Witch Hunt

The author of the #1 New York Times bestseller The Russia Hoax picks up where that book ended with this hard-hitting, well-reasoned examination of the latest findings about “collusion” between the Trump Administration and the Russians, offering further proof that Special Counsel Robert Mueller’s investigation is nothing more than a politically motivated witch hunt. How did a small group of powerful intelligence officials convince tens of millions of Americans that the president is a traitor, without a shred of evidence? Now that every detail and argument set forth in The Russia Hoax has been borne out by the Mueller report, Jarrett returns with Witch Hunt, providing a hard-hitting, well-reasoned evisceration of what may be the dirtiest trick in political history. No marks have ever been as gullible as distraught Democrats in 2016. Washington insiders broke rule after rule investigating the president, chasing a conspiracy that turned out not to exist. Somehow this was spun into Donald Trump having something to hide. People associated with the president were pushed into plea deals that had nothing to do with Russian “collusion” or discouraged from serving by the threat of huge legal bills. Somehow this was spun into Trump’s lawyers being bullies. The president complained that the investigation was a waste of time, but he allowed it to continue unimpeded to the end. Somehow this was spun into obstruction of justice. In Witch Hunt, Gregg Jarrett uncovers the bureaucratic malfeasance and malicious politicization of our country’s justice system. The law was weaponized for partisan purposes. Even though it was Hillary Clinton’s campaign that collected and disseminated a trove of lies about Trump from a former British spy and Russian operatives, Democrats and the media spun this into a claim that Trump was working for the Russians. Senior officials at the FBI, blinded by their political bias and hatred of Trump, went after the wrong person. At the DOJ, the deputy attorney general discussed secretly recording the president and recruiting members of the cabinet to depose Trump. Those behind the Witch Hunt have either been fired or resigned. Many of them are now under investigation for abuse of power. But what about the pundits who concocted wild narratives in real time on television, or the newspapers which covered the fact that rumors were being investigated without investigating the facts themselves? Factual, highly persuasive, and damning, this must-read expose makes clear that not only was there no “collusion,” but there was not even a basis for Mueller’s investigation of the charge that has attacked Trump and his administration for more than two years. It’s always been a Witch Hunt.

Fox News legal analyst Gregg Jarrett reveals the real story behind Hillary Clinton’s deep state collaborators in government and exposes their nefarious actions during and after the 2016 election. The Russia Hoax reveals how persons within the FBI and Barack Obama’s Justice Department worked improperly to help elect Hillary Clinton and defeat Donald Trump in the 2016 presidential election. When this suspected effort failed, those same people appear to have pursued a contrived investigation of President Trump in an attempt to undo the election results and remove him as president. The evidence suggests that partisans within the FBI and the Department of Justice, driven by personal animus and a misplaced sense of political righteousness, surreptitiously acted to subvert electoral democracy in our country. The book will examine: How did Hillary Clinton manage to escape prosecution despite compelling evidence she violated the law? Did Peter Strzok, James Comey, Andrew McCabe, Loretta Lynch, and others obstruct justice by protecting Clinton? Why was there never a legitimate criminal investigation of Clinton in the Uranium One case? Are the text messages exchanged between Strzok and FBI lawyer Lisa Page evidence of a concerted effort to undermine the electoral process? Was there ever any real evidence of "collusion" between Trump and the Russians? Did Trump obstruct justice in the firing of Comey or was he legally exercising his constitutional authority? Did the FBI and DOJ improperly use a discredited "dossier" about Trump to obtain a FISA warrant to spy on Trump associates? Should Muller have disqualified himself under the special counsel law based on glaring conflicts of interest? Was fired National Security Adviser Michael Flynn unfairly charged with making a false statement? With insightful analysis and a fact-filled narrative, The Russia Hoax delves deeply into Democrat wrongdoing.

Witch hunts are the products of intense fear and paranoia and the results are often terrible. The accused in three famous witchcraft cases - in Bamberg and Wurzburg, Germany, in Loudun, France, and in Salem, Massachusetts - were assumed to be guilty without proof. Secret accusations were accepted, evidence was falsified, and extreme pressures, including torture, were used. Arguing that fear was, and still is, a prerequisite to any witch hunt, Robert Rapley shows that the current hunt for terrorists mirrors the witch crazes of the past.

We are witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relations. In this new work that revisits some of the main themes of Caliban and the Witch, Silvia Federici examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues that, no less than the witch hunts in sixteenth- and seventeenth-century Europe and the “New World,” this new war on women is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people’s most basic means of reproduction. Like at the dawn of capitalism, what we discover behind today’s violence against women are processes of enclosure, land dispossession, and the remolding of women’s reproductive activities and subjectivity. As well as an investigation into the causes of this new violence, the book is also a feminist call to arms. Federici’s work provides new ways of understanding the methods in which women are resisting victimization and offers a powerful reminder that reconstructing the memory of the past is crucial for the struggles of the present.

Seventeen-year-old Frances and her fellow witches travel to Paris where family secrets, lost loves, and dangerous powers await.

Sifting through the facts, myths, and half-truths surrounding the 1692 witch trials in Salem, Massachusetts, a historian draws on primary sources to explore the events of that time.

The fascinating story of one of England's darkest times.

Sixteen international artists at the forefront of feminism This book focuses on a selection of midcareer international artists whose oeuvres are informed by the legacies of feminist thought. Each artist adds to the feminist discourse, whether by reclaiming women's marginalized creative histories, using gender discrimination as a method of institutional critique or creating alternate research methodologies that confront patriarchal norms. The book includes sculpture, painting, video, installation and performance art, and features lesser-known projects or entirely new commissions that recast sociopolitical realities throughout the world. In addition to extensive illustrations, the book includes essays by Anne Ellegood and Connie Butler, curators and art historians whose practices have also been dedicated to a discussion of women's rights. Artists include: Leonor Antunes, Yael Bartana, Pauline Boudry / Renate Lorenz, Candice Breitz, Shu Lea Cheang, Minerva Cuevas, Vaginal Davis, Every Ocean Hughes, Bouchra Khalili, Laura Lima, Teresa Margolles, Otobong Nkanga, Okwui Okpokwasili, Lara Schnitger and Beverly Semmes.