overcome the worst that human evil can achieve. The Blood of the Martyrs is the least autobiographical of Mitchison’s major works of fiction, yet, with its implicit credo, is her most passionately self-revealing. ‘ . . . when a novelist is historically faithful in these treacherous waters of the human psyche, the results are tremendous. As a twentieth-century woman, it no doubt hurt Naomi Mitchison a good deal to describe the savagery of the early Christian persecution in The Blood of the Martyrs . . . But it is the pain that gives the history its lifeblood. The imagination that is a novelist’s fuel must be harnessed to serve history as history was, not as anyone wishes it had been.’ Joanna Trollope

This study of military historiography examines the changing narrative of the Battle of New Orleans through two centuries of commemoration. Once celebrated on par with the Fourth of July, the anniversary of the Battle of New Orleans is no longer a day of reverence for most Americans. The United States’ stunning defeat of the British army on January 8th, 1815, gave rise to the presidency of Andrew Jackson, the Democratic Party, and the legend of Jean Laffite. Yet the battle has not been a national holiday since 1861. Joseph F. Stoltz III explores how generations of Americans have consciously revised, reinterpreted, and reexamined the memory of the conflict to fit the cultural and social needs of their time. Combining archival research with deep analyses of music, literature, theater, and film across two centuries of American popular culture, Stoltz highlights the myriad ways in which politicians, artists, academics, and ordinary people have rewritten the battle’s history. From Andrew Jackson’s presidential campaign to the occupation of New Orleans by the Union Army to the Jim Crow era, the continuing reinterpretations of the battle alienated whole segments of the American population from its memorialization. Thus, a close look at the Battle of New Orleans offers an opportunity to explore not just how events are collectively remembered across generations but also how a society discards memorialization that is no longer necessary or palatable.