Bram Stoker Dracula And The Victorian Gothic Stage

Bram Stoker, Dracula and the Victorian Gothic Stage re-appraises Stoker's key fictions in relation to his working life. It takes Stoker's work from the margins to centre stage, exploring how Victorian theatre's melodramatic and Gothic productions influenced his writing and thinking.

'My revenge is just begun! I spread it over centuries, and time is on my side,' warns Dracula. This statement is descriptive of the Gothic genre. Like the Count, the Gothic encompasses and has manifested itself in many forms. Bram Stoker and the Gothic demonstrates how Dracula marks a key moment in the transformation of the Gothic. Harking back to early Gothic's preoccupation with the supernatural, decayed aristocracy and incarceration in gloomy castles, the novel speaks to its own time, but has also transformed the genre, a revitalization that continues to sustain the Gothic today. This collection explores the formations of the Gothic, the relationship between Stoker's work and some of his Gothic predecessors, such as Poe and Wollstonecraft, presents new readings of Stoker's fiction and probes the influences of his cultural circle, before concluding by examining aspects of Gothic transformation from Daphne du Maurier to Stoker's own 'reincarnation' in fiction and biography. Bram Stoker and the Gothic testifies to Stoker's centrality to the Gothic genre. Like Dracula, Stoker's 'revenge' shows no sign of abating.

It is perhaps one of the best known and most influential novels in all of literature: 1897's Dracula didn't merely inspire countless adaptations for stage and film, it invented an entire genre of horror: the vampire story, which continues to evolve today into wildly varied directions, from noir detective pastiches (the vampire as night-owl P.I.) to tween romances (the vampire as dreamy but distant boyfriend). Anyone who wants to know where it all began must read this 1897 work, still startling and still terrifying even today. The story of English solicitor Jonathan Harker and his strange new client, Transylvanian aristocrat Count Dracula, this is the classic work of Victorian gothic horror, the continuing eerie wellspring of many of our cultural fantasies and nightmares. Irish author ABRAHAM STOKER (1847-1912) worked for more than a quarter of a century as manager of the West End's Lyceum Theatre, which drew him into London's literary and artists circles; he was a friend of such luminaries as writer Sir Arthur Conan Doyle and painter James Abbott McNeill Whistler. Stoker is also the author of The Lair of the White Worm (1911), among other books.

String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.

Dracula (1897) is one of the most commonly studied gothic novels and has been hugely influential through adaptations in fiction, on stage and in cinema. Offering an authoritative, up-to-date guide for students, this book introduces its context, language, themes, criticism and afterlife, leading students to a more sophisticated understanding of the text. It is the ideal guide to reading and studying the novel, setting Dracula in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, providing exemplary close readings, presenting an up-to-date account of its critical reception. It also includes an introduction to its substantial history as an adapted text on stage and screen, focusing on the portrayal of the vampire from Nosferatu to Interview with a Vampire. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading.

A collection of essays by some of the world's leading scholars analyzing and celebrating the novel's legacy in popular culture.

.0000000000When Jonathan Harker is summoned to Transylvania to finalise a property deal for the mysterious Count Dracula he little suspects that he is unleashing a terrible evil on his fellow countrymen. In this classic novel about vampires Bram Stoker captured the fears of his age. Dracula represents everything everything the Victorians feared: the irrational, the pagan, the erotic and the foreign.With an Afterword by Jonty Claypole.

This volume provides a critical reappraisal of Stoker’s Dracula by examining various adaptations of the book, as well as different literary, cinematic, theatrical, cultural, artistic and creative reworkings of the Gothic.