Borders Witch Hunt

The years between 1600 and 1700 were a period of war, famine, plague and religious upheaval in Scotland.A time when ordinary women, and men, of the Scottish Borders who fell under the suspicion of the Kirk would face interrogation and torture.A time when fear of Auld Nick turned the world upside down and the cry of witch would almost always lead to the rope and the flame.Mary Craig explores this tremulous period of Scottish history and examines the causes and effects of the 17th century witchcraft trials and executions in the Scottish Borders.

This book is a collection of essays on Scottish witchcraft and witch-hunting, which covers the whole period of the Scottish witch-hunt, from the mid-16th century to the early 18th. It particularly emphasizes the later stages, since scholars are now as keen to explain why witch-hunting declined as why it occurred. There are studies of particular witchcraft panics, including a reassessment of the role of King James VI. The book thus covers a wide range of topics concerned with Scottish witch-hunting - and also places it in the context of other topics: gender relations, folklore, magic and healing, and moral regulation by church and state.

Sixteen international artists at the forefront of feminism This book focuses on a selection of midcareer international artists whose oeuvres are informed by the legacies of feminist thought. Each artist adds to the feminist discourse, whether by reclaiming women's marginalized creative histories, using gender discrimination as a method of institutional critique or creating alternate research methodologies that confront patriarchal norms. The book includes sculpture, painting, video, installation and performance art, and features lesser-known projects or entirely new commissions that recast sociopolitical realities throughout the world. In addition to extensive illustrations, the book includes essays by Anne Ellegood and Connie Butler, curators and art historians whose practices have also been dedicated to a discussion of women's rights. Artists include: Leonor Antunes, Yael Bartana, Pauline Boudry / Renate Lorenz, Candice Breitz, Shu Lea Cheang, Minerva Cuevas, Vaginal Davis, Every Ocean Hughes, Bouchra Khalili, Laura Lima, Teresa Margolles, Otobong Nkanga, Okwui Okpokwasili, Lara Schnitger and Beverly Semmes.

This book is a unique intersectional analysis combining culture, gender struggles and structural including economic transformations, both in the formation of gendered class society, patriarchy and capitalism.

Along the coast of Fife, in villages like Culross and Pittenweem, history records that some women were executed as witches. Nevertheless, the reality of what happened the night that Janet Cornfoot was lynched at Pittenweem is hard to grasp as one sits by the harbour watching the fishing boats unload their catch and the pleasure boats rising with the tide. How could people do this to an old woman? Why was no-one ever brought to justice? And why would anyone defend such a lynching? The task of the historian is to try to make events in the past come alive and seem less strange. The details of the witch-hunt are fascinating. Some of the anecdotes are strange. The modern reader finds it hard to imagine illness being blamed on the malevolence of a beggar woman denied charity, or the economic failure of a sea voyage being attributed to the village hag, not bad weather. Witch-hunting was related to ideas, values, attitudes and political events. It was a complicated process, involving religious and civil authorities, village tensions and the fears of the elite. The witch-hunt in Scotland also took place at a time when one of the main agendas was the creation of a righteous or godly society. As a result, religious authorities had control over aspects of people's lives which seem as strange to us today as beliefs about magic or witchcraft. It was not accidental that the witch-hunt in Scotland, and specifically in Fife, should have happened at this time. This book tells the story of what occurred over a period of a century and a half, and offers some explanation as to why it occurred.

#1 NYT bestselling author Michael Savage calls out the mass hysteria mongers and their methods, and shows Americans that we must look to history to understand the present and avoid repeating the mistakes of the past. Since Donald Trump's historic ascendance to the presidency, American politics have reached a boiling point. Social and economic issues, even national security, have become loud, violent flashpoints for political rivals in the government, in the media and on the streets. This collective derangement has a name: mass hysteria. In his new book, Stop Mass Hysteria, #1 New York Times bestselling author Michael Savage not only deconstructs the Left's unhinged response to traditional American values like borders, language, and culture, but takes the reader on an unprecedented journey through mass hysteria's long history in the United States. From Christopher Columbus to the Salem Witch trials to the so-called "Red Scares" of the 1930s and 40s and much more, Dr. Savage recounts the many times collective insanity has gripped the American public - often prompted by sinister politicians with ulterior motives. Dr. Savage provides vital context for the common elements of dozens of outbreaks of mass hysteria in the past, their causes, their short and long-term effects, and the tactics of the puppet masters who duped gullible masses into fearing threats both real and imagined. By shining a light on the true nature and causes of American mass hysteria in the past, Savage provides an insightful look into who and what is causing dangerous unrest in our lives - and why.

In the 1600s, Maria was abandoned in a snowy field in rural England as a baby. Under the care of Hannah Owens, who recognizes that Maria has a gift, she learns about the 'Unnamed Arts.' When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. She invokes a curse that will haunt her family for generations. And she learns the lesson that she will carry with her for the rest of her life: Love is the only thing that matters.