Blur 3862 Days

The official story of the most significant British band of the 90s. Now updated with fresh interviews including insights into lead singer Damon's new act, Gorillaz, that is sweeping awards on both sides of the Atlantic. This is the story of bitter rows with record companies, farcical feuds with Oasis, fist fights with each other, struggles with the bottle, foundering romances and a love-hate relationship with America. Drawing on the hours of exclusive interviews he has done with the band since their early days, Stuart Maconie offers a gripping insight into this intense, hedonistic quartet. Updated with fresh interviews including insights into Damon's award-winning new act Gorillaz. The official story of Blur, told through exclusive interviews.

'Beautifully written, brilliantly insightful' Owen Jones Tony Blair and Noel Gallagher shaking hands at No. 10. Saatchi's YBAs setting the international art world aflame. Geri Halliwell in a Union Jack dress. A time of vibrancy and optimism: when the country was united by the hope of a better and brighter future. So why, twenty years on, did that future never happen? Richard Power Sayeed takes a provocative look at this epochal year, arguing that the dark undercurrents of that time had a much more enduring legacy than the marketing gimmick of 'Cool Britannia'. He reveals how the handling of the Stephen Lawrence inquiry ushered in a new type of racism. How the feminism-lite of 'Girl Power' made sexism stronger. And how the promises of New Labour left the country more fractured than ever. This lively, rich and evocative book explores why 1997 was a turning point for British culture and society - away from a fairer, brighter future and on the path to our current malaise.

As with most great bands, it is difficult to remember a time when Blur weren’t a part of Britain’s rich musical landscape. From art-rock origins they went on to make four multi-platinum number one albums and produced some of the finest songs of the modern era: End of A Century, Girls And Boys, Parklife, Song 2, Beetlebum... And it might not be over yet! The Life Of Blur charts their story from shaky beginnings through to the full-blown superstardom of Parklife, The Great Escape and beyond. At the heart of this tale is the complex, sometimes explosive relationship between Blur’s four founding members: Damon Albarn, Graham Coxon, Dave Rowntree and Alex James. A rich soup of relentless ambition, dogged persistence, fraying tempers and a million clanging champagne bottles, the emotional chemistry that makes up Blur has been just as interesting to watch as the songs the band have produced. Author Martin Power has talked with band’s former managers, fellow musicians, old school teachers and close friends to shed new light on a group once called “the most intelligent, enduring and credible band to emerge from the Nineties”. With a concise critical commentary on their music, rare photographs and a complete discography, as well as shedding new light on the group's various solo activities - including Damon Albarn's Gorillaz and Graham Coxon's one-man assault on the indie charts - this is the definitive account of Blur’s epic journey.

From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance and alternative musics from artists such as the Beastie Boys, Madonna, U2 and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production. The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists' responses to a technological landscape in flux.

I was the Fool-king of Soho and the number-one slag in the Groucho Club, the second drunkest member of the world's drunkest band. This was no disaster, though. It was a dream coming true.' For Alex James, music had always been a door to a more eventful life. But as bass player of Blur - one of the most successful British bands of all time - his journey was more exciting and extreme than he could ever have predicted. In Bit of a Blur he chronicles his journey from a slug-infested flat in Camberwell to a world of screaming fans and private jets - and his eventual search to find meaning and happiness (and, perhaps most importantly, the perfect cheese), in an increasingly surreal world.

Combining interviews, quotes, news reports and pictures, this work provides a review of pop heart-throbs Blur. It also includes details of live performances and gives a month-by-month account of life with the boys.

'The greatest book ever written on British independent music' Guardian 'One of the best British music books of the last ten years' Mojo Founded by Alan McGee in 1983, Creation Records achieved notoriety as the home of Primal Scream, the Jesus and Mary Chain and other anti-Establishment acts. During the Britpop boom of the mid-90s, the astonishing success of Oasis brought Creation fame on the world stage. In 1999, however, McGee announced his shock departure as his label's influence over a generation of British music came to a confusing and disappointing end. Containing interviews with Creation musicians, employees, supporters and detractors, this is the inside story of Creation Records - and of British music since the 1980s.