Boris Monster Scared Of Nothing

There was only one secret thing Boris was scared of. Boris Monster was scared of himself. Boris is one mean-looking monster. So mean, in fact, that he can't look at himself in the mirror. Boris's rough exterior acts as a defence, while contributing to his fear. When he is compelled to take up ballet, Boris learns, through the discipline and the dance, that he can connect with others, that he has something to give, and that he can enjoy himself and be happy. This is one monster's journey of self discovery . . .

Boris is afraid of the dark and can't convince his parents that there are monsters in his room. They finally get him a puppy for comfort, but Boris winds up protecting the puppy and overcoming his fear. Illustrated.

This reference work on Boris Karloff presents a comprehensive record of the life and career of this famous performer. The volume begins with a biography, which succinctly presents the facts of Karloff's life. A chronology of his significant achievements follows. The remaining chapters overview Karloff's broad career. Chapters document and comment upon his film, stage, radio, and television performances. A discography is included as well. The book concludes with an annotated bibliography of books and articles about Karloff, along with a comprehensive index.

The only thing harder than raising the dead is making a movie about raising the dead. In the summer of 1931, life was good for Junior Laemmle. Though only twenty-three years old, he was the head of all movie production for Universal Pictures, and under his reign, the studio flourished. So much so, he was about to be bestowed with the greatest honor a young executive can receive in Hollywood: a promotion to vice president of the entire company. What’s more, Carl Laemmle, his father and founder of the studio, was returning to California for the first time in years to personally present the honor to his son. Or so Junior thought. When his father arrives, Junior discovers that instead of being grateful for transforming and catapulting the out-of-date studio into the future, his father is obsessed with Junior’s next production: Frankenstein. Like the year before, Carl is fervently against making another grisly and gothic film, despite Dracula becoming a huge hit—a project which Junior fought for and personally oversaw through production. Also not helping Junior’s cause, though the film is just days away from beginning production, the final choice between Bela Lugosi and Boris Karloff to play the role of the Monster, has yet to be made. It’s Alive! is a thrilling and vibrant portrait of 1930s Hollywood centered around the chaotic and exciting days just before the filming of the beloved cult-classic film, Frankenstein. Woven with hopeful passion, emotional vulnerability, staunch determination, and creative fulfillment, readers will be swept along with breathless cinematic pace through events that will not only change the lives of everyone involved, but Hollywood itself.

Dracula and Frankenstein’s Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff’s mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men’s careers and more than 250 photographs, some in color.

Jensen provides a definitive portrait of Karloff and his work. He traces the star's career, and describes in detail the production of all the famous Karloff movies.