Borderline Fortune

A collection that explores inherited trauma on an individual and communal level, from a National Poetry Series–winning poet who “refus[es] the mind’s limits” (Carol Muske-Dukes) Borderline Fortune is a meditation on intangible family inheritance—of unresolved intergenerational conflicts and traumas in particular—set against the backdrop of our planetary inheritance as humans. As species go extinct and glaciers melt, Teresa K. Miller asks what we owe one another and what it means to echo one’s ancestors’ grief and fear. Drawing on her family history, from her great-grandfather’s experience as a schoolteacher on an island in the Bering Strait to her father’s untimely death, as well as her pursuit of regenerative horticulture, Miller seeks through these beautifully crafted poems to awaken from the intergenerational trance and bear witness to our current moment with clarity and attention.

This is the first volume of its kind to provide a curated collection of cutting-edge scholarship on the philosophy of luck Offers an in-depth examination of the concept of luck, which has often been overlooked in philosophical study Includes discussions of luck from a range of philosophical perspectives, including ethics, epistemology, metaphysics, and cognitive science Examines the role of luck in core philosophical problems, such as free will Features work from the main philosophers writing on luck today

In How to Talk to a Borderline, Joan Lachkar introduces Borderline Personality Disorder (BPD) and outlines the challenges and difficulties it presents to clinicians. She expands current understanding of BPD by outlining eight different kinds of borderline personality disorders and how each of these requires specific communication techniques and methods. Case examples are offered throughout the text and in some cases describe the kinds of partners borderlines attract. This book offers new approaches to communicating, working with, and treating borderline personality disorders while integrating more contemporary treatment methods.

"Hanna Pitkin's study of Machiavelli was the first to place gender systematically at the center of its exploration of his political thought. Rife with contradictions, Machiavelli's writings have led commentators to characterize him as everything from a civic republican to a proto-fascist. Acknowledging these contradictions, Pitkin shows that they reflect three distinct ways of thinking about politics, each of which is tied to a different understanding of "manhood." In a new Afterword, Pitkin discusses the book's critical reception and situates its arguments in the context of recent interpretations of Machiavelli's thought."--Jacket.

A National Poetry Series winner, selected and with a foreword by Kwame Dawes. A 5-part series of interwoven poems from a dying parent to her daughter, examining the human capacity for grief, culpability, and love, asking: do we as a species deserve to survive? Dear Specimen opens with both its speaker and her planet in peril. In “Speak to Me,” she puzzles over a millipede, as if the blue rune of its body could help her understand her impending death and the crisis her species has created. Throughout the collection, poems addressed to specimens echo the speaker’s concern and amplify her wonderment. A catalog of our climate transgressions, Dear Specimen’s final poem foretells a future in which climate refugees overrun one of our planet’s last habitable places. The collection’s lifeblood is a series of poems in which the speaker and her daughter express their concern for, and devotion to, one another. The daughter’s questions mirror the ones her mother asks of specimens: what are we meant to do with so much hazard and wonder? When the speaker hints at the climate crisis in a bedtime story she tells her grandson, we, too, feel the peril he may face. Juxtaposing a profound sense of intimacy with the vastness of geological time, the collection offers a climate-conscious critique of the human species—our search for meaning and intimacy, our capacity for greed and destruction. Dear Specimen is an extended love letter and dire warning, not only to the daughter its speaker leaves behind but to all of us.

“All hits no skips. I was incredibly moved by these poems.” —Roxane Gay, via Goodreads From National Poetry Series winner Su Cho, chosen by Paige Lewis, a debut poetry collection about immigration, memory, and a family’s lexicon Language and lore are at the core of The Symmetry of Fish, a moving debut about coming-of-age in the middle of nowhere. With striking and tender insight, it seeks to give voice to those who have been denied their stories, and examines the way phrases and narratives are passed down through immigrant families—not diluted over time, but distilled into potency over generations. In this way, a family's language is not lost but continuously remade, hitched to new associations, and capable of blooming anew, with the power to cut across space and time to unearth buried memories. The poems in The Symmetry of Fish insist that language is first and foremost a bodily act; even if our minds can't recall a word or a definition, if we trust our mouths, expression will find us—though never quite in the forms we expect.

From an award-winning poet, a new collection that endeavors to pass along what the things of the earth are telling us Over the course of his career Robert Wrigley has won acclaim for the emotional toughness, sonic richness, and lucid style of his poems, and for his ability to fuse narrative and lyrical impulses. In his new collection, Wrigley means to use poetry to capture the primal conversation between human beings and the perilously threatened planet on which they love and live, proceeding from a line from Auden: “All we are not stares back at what we are.” In language that is both elegiac and playful, declarative and yet ringingly musical; in traditional sonnets, quatrains, and free verse, Wrigley transcribes the consciousness and significance of every singing thing—in order to sing back.

An acclaimed poet further extends his range into the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthood Featuring the novella “The Book of Mycah,” soon to be adapted by Lena Waithe’s Hillman Grad Productions & Warner Bros. TV Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, “The Book of Mycah,” features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born last fall.