Bones In The Desert

An essential introduction to the age of dinosaurs in Africa. Once Africa was referred to as the ''Lost World of the dinosaur era,'' so poorly known were its ancient flora and fauna. Worse still, many priceless fossil specimens from the Sahara Desert were destroyed during the Second World War. Fortunately, in the twentieth-first century, more researchers are now working in north Africa than ever before and making fascinating discoveries such as the dinosaur Spinosaurus. Based on a decade of study, The Desert Bones brings the world of African dinosaurs fully into the light. Jamale Ijouiher skillfully draws on the latest research and knowledge about paleoecology to paint a compelling and comprehensive portrait of the mid-Cretaceous in North Africa.

Loretta Bowersock and her daughter, Terri, ran a multimillion-dollar furniture store based in Tempe, Arizona, where they were well-known and admired by many. Together, these two women seemed to be living the American Dream...until one man decided to take it all away. Over the course of two decades, Taw Benderly worked his way into Loretta's heart, home, and business. Though the couple appeared to be happy, their lives behind closed doors told another story. Terri had always known that the handsome, charming, and usually unemployed Taw was manipulating her mother—but she did not know the extent of the abuse or how far he would go to defraud her. Then, just before Christmas in 2004, Loretta went missing. It would be more than a year before Terri learned the shocking truth: That, before killing himself, Taw murdered the 69-year-old Loretta and left her. Bones in the Desert is the shocking story of a devoted mother and daughter, a successful business, and the man who would do everything to destroy it all ...

The book is comprised of a novella about a fictional convoy finding ancient bones in the Iraq Desert after an IED attack. It also has three short stories included in my thesis.

Two college students, while on an archaeological dig in Arizona, become entangled in a series of events that will put both of their lives in peril. After a tragic accident, Toni, realizing the only way to save her friend, Wes, is to seek help, sets out on her own. In the unforgiving desert, she loses her bearings. Encountering not only the perils of nature but the perils of man, she is forced to defend herself or lose her life. A badly injured Wes, left with water, supplies and shelter, begins to wonder if the desert sounds and shadows around him are real or imagined as his fever continues to spike. A mountain lion and a pair of coyotes, enticed by the smell of blood, take turns circling his tent. Meanwhile, unknown to either Wes or Toni, a maniacal militia leader has built an armed compound in the area and does not look kindly on trespassers. Will the combined assistance of a Maricopa County Sheriff's deputy, a Native American father and son and a gregarious long-haul trucker help to solve Toni's disappearance? Will Wes Davidson survive his encounters with the animals?

b.A masterpiece of historical adventure, ISkeletons on the Zahara The western Sahara is a baking hot and desolate place, home only to nomads and their camels, and to locusts, snails and thorny scrub -- and its barren and ever-changing coastline has baffled sailors for centuries. In August 1815, the US brig Commerce was dashed against Cape Bojador and lost, although through bravery and quick thinking the ship's captain, James Riley, managed to lead all of his crew to safety. What followed was an extraordinary and desperate battle for survival in the face of human hostility, starvation, dehydration, death and despair. Captured, robbed and enslaved, the sailors were dragged and driven through the desert by their new owners, who neither spoke their language nor cared for their plight. Reduced to drinking urine, flayed by the sun, crippled by walking miles across burning stones and sand and losing over half of their body weights, the sailors struggled to hold onto both their humanity and their sanity. To reach safety, they would have to overcome not only the desert but also the greed and anger of those who would keep them in captivity. From the cold waters of the Atlantic to the searing Saharan sands, from the heart of the desert to the heart of man, Skeletons on the Zahara is a spectacular odyssey through the extremes and a gripping account of courage, brotherhood, and survival.

