Bound To Sin

This book tests the explanatory and descriptive power of the doctrine of sin in relation to two concrete situations: sexual abuse of children and the holocaust. Taking seriously the explanatory power of secular discourses for analysing and regulating therapeutic action in relation to such situations, the book asks whether the theological language of sin can offer further illumination by speaking of God and the world together. Through its discussion of abuse and the holocaust, an engagement with Augustine, original sin and feminism, a fresh and sometimes surprising perspective is offered, both on the theology of sin and on the pathologies under consideration. The understanding of sin that emerges is centred on joyful worship of the trinitarian God. This essay is more systematic and more theological than most practical, pastoral or applied theology and more practical and concrete than most systematic or constructive theology. It is a genuinely concrete, systematic theology.

Georgiana Bee Blunt is a respectable widow of means who knows exactly what she wants: a resourceful frontiersman--for the purpose of matrimony. Citified men with thoughts of love need not apply to Georgiana's ad for a husband. What she desperately needs is a rugged backwoodsman who can get her family safely to California, two thousand miles away. Someone who could wrestle a bear and not break a sweat. Someone just like Matt Slater... Travel worn and trail weary, Matt Slater wants a clean bed and some R & R--not a woman with fancy airs and a brood of high-spirited children. He can tell Georgiana is trouble, but doesn't realize how much until he's bamboozled into pretending to be her fiancé. And when Georgiana hitches her wagons to his train, Matt finds himself facing something much more daunting than the journey before them: a woman with the spirit and the courage to tame his wild ways...

What's the price of sin? Human Paige Sloan once loved werewolf Drake Wyler more than life, but then that life was taken away from her. Attacked by vampires, Paige was bitten, and, on a cold, dark night, the life she'd known ended. She was reborn as a vampire--a werewolf's deadliest enemy. Paige ran from the vampires who attacked her, and she ran away from her lover. She didn't want Drake to know what she'd become, and she didn't want to face the fury of his pack. But a girl can only run for so long until the past catches up with her. Some sins mark your soul. When Paige learns that Drake is being targeted for death, she knows that she can't hide in the shadows any longer. She has to return to him, and she will do anything--anything--in order to make sure that he keeps living. The vampires might have destroyed her chance to live and love Drake, but they won't take him. Not over her undead body. She'll slay them all...and maybe, just maybe...she'll even have the chance to sin--one more time--with the werewolf who'd marked her as his mate. Some sins are worth dying for... Word Count: 22,000 words This is a sexy paranormal novella. As such, it contains hot vampires, sexy werewolves, graphic language, and adult good times. Consider yourself warned. BOUND IN SIN is also available in the FOREVER BOUND anthology that is on sale for $2.99. FOREVER BOUND includes all four BOUND novellas: BOUND BY BLOOD, BOUND IN DARKNESS, BOUND IN SIN, and BOUND BY THE NIGHT.

As the Civil War rages among mortal men, Cin Craven is locked in an epic battle of her own—fighting the renegade vampires whose unquenchable appetites she knows all too well. At her side are the immortal warriors of The Righteous—among them her husband, her lover, her soul-mate Michael. With a passion bordering on possession, Cin's love for Michael knows no bounds. But when a ruthless plantation owner kidnaps Cin's cousin, the most terrifying battle of all awaits. Cin is drawn to the irresistible lure of dark magic to stop their enemies, while Michael staunchly opposes it—putting their love and loyalty to the ultimate test. RT Book Reviews raves that Jenna Maclaine's Bound by Sin drops "more hints about a dangerous future ... ensuring that readers will want to stick around for the whole ride."

Matt Jenson argues that the image of being 'curved in on oneself' is the best paradigm for understanding sin relationally, that it has sufficient explanatory breadth and depth to be of service to contemporary Christian theology. He looks to Augustine as the Christian source for this image in his various references to humanity's turn to itself, though the threads of a relational account of sin are not drawn together with any systematic consequence until Martin Luther's description of 'homo incurvatus in se' in his commentary on Romans. Luther radicalizes Augustine's conception by applying this relational view of sin to the totus homo and by emphasizing its appearance, above all, in homo religiosus. The Western tradition of sin understood paradigmatically as pride has been recently called into question by feminist theologians. Daphne Hampson's critique of Luther on this front is considered and critiqued. Though she is right to call attention to the insufficiency of his and Augustine's myopic focus on pride, the question remains whether 'incurvatus in se' can operate paradigmatically as an umbrella concept covering a far wider range of sins. Karl Barth's extension of 'incurvatus in se' to apply more broadly to pride, sloth and falsehood suggests that incurvature can do just that.