Boys Of Blur

Fans of Jerry Spinelli's Maniac Magee and Louis Sachar's Holes will enjoy this story about a boy and the ancient secrets that hide deep in the heart of the Florida everglades near a place called Muck City. When Charlie moves to the small town of Taper, Florida, he discovers a different world. Pinned between the everglades and the swampy banks of Lake Okeechobee, the small town produces sugar cane . . . and the fastest runners in the country. Kids chase muck rabbits in the fields while the cane is being burned and harvested. Dodging flames and blades and breathing smoke, they run down the rabbits for three dollars a skin. And when they can do that, running a football is easy. But there are things in the swamp, roaming the cane at night, that cannot be explained, and they seem connected to sprawling mounds older than the swamps. Together with his step-second cousin "Cotton" Mack, the fastest boy on the muck, Charlie hunts secrets in the glades and on the muck flats where the cane grows secrets as old as the soft earth, secrets that haunted, tripped, and trapped the original native tribes, ensnared conquistadors, and buried runaway slaves. Secrets only the muck knows.

"When Charlie moves to Taper, Florida he discovers a secret world hidden within the sugar cane fields"--

Boys like her is an adrenaline-rush road movie of young queer life and gender transformation. First stop, the Canada-U.S. border, four young queers in a borrowed car pulled over, notebooks, make-up, clothes and violin flung out on the concrete. The car is checked for drugs, contraband, fruit - and declared clean. The four in a borrowed car are smuggling dangerous goods. But what they're smuggling can't be sniffed out, pawed through, or seized. They're smuggling stories, poetry, scripts; words they've sold in performance on-stage. Felons, all of them, they've memorized their act and now are speeding away from the border, smiling, self-satisfied and definitely up to no good. Join Anna, Ivan, Zoe and Lyndell as they evade customs, tell their stories, forget underwear, break hearts and come clean. Surrender yourself to the brash fun of Zoe's Amsterdam "sideshow", to the darling day when Ivan first sheds her bikini top, to the fearless audacity of Anna's superhero adventure, and the soulfol guiding spirit of Lyndell's violin, Experience the world and truth of Taste This, where stories have no hard and fast boundaries, where gender and genre are malleable and where transgression is often the way to the most delightful transformations.

At lunchtime, all of Tom's friends gather at school to work together building their house. Each one of them has a special job to do, and each one of them has a different way of expressing their gender identity. Jackson is a boy who likes to wear dresses. Ivy is a girl who likes her hair cut really short. Alex doesn't feel like 'just' a boy, or 'just' a girl. They are all the same, they are all different - but they are all friends. A very simple story that challenges gender stereotypes and shows 4 to 8 year olds that it is OK to be yourself. An engaging story that is more than just an educational tool; this book will assist parents and teachers in giving children the space to explore the full spectrum of gender diversity and will show children the many ways they can express their gender in a truly positive light.

Boys in Children’s Literature and Popular Culture proposes new theoretical frameworks for understanding the contradictory ways masculinity is represented in popular texts consumed by boys in the United States. The popular texts boys like are often ignored by educators and scholars, or are simply dismissed as garbage that boys should be discouraged from enjoying. However, examining and making visible the ways masculinity functions in these texts is vital to understanding the broad array of works that make up children’s culture and form dominant versions of masculinity. Such popular texts as Harry Potter, Captain Underpants, and Japanese manga and anime often perform rituals of subject formation in overtly grotesque ways that repulse adult readers and attract boys. They often use depictions of the abject – threats to bodily borders – to blur the distinctions between what is outside the body and what is inside, between what is "I" and what is "not I." Because of their reliance on depictions of the abject, those popular texts that most vigorously perform exaggerated versions of masculinity also create opportunities to make dominant masculinity visible as a social construct.

