Boneyard Nose Art

Photos of retired American military aircraft, emphasizing their nose art.

World War III has yet to happen, and yet material evidence of this conflict is strewn everywhere: resting at the bottom of the ocean, rusting in deserts, and floating in near-Earth orbit. In Military Waste, Joshua O. Reno offers a unique analysis of the costs of American war preparation through an examination of the lives and stories of American civilians confronted with what is left over and cast aside when a society is permanently ready for war. Using ethnographic and archival research, Reno demonstrates how obsolete military junk in its various incarnations affects people and places far from the battlegrounds that are ordinarily associated with warfare. Using a broad swath of examples—from excess planes, ships, and space debris that fall into civilian hands, to the dispossessed and polluted island territories once occupied by military bases, to the militarized masculinities of mass shooters—Military Waste reveals the unexpected and open-ended relationships that non-combatants on the home front form with a nation permanently ready for war.

The United States military stores more than 4,000 aircraft in the Arizona desert at the 309th Aerospace Maintenance and Regeneration Group (AMARG) facility adjacent to Davis-Monthan Air Force Base. Known as the “Boneyard,” this facility is much more than a place where aerospace vehicles come to die. Here some aircraft are maintained in both short- and long-term storage, while others serve as a “parts inventory on the wing” holding valuable spare parts in known locations ready to be harvested, overhauled, and returned to the fleet when needed. When an aircraft has yielded all the parts necessary to keep its brethren in the air, its carcass eventually meets the scrapper’s torch. AMARG’s storage rows are home to massive fleets of F-15, F-16, and F/A-18 fighters, aerial refuelling tankers, C-130 and C-5 transports, helicopters of varying sizes, and bombers from the frontline B-1 to B-52s that are much older than the pilots flying them around the globe today. Among the rows are special use aircraft including the AWACS, P-3 maritime patrol bombers, aeromedical evacuation aircraft, and reconnaissance planes that serve a variety of missions, along with celebrity aircraft such as MiG killers that dominated the skies in aerial combat. As well as bringing the reader up to date with recent activities at AMARG, including the intake of new aircraft types, regeneration and the return to the fleet of aircraft formerly in storage, this book presents new, never-before-seen images that provide a visual tour of the Boneyard.

Those who witnessed it never forgot it: the great armada of Allied ships that filled the English Channel on D-Day, June 6, 1944. From battleships, cruisers, and destroyers down to the much smaller landing ships and landing craft, these nearly 7,000 vessels bombarded the Normandy coast, ferried men, tanks, and equipment across the channel, and landed 150,000 troops—under withering German fire—on Omaha, Utah, Gold, Juno, and Sword beaches in a single day. In numbers and scope, it was the largest seaborne invasion in history. Meanwhile, some 12,000 aircraft flew above the sea, a dizzying assortment of fighters and bombers, transports, recon craft, and gliders. Taking off from air fields in England, they dropped thousands of paratroopers and even vehicles, bombed roads and German positions miles inland, provided vital intelligence, and attacked any German planes that were able to take to the skies. It was the largest single-day aerial operation in history. And yet these important—and impressive—aspects of D-Day haven’t received the coverage they deserve, having been overshadowed by the fighting on the beaches. Veronico assembles photos of both the air and sea components of the D-Day invasion, giving the sailors and airmen their due and giving modern readers a vivid sense of what this monumental day was like in the air and at sea.

A visual history of the US Eighth Air Force in World War II • Hundreds of photos of American aircraft damaged or shot down by the German Luftwaffe • Photos of damaged bomber and fighter planes, plus information on their crews and missions • Perfect complement to the narrative accounts in the Stackpole Military History Series • Ideal reference for military history fans, scholars, and modelers

A visual history of the German soldier on the Eastern Front of World War II.

Today's nose art has become the rule and not the exception throughout the bomber and tanker fores of Strategic Air Command, and although Tactical Air Command frowns on non-standard markings of any sort, several TAC gained Air National Guard units have artwork on their aircraft. Tradition plays a large part in modem nose art. As shown in Randy Walkers' new book cartoons and sexy ladies have returned. Names like "Memphis Belle", "Chow Hound" and "Maid in the USA", that once went to war on B-17s and B-24s are now carried by B-52s and FB-111s, as well as many other modem aircraft. This modem nose art is often applied by a professional artist, though it is sometimes painted by members of the unit, and in the process some excellent artwork has been created.