Bobby Braddock

If you know country music, you know Bobby Braddock. Even if you don't know his name, you know the man's work. "He Stopped Loving Her Today." "D-I-V-O-R-C-E." "Golden Ring." "Time Marches On." "I Wanna Talk About Me." "People Are Crazy." These songs and numerous other chart-topping hits sprang from the mind of Bobby Braddock. A working songwriter and musician, Braddock has prowled the streets of Nashville's legendary Music Row since the mid-1960s, plying his trade and selling his songs. These decades of writing songs for legendary singers like George Jones, Tammy Wynette, and Toby Keith are recounted in Bobby Braddock: A Life on Nashville's Music Row, providing the reader with a stunning look at the beating heart of Nashville country music that cannot be matched. If you're looking for insight into Nashville, the life of music in this town, and the story of a force of nature on the Row to this day, Bobby Braddock will take you there.

“One of country music’s greatest songwriters has given us his own private tour of the collective genius of his profession.” —Malcolm Gladwell, bestselling author and host of the Revisionist History podcast Bobby Braddock, the only living songwriter to have written number-one country songs in five consecutive decades, celebrates standout lines in more than eighty country masterpieces. Unique stories give the reader a behind-the-scenes look at classics from Hank Williams, Bill Anderson, Roger Miller and Merle Haggard, as well as twenty-first-century icons like Alan Jackson, Taylor Swift and Eric Church. Artist Carmen Beecher brings these tales to vivid life with strikingly realistic illustrations of seldom-seen songwriters, easily recognizable superstars and unforgettable song characters. From late 1940s jukebox hits to present-day chart toppers, Braddock and Beecher offer a magical journey from the songwriter’s pen to the singer’s lips to the listener’s ear. “Country Music’s Greatest Lines works as an insider’s take on the business of country, and it also sent me to a dozen records I wanted to hear immediately. Braddock and Beecher evoke the mythology of country without sentimentalizing the music or its creators. It’s a remarkable achievement.” —Nashville Scene “We see how stand-alone powerful and effective a few well-crafted lines can be, even when removed from the context of the entire song.” —Sounds Like Nashville “Country songs, from Hank Williams till today, remain faithful to their tradition of reminding their listeners about the life they live. Braddock, a 60-year creator of songs, remembered that when he decided to write this book.” —American Songwriter

For years the legendary John Seigenthaler hosted A Word on Words on Nashville's public television station, WNPT. During the show’s four-decade run (1972 to 2013), he interviewed some of the most interesting and most impor­tant writers of our time. These in-depth exchanges revealed much about the writers who appeared on his show and gave a glimpse into their creative pro­cesses. Seigenthaler was a deeply engaged reader and a generous interviewer, a true craftsman. Frye Gaillard and Pat Toomay have collected and transcribed some of the iconic interactions from the show. Featuring interviews with: Arna Bontemps • Marshall Chapman • Pat Conroy • Rodney Crowell • John Egerton • Jesse Hill Ford • Charles Fountain • William Price Fox • Kinky Friedman • Frye Gaillard • Nikki Giovanni • Doris Kearns Goodwin • David Halberstam • Waylon Jennings • John Lewis • David Maraniss • William Marshall • Jon Meacham • Ann Patchett • Alice Randall • Dori Sanders • John Seigenthaler Sr. • Marty Stuart • Pat Toomay

This title examines the life of Blake Shelton. Readers will learn about Shelton's childhood, family, education, and rise to fame. Colorful graphics, oversize photos, and informative sidebars accompany easy-to-read, compelling text that explores Shelton's early interest in music and talent in singing and songwriting that led to the release of his albums. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

