Bound By Guilt

Roxi Gold has been shuttled from one foster home to another for most her life. She longs for a family and will do anything to fit in even if it's against the law. Soon she's traveling the country in an RV, stealing rare books from unsuspecting bookstores. She knows it's wrong, but if she refuses, she'll be put out on the streets. Police officer Abby Dawson has seen the worst of society, and not just at work. Her ex-husband wrested her daughter away from her in a bitter custody battle. The job she once loved has become a chore, the world isn't any safer, and there's no joy in her life. One fateful night a man's innocent blood changes both Roxi's and Abby's lives forever. One searches for justice; the other finds herself on the run until a first edition of The Great Gatsby catches up with her. Will the power of forgiveness set them free, or will they both remain bound by guilt?

When he is consulted on a cold case involving the discovery of infant remains at a neglected Tudor mansion, psychologist Alex Delaware, tracing the long history of past residents, is led down a bloody path littered with unspeakable cruelty.

Dr. Ty Colbert offers valuable advice on how to understand and overcome those feelings of unresolved guilt and shame in your life. Colbert identifies the four types of guilt and shame--true and false guilt and constructive and destructive shame. He explains how each affects your mental health, behavior, and happiness and shows you how to control them effectively.

"Our hunger for the forbidden fruit grows as we get older and our need for it increases. By midlife, we often sense that something important is missing. Then the "unacceptable," "sinful" parts of ourselves that have been rejected begin to clamor with ever greater insistence to participate in our lives."-Larry Staples, Ph.D., Jungian Analyst and author of The Promethean Way Promethean guilt is the guilt we incur for the sins that we need to commit if we are to achieve, both for our selves and for our society, some of the social, political, economic, scientific, psycho-logical, and other changes and developments that we most deeply need to sustain and nourish us. Myth tells us that Prometheus stole fire from the gods and made it available for human use. He suffered for this sin, but human society would have suffered if he had not committed it. There indeed are sins that are destructive to society, but the paradox is that there are also sins that inure ultimately to society's benefit. Those sins that benefit us could not be committed without a creative, Promethean spirit that is supported, when necessary, by an obstinate and irreverent insolence toward authority (political, theological, pedagogical, and parental) and that is informed by a love for freedom. Life inevitably confronts us with the Promethean dilemma: Do we live our lives without fire and the heat and light it provides or do we sin, and subsequently incur guilt, in order to obtain for ourselves and for society those important changes and developments that we need.

Kit Mason works at Eddy's, a boutique where the clothes are chic, the paycheck's weak, and Kit has no qualms about snagging rich older men looking to pay for play. When Cory St. James walks in, he checks all Kit's boxes: he's middle-aged, the entrepreneur of a pharmaceutical company, and already has a kept boy at home-what's one more? Kit sets out to seduce Cory and bulldozes through his denials, but when Cory finally gives in, his lover, Sasha, catches them with their pants down. Sasha isn't the pampered toy Kit expected. In fact, Kit may have misjudged him. And the consequences that ensue when Sasha catches Kit and Cory together leave him alone. Unwilling to be weighed down by guilt, Kit decides to look after Sasha himself, even if Sasha can't stand the sight of him and there are a few things about Kit's past he doesn't want Sasha to know. But Kit isn't willing to do all the work when it comes to forcing Sasha to rebuild his life. It's a slow process of growing trust and learning to stand on their own-and together.

"The Marsilian revolution consisted not only in a radical change in the theory of the relations between religion and politics that culminated in the Protestant Reformation and other central developments of the modern era, but, even more importantly, it had an effect on the whole conception of human beings - their nature, acts, values, and sociopolitical relations.".

Modernism, religion, and queer bodies come together in this study of Djuna Barnes's writings and art. Examining the role of Barnes's theological imagination in relation to a phenomenology of suffering, joy, and sexed embodiment, this book unfolds an intricate synthesis of theology, psychoanalysis, and narrative theory to interrogate how queerness informs her art. Providing an original contribution to religious and literary theory, Ng develops a neo-ontological account of melancholy in relation to the myth of the Fall and provides a novel framework for understanding comedy and tragedy in relation to the question of theodicy. Presented in light of a large body of new archival evidence, Barnes's works are also examined for the first time in relation to a wide range of intertextual and intermedial encounters, including the medieval mysticism of Marguerite Porete, Stravinsky's music, 16th- and 18th-century engravings by Albrecht Dürer and Joseph Ottinger, and French and Russian literature from Baudelaire and Lautréamont to Proust and Dostoevsky.

This book focuses on topics such as the cultural specificity of Arab family businesses with regard to shaping their governance and management; the influence that specific values in the Arab world could exert on the management of family businesses; how spiritual and religious values influence business in Arab family firms; and the role of emotions in the management of family firms in the Arab World. Presenting a collection of contributions addressing management, finance, strategy and succession in Arab Family businesses, this book constitutes a novel and unique contribution to the research field of family businesses.