Boats For Papa

Buckley and his Mama live in a cozy cabin by the ocean. He loves to carve boats out of the driftwood he finds on the beach nearby. He makes: big boats long boats short boats and tall boats, each one more beautiful than the last, and sends them out to sea. If they don't come back, he knows they've found their way to his papa, whom he misses very much. In this stunning debut, author/illustrator Jessixa Bagley explores the subtle and deep emotions associated with loss in a heartwarming tale that is sure to stay with the reader long after the book is closed. A Neal Porter Book

Papa Jeff’s Two Boats is about a young boy and his adventures on his grandfather’s two boats. Calvin is the young boy’s name, and he is three years old. He calls his grandfather Papa. Calvin loves coming to the lake and spending time on the boats with Papa, his cousins Tristan and Isaac, and Papa’s dog, Mia. Calvin is very descriptive and vocal for such a young boy about the boats and what adventures he has on them. One boat is big and white, and the other is small and blue. Some of the different activities Calvin has on the boats is fishing, swimming, snacking, and feeding ducks. Calvin loves Mia even though she is an old and sometimes cranky dog. Mia wants to be with the kids, enjoying all the boat activities as well. The message in this story is joy—joy that is expressed from a young boy’s excitement with spending time on his Papa’s boats. This book will be enjoyed by young kids, kids who like boats, and those who spend time around lakes. All good things come to an end when the weekend is over, and Calvin leaves the lake to go back home. But he knows he will come back soon to have fun on Papa’s two boats.

How do you say goodbye to your best friend? When a little hedgehog's family tells her they're moving far away, she and her anteater best friend decide to play one last time, like nothing is changing. And though it's hard, they discover that while some things have to change, the most important things find a way of working out.

From a National Book Critics Circle Award winner, a brilliantly conceived and illuminating reconsideration of a key period in the life of Ernest Hemingway that will forever change the way he is perceived and understood. Focusing on the years 1934 to 1961—from Hemingway’s pinnacle as the reigning monarch of American letters until his suicide—Paul Hendrickson traces the writer’s exultations and despair around the one constant in his life during this time: his beloved boat, Pilar. We follow him from Key West to Paris, to New York, Africa, Cuba, and finally Idaho, as he wrestles with his best angels and worst demons. Whenever he could, he returned to his beloved fishing cruiser, to exult in the sea, to fight the biggest fish he could find, to drink, to entertain celebrities and friends and seduce women, to be with his children. But as he began to succumb to the diseases of fame, we see that Pilar was also where he cursed his critics, saw marriages and friendships dissolve, and tried, in vain, to escape his increasingly diminished capacities. Generally thought of as a great writer and an unappealing human being, Hemingway emerges here in a far more benevolent light. Drawing on previously unpublished material, including interviews with Hemingway’s sons, Hendrickson shows that for all the writer’s boorishness, depression, and alcoholism, and despite his choleric anger, he was capable of remarkable generosity—to struggling writers, to lost souls, to the dying son of a friend. We see most poignantly his relationship with his youngest son, Gigi, a doctor who lived his adult life mostly as a cross-dresser, and died squalidly and alone in a Miami women’s jail. He was the son Hemingway forsook the least, yet the one who disappointed him the most, as Gigi acted out for nearly his whole life so many of the tortured, ambiguous tensions his father felt. Hendrickson’s bold and beautiful book strikingly makes the case that both men were braver than we know, struggling all their lives against the complicated, powerful emotions swirling around them. As Hendrickson writes, “Amid so much ruin, still the beauty.” Hemingway’s Boat is both stunningly original and deeply gripping, an invaluable contribution to our understanding of this great American writer, published fifty years after his death.

From the summer of 1942 until the end of 1943, Ernest Hemingway spent much of his time patrolling the Gulf Stream and the waters off Cuba’s north shore in his fishing boat, Pilar. He was looking for German submarines. These patrols were sanctioned and managed by the US Navy and were a small but useful part of anti-submarine warfare at a time when U boat attacks against merchant shipping in the Gulf and the Caribbean were taking horrific tolls. While almost no attention has been paid to these patrols, other than casual mention in biographies, they were a useful military contribution as well as a central event (to Hemingway) around which important historical, literary, and biographical themes revolve.

At a time when thousands of refugees risk their lives undertaking perilous journeys by boat across the Mediterranean, this multidisciplinary volume could not be more pertinent. It offers various contemporary case studies of boat migrations undertaken by asylum seekers and refugees around the globe and shows that boats not only move people and cultural capital between places, but also fuel cultural fantasies, dreams of adventure and hope, along with fears of invasion and terrorism. The ambiguous nature of memories, media representations and popular culture productions are highlighted throughout in order to address negative stereotypes and conversely, humanize the individuals involved.

1943, one year after the end of Under the Blood-Red Sun, Tomi’s Papa and Grandpa are still under arrest, and the paradise of Hawaii now lives in fear—waiting for another attack, while trying to recover from Pearl Harbor. As a Japanese American, Tomi and his family have new enemies everywhere, vigilantes who suspect all Japanese. Tomi finds hope in his goal of raising Papa’s fishing boat, sunk in the canal by the Army on the day of the attack. To Tomi, raising Papa’s boat is a sign of faith that Papa and Grandpa will return. It’s an impossible task, but Tomi is determined. For just as he now has new enemies, his struggle to raise the boat brings unexpected allies and friends.

This book provides justification and instruction for exploring philosophy with children, especially by using picture books to initiate philosophical discussion. By demonstrating to teachers, and others that picture books often embed philosophical issues into their narratives, and that this makes picture books a natural place to go to help young children investigate philosophical issues, the author offers a straightforward approach to engaging young students. In particular, this volume highlights how philosophical dialogue enhances children’s sense of self, provides a safe space for the discussion of issues that they are confronted with in living their lives, and develops an admirable method for resolving conflict that the children can use in other contexts.