Before he wrote the bestselling 100 Cupboards trilogy and Ashtown Burials series, N. D. Wilson delighted readers with his first unforgettable action-adventure story of survival. . . . Thomas Hammond has always lived next to Leepike Ridge, but he never imagined he might end up lost beneath it! The night Tom’s schoolteacher comes to dinner and asks Tom’s mother to marry him, Tom slips out of the house and escapes down a nearby stream on a floating slab of packing foam. The night and stars lull Tom to sleep, and when he wakes, he has ridden his foam raft all the way to the ridge, where the stream dives underground. Flung over rapids and tossed through chasms, Tom finally hits shore, sore but alive. What Tom finds under Leepike Ridge—a dog, a flashlight, a castaway, a tomb, and buried treasure—will answer questions he hadn’t known to ask, and change his life forever. Now, if only he can find his way home again. . . . In the grand tradition of Robinson Crusoe, Hatchet, and Tom Sawyer, N. D. Wilson’s first book for young readers is a remarkable adventure, a journey through the dark and back into the light. A New York Public Library 100 Titles for Reading and Sharing “This is a ripping good adventure yarn. . . . Here’s the perfect remedy for any summer that’s been disappointingly short on thrills.”—The Bulletin of the Center for Children’s Books, Starred “Wilson’s debut is a literate, sometimes humorous page-turner in the classic tradition. Well-read adventure lovers are in for a treat looking for echoes of The Odyssey and Tom Sawyer.”—Kirkus Reviews “Tom’s adventures have several literary ancestors, including Tom and Huck in the cave, and the inventive Swiss Family Robinson, but this is solidly set in the present, standing on its own with well-crafted suspense and fascinating survival detail. . . . [M]iddle-grade readers will also relish the physicality of the journey: underwater swims, tight passages, and rock climbing. . . . [An] appealing and easy-to-booktalk package.”—Booklist “Wilson sets the scene vividly, from Tom’s home to the labyrinth of tunnels and caverns under the mountain, and the central characters’ emotional lives develop both naturally and affectingly. [Readers] will appreciate both the fast-paced adventure and Tom’s determination to make the impossible journey back home.”—The Horn Book Magazine “Wilson’s rich imagination and his quirky characters are a true delight.”—School Library Journal

A trans boy determined to prove his gender to his traditional Latinx family summons a ghost who refuses to leave in Aiden Thomas's New York Times-bestselling paranormal YA debut Cemetery Boys, described by Entertainment Weekly as "groundbreaking." Yadriel has summoned a ghost, and now he can't get rid of him. When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death. He's determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave. Praise for Cemetery Boys: Longlisted for the National Book Award "The novel perfectly balances the vibrant, energetic Latinx culture while delving into heavy topics like LGBTQ+ acceptance, deportation, colonization, and racism within authoritative establishments." —TeenVogue.com "This stunning debut novel from Thomas is detailed, heart-rending, and immensely romantic. I was bawling by the end of it, but not from sadness: I just felt so incredibly happy that this queer Latinx adventure will get to be read by other kids. Cemetery Boys is necessary: for trans kids, for queer kids, for those in the Latinx community who need to see themselves on the page. Don’t miss this book." —Mark Oshiro, author of Anger is a Gift

This new fantasy-adventure series from N. D. Wilson, bestselling author of 100 Cupboards, pits a misfit twelve-year-old against a maniacal villain with a deadly vendetta. This one-of-a kind story is must read for fans of Brandon Mull and Soman Chainani, and the start of a thrilling tale from a masterful storyteller. Sam Miracle’s life is made up of dreams, dreams where he’s a courageous, legendary hero instead of a foster kid with two bad arms that can barely move. Sometimes these dreams feel so real, they seem like forgotten memories. And sometimes they make him believe that his arms might come alive again. But Sam is about to discover that the world he knows and the world he imagines are separated by only one thing: time. And that separation is only an illusion. The laws of time can be bent and shifted by people with special magic that allows them to travel through the past, present, and future. But not all of these “time walkers” can be trusted. One is out to protect Sam so that he can accept his greatest destiny, and another is out to kill him so that a prophecy will never be fulfilled. However, it’s an adventurous girl named Glory and two peculiar snakes who show Sam the way through the dark paths of yesterday to help him make sure there will be a tomorrow for every last person on earth.