How Nashville Became Music City, U.S.A. was first published in 2006 and quickly became the go-to reference for those seeking to understand the Nashville music industry, or write about it. Now, Michael Kosser, prolific songwriter and author, returns with an updated and expanded edition, bringing the history of Music Row up to the present, since so much has changed over the last fifteen years. This new edition of How Nashville Became Music City, U.S.A. details the history of the Nashville song and recording industry from the founding of its first serious commercial music publishing company in 1942 to the present. Kosser tells the history of Music Row primarily through the voices of those who made and continue to make that history, including record executives, producers, singers, publishers, songwriters, studio musicians, studio engineers, record promoters, and others responsible for the music and the business, including the ambitious music executives who struggle to find an audience who will buy country records instead of just listening to them on the radio. The result is a book with insight far beyond the usual media stories, with plenty of emotion, humor, and historical accuracy. Kosser traces the growth and cultural changes of Nashville and the adventurous souls who fly to it to be a part of the music. He follows the changes from its hillbilly roots through its “Nashville Sound” quasi-pop days, from the outlaws, the new traditionalists, and the mega-sellers to the recent bro country and the rise of mini-trends. This edition also bears witness to the huge influence of Music Row on pop, folk, rock, and other American music genres.

Marshall Chapman knows Nashville. A musician, songwriter, and author with nearly a dozen albums and a bestselling memoir under her belt, Chapman has lived and breathed Music City for over forty years. Her friendships with those who helped make Nashville one of the major forces in American music culture is unsurpassed. And in her new book, They Came to Nashville, the reader is invited to see Marshall Chapman as never before--as music journalist extraordinaire. In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie. They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream. Co-published with the Country Music Foundation Press

Bobby Braddock, one of the most successful country songwriters of all time, is a living legend. His smash hit He Stopped Loving Her Today won the Country Music Association's Song of the Year Award in two consecutive years and was voted Song of the Century in a poll conducted by Radio & Records magazine and greatest country song of all time in a poll conducted by the BBC. In this captivating narrative, Braddock demonstrates that he is as much at home writing the story of his life as crafting an award-winning country tune. Warm, candid, intimate, and laugh-out-loud funny, Down in OrburndaleOCothe title plays on the Southern pronunciation of Braddock's hometown of Auburndale, FloridaOCorecounts his colorful saga up to age twenty-four, when he decides to move to Nashville and pursue a career as a professional songwriter. Braddock retains enormous affection for his Florida upbringing, back in the mid-twentieth century when Florida was still Southern, oranges were more essential than tourists to the state's economy, and every small town seemed to be populated with actual eccentric characters right out of a Southern novelOColike Bobby's father, twenty-four years older than his mother, with a voice that was a cross between Foghorn Leghorn and W. C. Fields. Braddock's sensory memory of his childhood infuses his storytelling with the sights, sounds, smells, and significance of everyday living. When he tells tales of playing rock 'n' roll music in the Deep South of the early 1960s, readers experience some of the decade's most significant moments from a different perspective (for example, his band was in Birmingham, Alabama, when the Ku Klux Klan murdered four little girls). Along the way, he battles depression, hypochondria, and panic disorder, marries, and finally finds his true calling. Rednecks, religion, Florida, oranges, swamps, politics, racism, love, sex, illness, family, murder, and dreamsOCoall fill the pages of Braddock's compulsively readable ode to his youth. But it is music, above all else, that drives the story, providing a soundtrack for a life lived large."

How Tammy Wynette channeled the conflicts of her life into her music and performance. With hits such as “Stand By Your Man” and “Golden Ring,” Tammy Wynette was an icon of American domesticity and femininity. But there were other sides to the first lady of country. Steacy Easton places the complications of Wynette’s music and her biography in sharp-edged relief, exploring how she made her sometimes-tumultuous life into her work, a transformation that was itself art. Wynette created a persona of high femininity to match the themes she sang about—fawning devotion, redemption in heterosexual romance, the heartbreak of loneliness. Behind the scenes, her life was marked by persistent class anxieties; despite wealth and fame, she kept her beautician’s license. Easton argues that the struggle to meet expectations of southernness, womanhood, and southern womanhood, finds subtle expression in Wynette’s performance of “Apartment #9”—and it’s because of these vocal subtleties that it came to be called the saddest song ever written. Wynette similarly took on elements of camp and political critique in her artistry, demonstrating an underappreciated genius. Why Tammy Wynette Matters reveals a musician who doubled back on herself, her façade of earnestness cracked by a melodrama that weaponized femininity and upended feminist expectations, while scoring twenty number-one hits.