Brad Pitt S Dog

The first book of essays by a long-time renowned chronicler of underground culture. Johan Kugelberg's book on the early history of hip hop won the NYPL books for the teen age award 2008 and his book on the Velvet Underground won the Foreword silver medal for music 2010. The way this book mashes up lo-bro and hi-bro is readable, funny and thought-provoking, and also downright provoking. Johan Kugelberg's essays on punk, style and pop culture have entertained readers of international publications including Dazed and Confused, Another Man, Ugly Things, Perfect Sound Forever, Spin, Raygun and Fact over the last couple of decades.

The first book of essays by a long-time renowned chronicler of underground culture. Johan Kugelberg's book on the early history of hip hop won the NYPL books for the teen age award 2008 and his book on the Velvet Underground won the Foreword silver medal for music 2010. The way this book mashes up lo-bro and hi-bro is readable, funny and thought-provoking, and also downright provoking. Johan Kugelberg's essays on punk, style and pop culture have entertained readers of international publications including Dazed and Confused, Another Man, Ugly Things, Perfect Sound Forever, Spin, Raygun and Fact over the last couple of decades. ,

Let Your Dog Out is author Spirit Jordache's gift to everyone that is fascinated by Eckhart Tolle's teachings, Cesar Millan's methods, dog lovers, cat lovers, and all spiritual seekers. In this beautifully and delightful story, you get to follow the author's ten-year journey to enlightenment, through the lessons from his pets. You will experience all the common setbacks and hurdles all spiritual seekers suffer and how to overcome them and reach the light.

In IDITAROD ADVENTURES, mushers explain why they have chosen this rugged lifestyle, what has kept them in long-distance mushing, and the experiences they have endured along that unforgiving trail between Anchorage and Nome. Renowned sports writer Lew Freedman profiles 23 mushers—men, women, Natives, seasoned veterans, and some relatively new to the demanding sport, many of whom are so well-known in Alaska that fans refer to them only by their first names. The book also features interviews with administrators who organize the event and make sure it happens every year, volunteers, and others whose connection to the Iditarod is self-evident even if they don’t have an official title.

For two decades, students and instructors have relied on award-winning author Craig Smith’s detailed description and analysis of rhetorical theories and the historical contexts for major thinkers who advanced them. He employs key themes from important philosophical schools in this well-researched chronicle of rhetoric and human consciousness. One is that rhetoric is a response to uncertainty. The modern philosophers, like the naturalists of ancient Greece and the Scholastics who preceded them, tried to end uncertainty by combining the discoveries of science and psychology with rationalism. Their aim was progress and a consensus among experts as to what truth is. However, where modernism proved ineffective, rhetoric was revived to fill the breach. Another significant theme is that different conceptions of human consciousness lead to different theories of rhetoric, and for every major school of thought, another school of thought forms in reaction. Classic and contemporary examples demonstrate the usefulness of rhetorical theory, especially its ability to inform and guide. By providing probes for rhetorical criticism, discussions also demonstrate that rhetorical criticism illustrates, verifies, and refines rhetorical theory. Thus, the synergistic relationship between theory and criticism in rhetoric is no different than in other arts: Theory informs practice; analysis of successful practice refines theory. Smith’s absorbing study has been expanded to include thorough treatments of rhetoric in the Romantic Era, feminist and queer theory, and historical context for the creation of rhetorical theory and its use in public address.

David Fincher (b. 1962) did not go to film school and hates being defined as an auteur. He prefers to see himself as a craftsman, dutifully going about the art and business of making film. Trouble is, it's hard to be self-effacing when you are the director responsible for Se7en, Fight Club, and The Social Network. Along with Quentin Tarantino, Fincher is the most accomplished of the Generation X filmmakers to emerge in the early 1990s. This collection of interviews highlights Fincher's unwavering commitment to his craft as he evolved from an entrepreneurial music video director (Fincher helped Madonna become the undisputed queen of MTV) into an enterprising feature filmmaker. Fincher landed his first Hollywood blockbuster at twenty-seven with Alien3, but that film, handicapped by cost overruns and corporate mismanagement, taught Fincher that he needed absolute control over his work. Once he had it, with Se7en, he achieved instant box-office success and critical acclaim, as well as a close partnership with Brad Pitt that led to the cult favorite Fight Club. Fincher became circumspect in the 2000s after Panic Room, shooting ads and biding his time until Zodiac, when he returned to his mantra that “entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay.” Zodiac reinvigorated Fincher, inspiring a string of films—The Curious Case of Benjamin Button, The Social Network, and The Girl with the Dragon Tattoo—that enthralled audiences and garnered his films dozens of Oscar nominations.

Kato, the proud, purebred Akito dog, has steadfastly maintained his silence over what he saw on the terrible night of the killings of Nicole Brown Simpson, former wife of O.J. Simpson, and Ron Goldman. Now, lured by a multi-million dogbone advance, Kato barks out what Really happened on that windy night outside the home of Nicole.

This groundbreaking film study begins with a survey of American print humorists from eras leading up to and overlapping the advent of film--including some who worked both on the page and on the screen, like Robert Benchley, Will Rogers, Groucho Marx and W. C. Fields. Six comic film genres are identified as outgrowths of a national tradition of Cracker Barrel philosophers, personality comedy, parody, screwball comedy, romantic comedy and dark comedy. Whether it is Mark Twain or a parody film involving Steve Martin, comedy is most often about blowing "raspberries" at the world, and a reminder you are not alone.