An account and analysis of the systematic murder of women and girls in the Mexican border town of Ciudad Juárez. In Ciudad Juarez, a territorial power normalized barbarism. This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them. A lawless city sponsored by a State in crisis. The facts speak for themselves. —from The Femicide Machine Best known to American readers for his cameo appearances as The Journalist in Roberto Bolano's 2666 and as a literary detective in Javier Marías's novel Dark Back of Time, Sergio González Rodríguez is one of Mexico's most important contemporary writers. He is the author of Bones in the Desert, the most definitive work on the murders of women and girls in Juárez, Mexico, as well as The Headless Man, a sharp meditation on the recurrent uses of symbolic violence; Infectious, a novel; and Original Evil, a long essay. The Femicide Machine is the first book by González Rodríguez to appear in English translation. Written especially for Semiotext(e) Intervention series, The Femicide Machine synthesizes González Rodríguez's documentation of the Juárez crimes, his analysis of the unique urban conditions in which they take place, and a discussion of the terror techniques of narco-warfare that have spread to both sides of the border. The result is a gripping polemic. The Femicide Machine probes the anarchic confluence of global capital with corrupt national politics and displaced, transient labor, and introduces the work of one of Mexico's most eminent writers to American readers.

This unique edition of Algernon Blackwood's collected works has been formatted to the highest digital standards and adjusted for readability on all devices. Contents: Novels: Jimbo: A Fantasy The Education of Uncle Paul The Human Chord The Centaur A Prisoner in Fairyland The Extra Day Julius LeVallon The Wave The Promise of Air The Garden of Survival The Bright Messenger Short Stories: The Empty House and Other Ghost Stories: The Listener Max Hensing - Bacteriologist and Murderer The Willows The Insanity of Jones The Dance of Death May Day Eve Miss Slumbubble - and Claustrophobia John Silence: A Psychical Invasion Ancient Sorceries The Nemesis of Fire Secret Worship The Camp of the Dog A Victim of Higher Space The Lost Valley The Wendig Old Clothes Perspective The Terror of the Twins The Man from the 'Gods' The Man Who Played Upon The Leaf The Price of Wiggins's Orgy Carlton's Drive The Eccentricity of Simon Parnacute Pan's Garden: a Volume of Nature Stories: The Man Whom The Trees Loved The South Wind The Sea Fit The Attic The Heath Fire The Messenger The Glamour of the Snow The Return Sand The Transfer Clairvoyance The Golden Fly Special Delivery The Destruction of Smith The Temptation of the Clay Incredible Adventures: The Regeneration of Lord Ernie The Sacrifice The Damned A Descent Into Egypt Wayfarers Day and Night Stories ... Play: Karma; a reincarnation play Algernon Blackwood (1869-1951) was an English short story writer and novelist, one of the most prolific writers of ghost stories in the history of the genre. Though Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur, which climaxes with a traveler's sight of a herd of the mythical creatures; and Julius LeVallon and its sequel The Bright Messenger, which deal with reincarnation and the possibility of a new, mystical evolution in human consciousness.

The fascinating story of how the fossils of dinosaurs, mammoths, and other extinct animals influenced some of the most spectacular creatures of classical mythology Griffins, Centaurs, Cyclopes, and Giants—these fabulous creatures of classical mythology continue to live in the modern imagination through the vivid accounts that have come down to us from the ancient Greeks and Romans. But what if these beings were more than merely fictions? What if monstrous creatures once roamed the earth in the very places where their legends first arose? This is the arresting and original thesis that Adrienne Mayor explores in The First Fossil Hunters. Through careful research and meticulous documentation, she convincingly shows that many of the giants and monsters of myth did have a basis in fact—in the enormous bones of long-extinct species that were once abundant in the lands of the Greeks and Romans. As Mayor shows, the Greeks and Romans were well aware that a different breed of creatures once inhabited their lands. They frequently encountered the fossilized bones of these primeval beings, and they developed sophisticated concepts to explain the fossil evidence, concepts that were expressed in mythological stories. The legend of the gold-guarding griffin, for example, sprang from tales first told by Scythian gold-miners, who, passing through the Gobi Desert at the foot of the Altai Mountains, encountered the skeletons of Protoceratops and other dinosaurs that littered the ground. Like their modern counterparts, the ancient fossil hunters collected and measured impressive petrified remains and displayed them in temples and museums; they attempted to reconstruct the appearance of these prehistoric creatures and to explain their extinction. Long thought to be fantasy, the remarkably detailed and perceptive Greek and Roman accounts of giant bone finds were actually based on solid paleontological facts. By reading these neglected narratives for the first time in the light of modern scientific discoveries, Adrienne Mayor illuminates a lost world of ancient paleontology.