Bodies We Ve Buried

Two National Forensic Science Institute administrators invite readers into what the Washington Post calls "the Harvard of hellish violence"-the only hands-on CSI school of its kind where students are trained in burial recovery with actual human remains. With exclusive access to a world normally off-limits to the public, this is the first book to go behind the scenes of the ten-week course that discloses the uncensored realities of burial exhumations and the fascinating art of forensic investigation.

Two National Forensic Science Institute administrators invite readers into what the Washington Post calls "the Harvard of hellish violence"-the only hands-on CSI school of its kind where students are trained in burial recovery with actual human remains. With exclusive access to a world normally off-limits to the public, this is the first book to go behind the scenes of the ten-week course that discloses the uncensored realities of burial exhumations and the fascinating art of forensic investigation.

An introduction to forensic science and its role in law enforcement goes behind the doors of the National Forensic Academy to reveal the school's intensive, ten-week training course in crime scene investigation.

The murder of a small-time Scottish hoodlum makes big trouble for two Glasgow detectives in a thriller that’ll “wake up crime fiction readers everywhere” (Val McDermid). When a neighborhood heroin dealer turns up dead one fine morning in Scotland, no one is too surprised. Sleeping with a major drug trafficker’s girlfriend can bring around plenty of enemies. It’s no wonder that Detective Superintendent Catherine McLeod has plenty of early leads. If only out-of-work actress Jasmine Sharp could get a lead. With a career in nosedive, she’s learning the ropes at her uncle Jim’s PI business. But when Jim goes missing, Sharp is thrown into the deep end. To find him she’ll have to solve his most recent case—and do it solo. Following the trail quickly leads Sharp into the crosshairs of an unknown assailant—and headed down the same road as McLeod. When their investigations become intertwined, “Glasgow’s mean streets come alive . . . [in] one of the best novels of the year” (John Lutz, New York Times–bestselling and Edgar award–winning author). “[For] fans of Lynda La Plante’s Prime Suspect series and HBO’s The Wire.” —Library Journal “Tough Scottish humor . . . leavened with Elmore Leonard-like flourishes . . . finely controlled yet exuberant mayhem.” —The Christian Science Monitor

Told from the split viewpoints of Liv and Jory, Kate A. Boorman's What We Buried is a psychological thrill ride that deftly explores how memories can lie, how time can bend, and how reconciling the truth can be a matter of life or death. “Do you ever just want to be believed?” Siblings Liv and Jory Brewer have grown up resenting each another. Liv—former pageant queen and reality TV star—was groomed for a life in the spotlight, while her older brother, Jory, born with a partial facial paralysis, was left in the shadows. The only thing they have in common is contempt for their parents. Now Liv is suing her mom and dad for emancipation, and Jory views the whole thing as yet another attention-getting spectacle. But on the day of the hearing, their parents mysteriously vanish, and the siblings are forced to work together. Liv feels certain she knows where they are and suspects that Jory knows more than he’s telling...which is true. What starts as a simple overnight road trip soon takes a turn for the dangerous and surreal. And as the duo speeds through the deserts of Nevada, brother and sister will unearth deep family secrets that force them to relive their pasts as they try to retain a grip on the present.

Following the publication of the widely acclaimed novel Seven Years comes a trove of stories from the Swiss master Peter Stamm. They all possess the traits that have built Stamm’s reputation: the directness of the prose, the deceptive surface simplicity of the narratives, and deep psychological insight into the existential dilemmas of contemporary life. Stamm does not waste a word, nor does he spare the reader’s feelings. These stories are a superb introduction to his work and a gift for all those who have come to regard his fiction as a precise rendering of the contemporary human psyche.

Lisa Cressman, founder of Backstory Preaching, offers preachers tools to craft difficult sermon messages that can be heard. The gospel changes lives, but to do that it must first be heard. For it to be heard, people have to trust they are "seen" and their concerns and fears are acknowledged. They have to feel their perspectives are real, valid, and respected. Preachers have a difficult message to preach, a message many will not want to hear: new life always emerges from death. Cressman shows preachers how to craft sermons with the right tone and how to have the courage to say what you're called to say. Part 1 of the book provides the preparatory work needed before crafting those difficult sermon messages. Here the focus is on how preachers prepare themselves, build relationships of mutual trust with listeners, and understand and appropriately use authority and leadership to proclaim the gospel. Part 2 focuses on the sermon itself with suggestions on what to say and how to say it. The preacher will find new tools and sharpen existing ones to preach difficult messages with empathy, compassion, and skill.